Mausam

Caught this movie totally by chance and could not turn away from it.

The story at its fundamental explores a father and daughter relationship, missed opportunities and the act of repentance.

Firstly, let congratulate Gulzar for making such a thoughtful and emotional movie. Lets not forget that this movie was made in 1975 in India, the sub-continent is very reserved and back in 1975 it was even more so. This movie tackles a subject that even today Indian movies wont go near so just imagine how ahead of its time this movie was. The movie has been handled with the utmost delicate manner.

The two main actors in the movie were amazing. Sanjeev Kumar is amazing, he was one of those actors that did not have to say much as his expressions lied within his eyes. In this movie Sanjeev Kumar plays a man with so much guilt in him, you can actually feel it and his wanting to repent. Sharmila Tagore was amazing, you would have to be a brave woman and actress to take a movie like this back in 1975 and boy does she nail it.

Conclusion, a great movie, a great story and great acting.

Enough said. A successful surgeon visiting his past and never realizing the havoc that was caused in the multiple lives (that he genuinely cared for) due to something that he neglected to do. There was a reason of course, but a superficial one which he recognizes too late. The plot revolves around the life and heartbreaking fate of Chanda and her daughter Kajali due to his self-absorption. In the first half Sanjeev presents a master-class of immense acting...you cry when he cries ( he cries only once) but you also cry when he is hit with a proverbial emotional brick. He totally reveals the complex emotional whiplash that he suffers as the details on Chanda and later Kajali' lives are revealed. The last quarter belongs to Sharmeela in the daugher's role. What she does when she finds out the real identity of Sanjeev ....is extremely impactful and masterfully emoted. That scene makes the movie come together in ways that otherwise would not be possible.

There are some minor flaws that do not impact the plot....not much is revealed about Sanjeev's current life. Also the peripheral characters in Sanjeev's life are given only a weak presentation although the women in Sharmeela's life are given the needed depth. But they do not distract from the powerful emotionality of the movie....

This movie was made more than 40 years ago. It is interesting to think if Bollywood is capable of making this movie again?? possible but perhaps unlikely--and it is not because talents like Sanjeev Kumar may not be available (which may indeed be true)-but primarily that Bollywood "mores" on handling the love stories have changed...watch the movie closely ---and watch what Kajali's only love Kundan does when he loses her. It is a powerful scene in its own right. Would you blame Kundan? How will Gulzar rewrite Chanda's character if he were to write this story today??? same or different?

See it and be amazed.

Sanjeev Kumar has been my favorite actor. His Characters in Andhi and Sholay were impressive or, in other words, he made them unique. But, in my opinion, Mousam is his best movie in respect of characterization. Mousam is a story of a medical student who comes across his memories after spending much part of his life. These memories contain pain and pang of lost love and emotion of repentance. When Gill realizes that he has committed a mistake by not caring for a girl who builds a sweet home of love in her dreams, he tries to compensate for her by finding her daughter but a lot of water has gone under the bridge now. The film has simple plot but the real charm is the sad environment of the movie and also its music. It is the film which bases on emotions and passions. If you are not a man with sensitivity of emotion, it is not for you. Such emotional environment can be felt in Masoom also. Masoom is also a fine movie worthy of watching and remembering.

I managed to catch two gems recently. The first one was over 3 days while I worked out. Maybe the installment approach allowed me to ponder on this film and love it all over again. In Mausam, Sanjeev Kumar rocked as the young doctor-in-training, and then as the older man who comes back to Darjeeling to relive his memories. Gulzar kept many things shrouded in mystery and so many things completely understated - I was so glad he chose to not insult the viewers' intelligence with needless explanations along the way. We never found out if Sanjeev came back to Darjeeling for any other motive than R and R. We were never told if the young Sharmila actually "fell" for this older man or it was pure gratitude, since she knew who he was all along! The flashbacks were kept to a minimum and even the minor characters like Om Shivpuri, Dina Pathak and Agha were so perfect in their roles. Sanjeev was pitch perfect, playing men that were 20 years apart in age, just by subtle changes in body language and some gray hair! And in a surprising twist all the intensity, regrets and anger were portrayed by the older man. Sharmila was excellent in the mother daughter roles, although clearly outclassed by Sanjeev. And the divine music - Dil Dhoondhta Hai Phir Wohi Fursat Ke Raat Din. A perfect 10 from me for this perfect film.

Mausam (1975) : Brief Review -

Gulzar's Poetic mind gives birth to one of Vulgarly sensitive film and path-breaking Classic of Bollywood. I deliberately used the word path-breaking because Mausam has leading actress playing a role of a Prostitute, and the second thing is it has Love Beyond Generation Gap flavour which didn't happen mostly in Bollywood by 1975. It cannot be called a love story because the only real love story in the film lasts for 15 minutes and then there are several other love stories in incomplete mode but are not that real or two sided. Mausam is a story of a Doctor Amarnath who falls in love with a village girl Chanda, he promises to come back soon and leaves for his exams. When he returns after 25 years he finds Chanda dead and her Daughter at brothel. In atonement he tries to recover her life by taking her with him but sensitive scenario takes solid turn when she falls in love with him. Mausam tries to discover many issues of society such as Mindset of a Prostutite, cruelty of evil minded people who force a girl to live at Brothel, redemption of a Man and his respect towards a prostitute. Sharmila Tagore is brutally beautiful and delivers a hard-hitting performance. Sanjeev Kumar doesn't disappoint at all even while playing an oldy. Music is decent and dialogues are Excellent. Gulzar deserves an applaud for making such a brutal film so sensitively and soberly and that too in 70s. Woman's mindset is expressed in tough manners by him which was needed but was too early for a time. One can easily notice his trademark writing when he clearly points towards cruel society for the Woman's misery and at the same time he showcases a gentleman who tries to change things. Overall, Mausam is adversely crafted film with path-breaking thoughts and also breaks the love beyond generation gap formula for Bollywood. Apparently, it isn't love, it is Respect of a Man towards a Woman and a Woman's Respect towards a Man and you just need to understand it.

RATING - 8/10*

By - #samthebestest