IMDb रेटिंग
7.5/10
57 हज़ार
आपकी रेटिंग
छोटे शहर स्वीडन में दो किशोर उम्र लड़कियां . सुंदर, लोकप्रिय और जीवन से ऊब चुकी एलिन. एग्नेस दोस्तहीन, उदास और एलिन से गुप्त रूप से प्यार करने वाली लड़की है.छोटे शहर स्वीडन में दो किशोर उम्र लड़कियां . सुंदर, लोकप्रिय और जीवन से ऊब चुकी एलिन. एग्नेस दोस्तहीन, उदास और एलिन से गुप्त रूप से प्यार करने वाली लड़की है.छोटे शहर स्वीडन में दो किशोर उम्र लड़कियां . सुंदर, लोकप्रिय और जीवन से ऊब चुकी एलिन. एग्नेस दोस्तहीन, उदास और एलिन से गुप्त रूप से प्यार करने वाली लड़की है.
- पुरस्कार
- 19 जीत और कुल 8 नामांकन
Rebecka Liljeberg
- Agnes Ahlberg
- (as Rebecca Liljeberg)
Josefine Nyberg
- Viktoria
- (as Josefin Nyberg)
फ़ीचर्ड समीक्षाएं
10Muslinca
If you believe that movies can change or really add something to make you look at life and its challenges in a different way, this movie is undoubtedly one of those which do change things! Unlike the most other movies FA moves in a mostly pure and true way. There's barely heart-melting music to evoke emotions, but strong intensity. Watching the movie, you want it to go on forever, and when it's over, you nevertheless feel perfect happiness because you've witnessed life as it is: wonderful, sad, funny and challenging. The scene when the girls want to go to Stockholm is one of the most wonderful scenes I've ever seen. An absolutely cold atmosphere and the chilly night seem to have expelled life from this little city in the middle of nowhere, but the glances of Elin and Agnes and their few words are as alive as possible. The few seconds in the car are as if they had already succeeded in getting out of their emotional misery, as if they were in Stockholm, and yet the surroundings are still the same, the same unbearable cold light and the same endless darkness beyond the street. It's not the spot that is different, but the girls themselves. For a moment they feel the enormous strength of life and love. For a moment they know where they belong to. For a moment everything is perfect. I'm in love with that scene. Sometimes words can be beautiful, sometimes authors strike divine chords, sometimes painters create mystery and dreams, but only movies can unite movements and words, glances and silence. A smile and the hurting silence, one single word spoken with the glance of love. Movies can have such an incredible power, but rarely do they get by using it. FA does! It changes, maybe it changes things of which I didn't even know they exist, there's possibly not even a word to name them. This movie is just pure, and no rational explanation or critic can keep up with its emotional intensity. Don't understand it, love it!
This was one of the best lesbian movies i ever seen. I can personally relate to the characters, and i believe that they portrayed young teen lesbians very realisticly, that is how we really are folks, none of that hollywood blonde bimbo stuff, that was real. There was nothing fake about this movie and i think the actresses were awesome! If you're looking for a real quality movie, i suggest you give this movie a chance!!
Usually when I flip through the channels and come across a foreign film, it's either an unrealistic sexual crazy flick or a Gerard Depardieu period piece with WAY too much dialogue....this sure was a pleasant surprise.
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
10purma
I just have to leave my own praise for this wonderful film. No other film has ever touched me this way, and I don't think anything will ever surpass this.
Maybe it's because Lukas Moodysson and I share so much common values (Morrissey, obsession with teenage-romances and protective attitude towards that phase of life that is easily forgotten or denied.). As a 24 year old male I cannot watch this with dry eyes and I have seen this about 9 times. Rebecka Liljeberg's desperate eyes, thoroughly true blurted dialog, awkward silences and perfect resurrection for that old Foreigner song that doesn't fit into either of main character's musical taste, but will remain so important to them anyway... oh..
I raise my glass of chocolate milk for this achingly beautiful movie, without this my own past would be more dark and forgotten, but you, Lukas, Alexandra, Rebecka and the rest have reminded me what love is all about and why it's still worth seeking.
It's not just a good movie, it's one of those rare certainly good things on earth.
Maybe it's because Lukas Moodysson and I share so much common values (Morrissey, obsession with teenage-romances and protective attitude towards that phase of life that is easily forgotten or denied.). As a 24 year old male I cannot watch this with dry eyes and I have seen this about 9 times. Rebecka Liljeberg's desperate eyes, thoroughly true blurted dialog, awkward silences and perfect resurrection for that old Foreigner song that doesn't fit into either of main character's musical taste, but will remain so important to them anyway... oh..
I raise my glass of chocolate milk for this achingly beautiful movie, without this my own past would be more dark and forgotten, but you, Lukas, Alexandra, Rebecka and the rest have reminded me what love is all about and why it's still worth seeking.
It's not just a good movie, it's one of those rare certainly good things on earth.
I watched this with my girlfriend, who said it was one of the best love stories she had ever seen - I tend to agree. I am not usually a fan of love stories, preferring a good zombie flick, but this one transcended the genre by showing emotion and motivation of the characters in such an interesting way that you couldn't help but sympathize with them.
I confess that my motivations for watching it were rather base; I heard that it was about teenage Swedish lesbians, and thought that was a subject I would certainly like to explore in more depth. On the one hand, there are none of the explicit scenes I was hoping for; on the other hand, I got into the movie so much I didn't miss them.
Fans of love stories, teenage angst, girl power and anything related will definitely like this movie. Other people will like it too, you'll just have to talk them into watching it. It would certainly make a good date movie, or just one to provoke discussion and romance.
I confess that my motivations for watching it were rather base; I heard that it was about teenage Swedish lesbians, and thought that was a subject I would certainly like to explore in more depth. On the one hand, there are none of the explicit scenes I was hoping for; on the other hand, I got into the movie so much I didn't miss them.
Fans of love stories, teenage angst, girl power and anything related will definitely like this movie. Other people will like it too, you'll just have to talk them into watching it. It would certainly make a good date movie, or just one to provoke discussion and romance.
क्या आपको पता है
- ट्रिवियाAlthough set in the Swedish town Åmål, not a single scene was actually shot there. All exteriors were filmed in Trollhättan, almost 100 miles away.
- गूफ़When Agnes' disabled friend comes to the birthday party, a door bell is heard. However, when Agnes father answers the door the friend is at the bottom of the stairs in her wheelchair and is clearly unable to get to the bell beside the front door.
It was probably her driver who did press the door bell and left before he/she was seen.
- क्रेज़ी क्रेडिटAt the end of the credits, there is a picture of two hearts with "COCO" between them. Coco is the name of director Lukas Moodysson's wife.
- कनेक्शनFeatured in Bag om filmen 'Fucking Åmål' (1999)
- साउंडट्रैकI Want to Know What Love Is
Composed by Mick Jones
Performed by Foreigner
Med tillstånd av Warner / Chappell Scand. AB / Warner Music Sweden
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- SEK 90,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,69,331
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $17,110
- 17 अक्तू॰ 1999
- दुनिया भर में सकल
- $2,19,331
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