अपनी भाषा में प्लॉट जोड़ेंThe life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his par... सभी पढ़ेंThe life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film cu... सभी पढ़ेंThe life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film curator, psychologists, and Maryland's last censor, who shudders at the memory of Waters's p... सभी पढ़ें
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
- Self
- (as Patricia Waters)
- Self - retired priest
- (as Rev. Fred Hanna)
फ़ीचर्ड समीक्षाएं
In viewing the documentary, you'd almost swear that Waters stopped making films after PINK FLAMINGOS--at least until he made PECKER two and a half decades later. I say this because almost no mention at all is made of any of the films in between other than a very brief clip from FEMALE TROUBLE and DESPERATE LIVING. I understand why this wasn't done--the film was only 96 minutes long, but it still seemed a bit remiss for neglecting to even mention the other films or talk about how the director made the odd transition from beyond the fringe to mainstream.
However, I won't be a total party-pooper. What I did see, I really liked--but I was sure left wanting to see so much more as well as hear about his stock actors. Divine was discussed in some depth, but the others really seemed unimportant--and this is far from true.
Maybe this should be made as a mini-series or perhaps have a sequel or two.
Besides the interviews with filmmakers who were inspired by John Waters, there were also interviews with journalists, film historians, and even psychologists. A nice touch was the interviews with the lady from the film censorship board. I liked that the documentary didn't try to turn her into some kind of a villain. She was just a Christian lady who didn't like these sort of movies. The interviews with the parents of John Waters, and with the mother of Divine were sweet. It was nice to learn that, although they had never seen 'Pink Flamingoes' they all were supportive of their children's choices.
This documentary is timeless and a must-see for any John Waters fan (although, they probably already know everything). And not only - actually anyone deeply interested in the film has to see that documentary. Yes, it is that important of a movie.
क्या आपको पता है
- भाव
John Waters: Underground films are... I guess what most people think of underground films are films that were made on a very cheap budget with unknown people, that sort of play sporadically. You don't really know where they're playing, you have to sort of look for them.
- क्रेज़ी क्रेडिटKenneth Anger and Russ Meyer declined to be interviewed for this film.
- कनेक्शनFeatured in Midnight Movies: From the Margin to the Mainstream (2005)
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $39,842
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $750
- 19 मई 2000
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1