Cutting Moments

Five strange little horror films that, thanks to the inventiveness of the filmmakers, manage to rise above their obviously limited budgets. I received this from a friend on a double-sided DVD that also includes the movie Buried Alive. I watched this first, expecting it to be the lesser of the two, but hopeful, considering the Tom Savini quote emblazoned on the box art, that it might surprise me. It certainly did, and for a freebie, there is no cause for complaint. The acting - all seemingly from 'semi-professionals' - is uniformly awful, the effects cheap and nasty, but the ideas more than make up for that. Other posters have gone into the plots in detail, so I won't bother, but I agree that the Bowl Of Oatmeal is the least enjoyable segment. Interesting, but not as much fun as a crack-smoking mutt or a nagging old biddy driving her murdering husband nuts! The final titular short is thoroughly nasty, and even I, a David Cronenberg fan, had to watch it through my fingers! If you don't find the sight of a woman cutting off her own lips with a pair of scissors disturbing, I fear for your sanity...

My only question would be the year of production. There are next to no credits on the end of the Region 2 DVD, and although IMDb claims this was made in the late nineties, the cinematography would suggest it was all made on the cheap - perhaps as student films - in the 80s. In fact two of the films have clear 80s references; the old couple's gravestones say they died in 1987, and the teen-movie short has repeated references to Breakfast Club star Molly Ringwald. Have they tacked on four 80s flicks to the recently successful Cutting Moments short to make a feature? (If that's the case, what has happened to these filmmakers, who show a lot of promise in this collection?) Or are they all from the nineties and the two films I mentioned are 'period pieces' - Principles of Karma being a parody of the 80s teen-movie, for example? I hope someone else can update IMDb to ease my curiosity...

But anyway, if you can forgive the poor production values and you like macabre tales, you're in for a short, sweet treat!

This film is extremely hard to review and to give a score for, but I'll try.

This is a short which clocks in at 24 minutes, and boy does it use every one of those minutes to full effect. The actor who played the wife was incredible in my mind, as she portray volumes her of character through simple gestures. Nothing much can be said about the other two actors, except the husband pulls one of the most horrid faces in the ending part of the film.

The gore isn't too intense, but two scenes towards the end will definitely stick out in your mind long after the viewing. They WILL make you flinch, and cry out in disgust, you can be assured off that.

So, I would recommend a watch. It certainly doesn't break any barriers, but it does give an unflinching portrayal of what tedious suburban living can possibly lead to.

This was pretty cool to see. An anthology of shorts, my favorite was the short "Bowl of Oatmeal," which contained the most atmosphere. The showcase is the short CUTTING MOMENTS. This was one of the hardest pieces of film I have ever tried to watch... very gruesome!

A great short film. Like many others on here I am fairly desensitised to "shock" films after watching absurd tripe like: August Underground Mordum, A Serbian Film (uncut version), Salo e.t.c and plenty of graphic footage off the internet.

This film is great on so many levels and is not overestimated like some morons on here would have you believe. They moan about it being low budget and crappy special effects and bad actors! Well surprise idiots! It is a low budget and very short film......Duh

The point I am trying to make is that even with the cheapo special effects this film still gets across its message hard and that just the thought of what she was doing was graphic enough for me. Another analogy I have is that a good game does not need good graphics for it to succeed or be enjoyed, the game play is what matters.

It starts off slow and boring for a reason and if you don't get why you really are a lost cause and should go back to watching your run of the mill "shock" films. The lack of dialogue just adds to the suspense and intensiveness of the build up.

All in all a great short film that I rate up there with the best "Horrors". It is funny that the most shocking gut wrenching films that I have ever seen are not horror or shock films but about real events that have happened. No film has ever moved me so emotionally or shocked me or disgusted me than "The Stoning of Soroya M" this is no horror film but the most "Horrific" film I have ever seen.

First thing's first. All of the stories in this classic anthology look like separate short films. Somebody put these together, and, knowing Douglas Buck's title segment was the most shocking, they saved the most effective one for last. I dig the whole anthology. "Crack Dog" is surreal, gory, and downright hilarious. "Don't Nag Me" is less outrageous, but no less clever and darkly funny. "Bowl of Oatmeal" is downright bizarre filmmaking, and (while I consider it the lesser of this collection) I enjoyed it also. "Principles of Karma" was really, really good. It has some good things to say about how unfair things can become for some truly good people when oppression spawns extremists who ruin their own revolution by paving another road to hell with good intentions. "Cutting Moments", the title segment itself, simply blew me away. I have never seen things this grotesque that were as powerfully dramatic as those on display in Douglas Buck's highly effective short film. The sadomasochistic gore and self-mutilation scenes have an inexplicable force behind them so strong that even the sickest scenes take on a feeling of harsh drama. "Cutting Moments" as an anthology is definitely a favorite of mine, a diverse collection of the perverse and, more often than not, hilarious. Still, BE PREPARED for the title segment. If it doesn't make you puke or totally depress the hell out of you (or both), something might be really wrong with you.