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7.0/10
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अपनी भाषा में प्लॉट जोड़ेंAn aspiring writer is hired as a croupier at a casino, where he realizes that his life as a croupier would make a great novel.An aspiring writer is hired as a croupier at a casino, where he realizes that his life as a croupier would make a great novel.An aspiring writer is hired as a croupier at a casino, where he realizes that his life as a croupier would make a great novel.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
An aspiring writer (Clive Owen) is hired as a croupier at a casino, where he realizes that his life as a croupier would make a great novel.
My interest in gambling movies is about average, though I do find them somewhat interesting in the context of organized crime. That was not a major aspect here, though the movie was not without its unexpected death and shady characters. Lead by Clive Owen, it was a decent little story.
I also like that he was not a croupier just for the sake of being a croupier, but also had the idea of writing a book in mind. This then creates the fun of the unreliable narrator... is everything he says true, or is part of this just his fantasy of what would make for a better story?
My interest in gambling movies is about average, though I do find them somewhat interesting in the context of organized crime. That was not a major aspect here, though the movie was not without its unexpected death and shady characters. Lead by Clive Owen, it was a decent little story.
I also like that he was not a croupier just for the sake of being a croupier, but also had the idea of writing a book in mind. This then creates the fun of the unreliable narrator... is everything he says true, or is part of this just his fantasy of what would make for a better story?
CROUPIER (2000) *** Clive Owen, Gina McKee, Alex Kingston, Kate Hardie, Nicholas Ball. British director Mike Hodges returns with his trademark hands-on film noir twisting with Owen part Connery/part Gibson as a contemptuous struggling novelist who takes a job as a casino croupier with much disdain for its clientele and the razor's edge trundling of enjoying the afterhours lifestyle while struggling to maintain his identity from his story's semi-autobiographical character. Smartly written by Paul Mayersberg with its pulp fiction heart and soul on display works well until its unfortunately false ending. Owen gives a silky smooth enhancing performance of a man at odds with his life and makes it all look effortless.
This film-noir crime drama gets my vote for sleeper of the year. It is an expertly written story that is subtly directed and superbly acted. It makes up for the dozens of dreadful independent films one has to mine to find such a gem.
Jack Manfred (Clive Owen) is a struggling writer, who on the advice of his father takes a job as a croupier at a local casino, a job he previously held when he lived in South Africa. He takes the job to make some extra money, but soon he realizes that it would be an excellent setting for a novel. He becomes an impassive observer of the gambling culture on both sides of the table, taking mental notes that are later incorporated into his book. However, as time goes on he is seduced from observer to participant, gradually breaking all his own rules and justifying his decadence by convincing himself that he has become the character in his book. His feeling of control is delusional as he is being manipulated by unseen forces that are beyond his comprehension.
There is a wonderful multi-layered texture to the story. It examines the psychological aspects of the gambling casino from the inside out, allowing us to look at the trade from the casino's perspective. It also weaves in love, sex, deceit and betrayal along with robbery and murder. A few plot gaps leave the viewer with some unanswered questions, but they are minor. The ingenious weave of plot elements culminating in a clever ending more than makes up for the flaws. Director Mike Hodges did an outstanding job of creating realistic casino environment without a lush budget. Hodges got the feeling just right as well, portraying various types of gamblers from the high rollers to the addicts.
The acting was superlative. Clive Owen emerges from the shadow of his television resume to deliver a complex and brilliant performance as the cunning but stolid croupier. If anyone with clout ever sees this film, his agent will certainly be getting some calls. Alex Kingston also does a fine job as the enigmatic Jani, who lures him into a nefarious scheme that sends his life spinning dangerously out of control.
This intelligent film keeps the viewer engrossed throughout. I rated it a 9/10. It presents a fine alternative to mindless big budget films that are more form than substance.
Jack Manfred (Clive Owen) is a struggling writer, who on the advice of his father takes a job as a croupier at a local casino, a job he previously held when he lived in South Africa. He takes the job to make some extra money, but soon he realizes that it would be an excellent setting for a novel. He becomes an impassive observer of the gambling culture on both sides of the table, taking mental notes that are later incorporated into his book. However, as time goes on he is seduced from observer to participant, gradually breaking all his own rules and justifying his decadence by convincing himself that he has become the character in his book. His feeling of control is delusional as he is being manipulated by unseen forces that are beyond his comprehension.
There is a wonderful multi-layered texture to the story. It examines the psychological aspects of the gambling casino from the inside out, allowing us to look at the trade from the casino's perspective. It also weaves in love, sex, deceit and betrayal along with robbery and murder. A few plot gaps leave the viewer with some unanswered questions, but they are minor. The ingenious weave of plot elements culminating in a clever ending more than makes up for the flaws. Director Mike Hodges did an outstanding job of creating realistic casino environment without a lush budget. Hodges got the feeling just right as well, portraying various types of gamblers from the high rollers to the addicts.
The acting was superlative. Clive Owen emerges from the shadow of his television resume to deliver a complex and brilliant performance as the cunning but stolid croupier. If anyone with clout ever sees this film, his agent will certainly be getting some calls. Alex Kingston also does a fine job as the enigmatic Jani, who lures him into a nefarious scheme that sends his life spinning dangerously out of control.
This intelligent film keeps the viewer engrossed throughout. I rated it a 9/10. It presents a fine alternative to mindless big budget films that are more form than substance.
I was a croupier myself for the best part of 15 years and I expected to see the usual depiction of a casino. You know the scene - think of any Bond movie - the Roulette wheel spins so fast that you can't see the numbers, the dealers all have sticks and speak in French accents, the bets are all placed before the ball is spun and all straight up on the number.
Not so this movie. Anyone that has ever been inside a real casino would
recognise this place. The urgency of every punter trying to get the last bet on before the ball drops, the cheats, the sad, sad losers that wait forever to place their last chips.
This is the most realistic depiction of a casino I have ever seen.
Clive Owen is perfect. He has obviously had a lot of training - only one criticism of his technique - he looks in the wheel as the ball is dropping - a good dealer looks at the layout and watches for late bets, he should be the last person to know which number has come up - he must have eyes in the back of his head to
spot a cheat the way he deals!
For realism, you can't fault this film - every character, even the peripheral extras are real and believable - it's a tour de force of perfect character sketches - the plot is almost irrelevant - in fact, it is not quite up to the incredible atmosphere created - but it's good enough, the film is well worth your time. Hell, it's worth watching 2 or 3 times just to catch all of the great little cameos that you might have missed the first time
9 out of 10
Not so this movie. Anyone that has ever been inside a real casino would
recognise this place. The urgency of every punter trying to get the last bet on before the ball drops, the cheats, the sad, sad losers that wait forever to place their last chips.
This is the most realistic depiction of a casino I have ever seen.
Clive Owen is perfect. He has obviously had a lot of training - only one criticism of his technique - he looks in the wheel as the ball is dropping - a good dealer looks at the layout and watches for late bets, he should be the last person to know which number has come up - he must have eyes in the back of his head to
spot a cheat the way he deals!
For realism, you can't fault this film - every character, even the peripheral extras are real and believable - it's a tour de force of perfect character sketches - the plot is almost irrelevant - in fact, it is not quite up to the incredible atmosphere created - but it's good enough, the film is well worth your time. Hell, it's worth watching 2 or 3 times just to catch all of the great little cameos that you might have missed the first time
9 out of 10
In the "Croupier", Mike Hodges takes us in a thrilling journey in the underworld of gambling. We are introduced to Jack (Owen), an average guy who tries (unsuccessfully) to make a living as a writer. He lives a with his girlfriend Marion (McKee), an ex-cop who is deeply in love with him (while he is quite more reserved in his feelings). However, after his father arranges for him a job offer as a croupier in a casino, his life gets completely transformed: His new world and the creatures that live in it begin to devour him, and his character gets gradually reshaped. He is faced with corruption, lust, and ultimately, crime, and Marion does not seem to have the ability to bring him back.
Mike Hodges gives us an excellent account of Jack's world, with the characters being vividly and convincingly portrayed. A small plot twist in the end adds up to the overall excitement.
Clive Owen is simply superb as the icy croupier, who although he tries to be detached, he simply cannot (and probably does not want to) escape from his downhill path. We also enjoy very good performances by all the other actors involved.
8/10.
Mike Hodges gives us an excellent account of Jack's world, with the characters being vividly and convincingly portrayed. A small plot twist in the end adds up to the overall excitement.
Clive Owen is simply superb as the icy croupier, who although he tries to be detached, he simply cannot (and probably does not want to) escape from his downhill path. We also enjoy very good performances by all the other actors involved.
8/10.
क्या आपको पता है
- ट्रिवियाSat on the shelf for two years before release.
- गूफ़When Jack has a job interview at the London casino his father recommends him for, the manager (Mr. Reynolds) at one stage asks him the current count at the Blackjack table. Jack insists it is -9, the manager insists it is -8 to which Jack confides smugly to himself "It had taken him 45 minutes but Jack now had Mr. Reynolds number. The man couldn't count." Neither Jack or Mr. Reynolds can count. The count is actually at +2.
- इसके अलावा अन्य वर्जनThree versions were released: a general theatrical release, a slightly edited cut for Argentina, and a more edited one for Poland. Runtimes were, respectively, "1h 34m (94 min), 1h 34m (94 min--Argentina)", and "1h 31m (91 min--Poland).
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $62,01,143
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $63,472
- 23 अप्रैल 2000
- दुनिया भर में सकल
- $71,20,568
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