L'école de la chair

Isabelle Huppert is as beautiful as ever, but it is hard to see why her character does the things she does in this confused tale of cross-generational lovers. As a middle-aged businesswoman, Huppert takes a much younger bisexual bartender/hustler into her home, pays his debts, buys him clothes. He never seems to treat her well enough to justify her generosity, and he never seems interesting or lovable enough to justify her affection. It all comes unravelled eventually, after enough nude love scenes to keep most of the audience awake most of the time.

This film is near the top of my list for best films out of France. It is a superb production. The scenes between Dominique (Isabelle Huppert) and Quentin (Vincent Martinez) are completely convincing with natural conversation and sensitive mood changes. While the disparity of ages between lovers is not a new theme, it has never been handled more expertly than here where the older woman wants to "possess" the young call-boy but he is determined to remain a free spirit. What is so arresting in this story is that we know so little about the characters and their past. But information is gleaned bit by bit from their conversations, and never very much, so we hunger for more as the story unfolds. The dewy-eyed Isabelle Huppert in the final scenes reveals her talent as a fine actress. A wonderful piece of cinema that holds you to the end...and what an ending when the two characters realize that their dream has ended and they now face the harsh realities of life.

Isabelle Ann Huppert is a gorgeous, mature woman. She dominates this film, and even though a strong cast supports her, she still dominates. Her motive for sticking with this jerk remains cloudy, unless he is the world's greatest lover. I was mesmerised by Huppert, however, and I will look for more films with her in them, and there are quite a lot of them.

If there is one thing you can't blame the creators of this movie of, than it must be the fact that their movie is too sugar sweet. This is certainly not like any other romantic Hollywood movie that you may have seen in the past. This movie is actually a very good study of people and human nature in not so average but very recognizable situations.

"L'École de la Chair" or "The School of Flesh" could be the title of a cheap porn movie, but it certainly isn't. This is an intelligent movie about a mature fashion executive called Dominique who gets obsessed with Quentin, a bisexual male prostitute. He's a violent man who loves nobody but himself and yet she can't resist him. She is filled with passion, but hates the man at the same time because he always hurts her feelings and doesn't seem to love or care about her. What should she do? Should she show him the door or keep trying to get him out of the prostitution? Should she listen to her friends, colleagues, Quentin's former and current clients... who all try to help her, but sometimes do more harm than good?

Although I would like to say that everybody should watch this movie, I know for sure that not many will like it. This isn't the kind of movie that will easily reach a large audience. Nevertheless this is an interesting movie, but I guess it will be loved most by people who are used to watch this kind of movies or people who like the European cinema. Personally I liked what I saw and that's why I give it a 7.5/10.

There is something extraordinary about the two leads in this movie. Vincent Martinez was initially quite appalling to look at - scrawny, brooding with features more akin to a caricature! However, as the film progresses, one can sense a certain charisma and physical presence that he projects more and more palpably; yes, even from a man's perspective. But that's as far as it goes for him...

As for Isabelle, my! What an actress, what a woman! These French actress: Catherine Deneuve, Adjani, Beart - very few Hollywood actresses can be placed in the same league as them. This is my first time seeing Ms Huppert perform and I was really blown away. She brought so much contradicting sides to her character and she made them so believable. The character is strong in career and personality, yet vulnerable in her devotion to the above-mentioned man-animal. She is decisive and purposeful in life choices of career, marriage and the man-in-her-life yet defers constantly to the whims and fancies of him. You get the picture!

Anyway, with one single long shot of her face as betrayal, despair and sadness climax into a single track of tears - extraordinary! No self-pity, no cloying sentimentality; just plain sadness at the state of affair....At first glance, she did not appear extraordinarily beautiful. But as the film progresses, she looked increasingly radiant and one can't help but feel drawn to her.

One of the best film I've seen at this year's film festival where more is said through pregnant silences than confrontations and accusations a la Hollywood.