I Stand Alone

Following the life of the most disaffected, disillusioned, alienated, resentful, hostile and unbalanced middle aged man that has ever carried an image on a screen - but is he alone, and can all the factors he believes brought him to this nadir of all nadirs actually be correct, that there was little or nothing to be done, with the cards he was dealt as a child, the hands he had to play during his formative years, set in stone, to fatefully be performed in only one way, as unsatisfying an existence that could ever have walked this earth, beaten by the state, society, its structures and its rules.

You won't come away with a smile on your face, or at least not until you realise that there's always someone worse off than yourself. A painful watch at times, but it comes with the director's territory.

Good, well-directed French film in the vein of TAXI DRIVER, where an out-of-work, 50-year-old butcher slowly begins to lose control with the people and the world around him as he encounters one indignity after another. Unable to find a job no matter how hard he tries, having to contend with abuse from the fat and controlling dominant woman he lives with just because she has a few dollars, facing the burden of having fathered an illegitimate girl who now lives in a home and is unable to communicate, the tensions mount until the butcher is in danger of taking his frustrations out on himself and the miserable scum around him. The butcher's bizarre feelings and motivations are translated to us through what he's thinking, instead of relying on talk.

This is a brutal, honest, powerful movie that pulls no punches and draws the viewer into the mind of the man slowly going over the edge. Many people will be able to relate to feeling as lost and hopeless as he does, at least at some dark point in their lives. Here is a foreign film that succeeds in staying consistently interesting and captivating, despite its not having a plethora of special effects and pretty young teen stars (which so many recent American films seem to require). *** out of ****

Gaspar Noë's first full-length film seeks to provide, and sometimes achieves, an elegantly bleak picture of the world through the eyes of a French butcher whose life has been devolving from day one. The film begins as a kind of quick documentary life, narrated over still photos with the voice-over of the butcher, played by Philippe Nahon. From here forward the voice never leaves us, moving relentlessly forward with its declarations of gloom and anger. The narrator's negativism commands our attention and even our respect because of its intensity and clarity. Perhaps this man is just a depressive, a hopeless loser. But his anger and his articulateness command attention and create an irresistible and memorable voice -- a voice quite reminiscent of the writings of Louis-Ferdinand Céline ("Journey to the End of the Night," "Death on the Installment Plan"), who like Noë's protagonist was a nihilist, fascist, and anti-Semite, and likewise shocked with his bluntness of expression. Set in 1980, the story of "I Stand Alone"/"Seul contre tous" may also be meant to reflect the thinking of a certain French underclass of that time whose desperation and resentment toward growing minorities in the country and toward the rich and the liberal bourgeoisie led them to rally behind the far right political leader Jean-Marie Le Pen.

Philippe Nahon is strong in the central role. Indeed one can hardly imagine anybody else playing it. But all the characters Nahon interacts with tend to be little more than static cameos. There are even moments when we are not sure they exist, or when his declarations seem like fantasies, and this uncertainty undermines the otherwise forceful narrative. Unfortunately also the film tends to disintegrate into excess verbiage and alternative finales in its last chapters. The nonstop narration has seemed to work well up to then, but when Noë resorts to an overlapping second voice and approaches the father's sexual violation of his daughter through panning off into the street, the voice-over becomes a wall preventing us from experiencing what's been dealt with and the hitherto blunt manner -- the obscene slangy language and the gun-shot blast divisions of images and the boldly declarative intertitles (Noë is of the nothing-succeeds-like-excess school of film-making) -- comes to seem a bit of a facade. As in the later "Irréversible" it seems as though the director's desire to shock and exploit ingenious and attention-getting cinematic techniques is greater than his willingness to develop a story and characters in depth. Nonetheless there are strong signs of a bold and original talent on display here, and of an independent point of view.

The respected critic Jonathan Rosenbaum went overboard when he classified "I Stand Alone" as a "masterpiece." Noë strives so hard to achieve profundity he dupes himself into the certain conviction that he has achieved it. Whether "I Stand Alone" will stand the test of time is a question only time, not Noë or Rosenbaum, can decide.

The film is not particularly well served by a Strand Leasing DVD providing a slightly blurry print and no extras. The Menu design however is rather handsome.

Watched on Netflix DVD November 2005.

'I Stand Alone' goes where few movies dare these days. It presents a portrait of hatred, disgust, despair and nihilism. Many would probably not like to face up to the fact that people like "The Butcher" exist in our society, but they do. By ignoring them we compound the problems they present and represent.

Philippe Nahon plays a middle aged unemployed French butcher who is trapped in a loveless relationship with his pregnant girlfriend (Frankye Pain). She has some money and uses it as a power trip, promising to set him up with a new shop. When that doesn't eventuate he attacks her in a fit of rage, and leaves with a gun and three bullets. He heads back to Paris with no money and no prospects. As he sinks lower and lower into hopelessness his anger intensifies, and his mind races with fantasies of violence and revenge.

This is a confronting and profoundly disturbing movie, mainly because of it's realism and believability. While it certainly features some scenes of extreme violence, and one scene of explicit pornography (blurred in the print I watched), most of what makes it so powerful and horrible is the almost non-stop venomous monologues of "The Butcher". Director Gaspar Noe self consciously apes Scorsese's 'Taxi Driver' in several scenes, but this movie is a truly original vision. Highly recommended for movie buffs with strong stomachs, and the ability to deal with dark and troubling material.

A brilliantly disturbing film, unlike anything I have ever seen. This is an incredibly detailed account of how a disturbed human mind rationalizes everyday reality. It's like looking right into the mind of a man pushed to the brink, a man capable of anything. The film darkly builds as we watch the main character fall lower and lower, becoming more and more desperate. I love a movie that can capture an emotion so strongly, and this film defiantly grabs you and does not let go. The tension literally drips off the screen making it difficult at times to take, but like a car crash, you can't take your eyes off of it.

Noe's direction is excellent. The pace is slow and methodical and cut up with a surprising sound affect that makes you jump almost every time you hear it. This just adds to the disturbing, uneasy atmosphere that the film creates.

Its a trip that not all people should take, but those of you how are not easily offended, and have a strong stomach and a good eye for art, you should go far out of you way to see this film.