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I Stand Alone

ओरिजिनल टाइटल: Seul contre tous
  • 1998
  • Not Rated
  • 1 घं 33 मि
IMDb रेटिंग
7.3/10
27 हज़ार
आपकी रेटिंग
Philippe Nahon in I Stand Alone (1998)
अपराधड्रामाथ्रिलरमनोवैज्ञानिक ड्रामा

एक घोड़े के कसाई का जीवन और दिमाग टूटने लगता है जब वह अपनी परित्यक्त बेटी के साथ फिर से जुड़ने का प्रयास करते हुए समाज के विभिन्न गुटों के खिलाफ हमला करता है.एक घोड़े के कसाई का जीवन और दिमाग टूटने लगता है जब वह अपनी परित्यक्त बेटी के साथ फिर से जुड़ने का प्रयास करते हुए समाज के विभिन्न गुटों के खिलाफ हमला करता है.एक घोड़े के कसाई का जीवन और दिमाग टूटने लगता है जब वह अपनी परित्यक्त बेटी के साथ फिर से जुड़ने का प्रयास करते हुए समाज के विभिन्न गुटों के खिलाफ हमला करता है.

  • निर्देशक
    • Gaspar Noé
  • लेखक
    • Gaspar Noé
  • स्टार
    • Philippe Nahon
    • Blandine Lenoir
    • Frankie Pain
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    27 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Gaspar Noé
    • लेखक
      • Gaspar Noé
    • स्टार
      • Philippe Nahon
      • Blandine Lenoir
      • Frankie Pain
    • 135यूज़र समीक्षाएं
    • 67आलोचक समीक्षाएं
    • 77मेटास्कोर
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    • पुरस्कार
      • 5 जीत और कुल 6 नामांकन

    वीडियो1

    Blu-ray Trailer
    Trailer 1:24
    Blu-ray Trailer

    फ़ोटो118

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    टॉप कलाकार42

    बदलाव करें
    Philippe Nahon
    Philippe Nahon
    • Le Boucher
    Blandine Lenoir
    Blandine Lenoir
    • Sa Fille
    Frankie Pain
    Frankie Pain
    • Sa Maitresse
    • (as Frankye Pain)
    Martine Audrain
    • Sa Belle-Mere
    Zaven
    • L'Homme a la Morale
    Jean-François Rauger
    • Agent Immobilier
    Guillaume Nicloux
    Guillaume Nicloux
    • Directeur du Supermarche
    Olivier Doran
    • Presentateur
    • (वॉइस)
    Aïssa Djabri
    • Docteur Choukroun
    • (as Aissa Djabri)
    Serge Faurie
    • Directeur d'Hospice
    Frédéric Pfohl
    • Infirmier de Hospice
    • (as Frederic Pfohl)
    Stéphanie Sec
    • Infirmiere de Hospice
    • (as Stephanie Sec)
    Arlette Balkis
    • Femme Mourante
    Gil Bertharion Jr.
    • Camionneur
    • (as Gil Bertharion Jr)
    Rado
    • Gardien de l'Hotel
    Nicolas Jouhet
    • Patron de Cafe
    Ahmed Bounacir
    • Client de Cafe
    Roland Guéridon
    • Vieil Ami
    • (as Roland Gueridon)
    • निर्देशक
      • Gaspar Noé
    • लेखक
      • Gaspar Noé
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं135

    7.327K
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    10

    फ़ीचर्ड समीक्षाएं

    9enicholson

    The rage of a proud, bitter, luckless man

    This fearless film may or may not be a masterpiece, but there is little about this film that feels false or inauthentic. Many have already compared this film to TAXI DRIVER; but TAXI DRIVER is more of a film about a man that is dragged to insanity by psychotic fantasies he can no longer resist. TAXI DRIVER does, however, share with SEUL CONTRE TEUS a sense of psycho-sexual determinism. The protagonists in both films are at least partly driven by sexual compulsions they either can not control, feel they can not control or badly desire to explore. Both films have memorable scenes that take place inside a porno theater, emphasizing the dominance sex and sexual compulsions have over each of the protagonists (though for different reasons in each of them).

    SEUL CONTRE TEUS, however, is less of a film about an inexorable pull toward insanity and instead is more of a film about an inescapable rage -- the rage associated with a fiercely guarded sense of pride that has a strong tendency of violence toward anything that appears the least bit insulting; and a rage that comes from endless feelings of loneliness. The protagonist (known only as "The Butcher," which is his past profession) is consequently very vulnerable to feelings of humiliation and has little ability to make sound decisions in life. SEUL CONTRE TEUS is about the rage of those in the working classes that suffer the pain of a hard childhood, are punished for their crimes that mainly arise out of anger, and endure the humiliation of unemployment and unwantedness -- yet refuse to let the harshness of life knock them down for good. The Butcher refuses to lie down. He wants to fight back at whatever blocks his path. But, like an animal, he chooses his targets arbitrarily and impulsively. Those that he is most threatened by in reality offer little danger; and perhaps could instead offer friendship or even assistance.

    The film features an astounding interior monologue that runs like an intensely embittered sermon (told through a voice over) throughout the duration of the film. Many of The Butcher's thoughts are intensely provocative and refreshingly, fearlessly insightful and profound. My favorite is probably the line that says (something like) "there is no revolution anymore; when we are all alone there is only revenge." Valuable lines like this are mixed in with incendiary rants against foreigners and homosexuals -- thoughts and emotions rooted in painfully stubborn pride and bitter humiliation, but which sometimes have the feel of some desperate, lost, apocryphal truth to them.

    There are a couple of other qualities this film shares with TAXI DRIVER. For the most part, even though they are quite frightening, the protagonists in both films are sympathetic (though again for different reasons) and even charismatic. Also, both films have extremely violent climaxes that, thematically and psychologically, resemble the male orgasm gone psychotic. The conflation of sex and violence in both films is unmistakably real and psychologically (and perhaps politically) profound. Also, both films feature a twisted sense of redemption at the end (though I will say no more than that for fear of spoiling the endings of both films) -- twisted in the sense that there is a future and not all hope is lost; but it is a hope that is rooted in something unclean and false. I think most people will find the scene of reconciliation and redemption toward the end of SEUL CONTRE TEUS to be remarkably moving (at least until it turns into something perverse).

    This film is not for everyone -- that's for sure. If TAXI DRIVER was more than you bargained for, then stay away from this film because this film is even more intense and brutal. But for those of you who desire, or even need, to see a film about the rage of a man who is disenfranchised and dispossessed and is driven toward fantasies and expressions of violence and perversity -- then here it is. This is for you.
    7m_shamoo

    Painful

    Man, that movie was intense. I saw Irreverisible a while back and just discovered this film. As I tried to rate it I have to admit that if a film effects you in the way this movie just did then there is something to it. I know many people who would be disgusted by this film and simply say they did not like it, it was a "bad movie." The reality is that every movie doesn't have to be uplifting and make you feel good. All I know is that I feel extremely alone and weird at the moment, independent of anything going on in my life. In that way, I think the film did its job. To an extent, the main character is so sick and jaded that one doesn't exactly relate to him or identify with the character. At the same time however, for those of us that don't experience life as rosy and joyous all the time, there is an element of utter pessimism that one can relate to. In a traditional sense, not that much actually happens in this movie. The majority of it is filled with an inner dialogue and scenes of people just sitting around.

    I suppose it's odd for me to say that I like this film, but as I said, I think it did its job. The soundtrack was well done and the acting was thoroughly convincing. If you can deal with "depressing" and disturbing movies, I'd give I Stand Alone a shot. If not, rent Big and go to bed feeling nostalgic and hopeful about the future.
    Infofreak

    A Stunning achievement.

    'I Stand Alone' goes where few movies dare these days. It presents a portrait of hatred, disgust, despair and nihilism. Many would probably not like to face up to the fact that people like "The Butcher" exist in our society, but they do. By ignoring them we compound the problems they present and represent.

    Philippe Nahon plays a middle aged unemployed French butcher who is trapped in a loveless relationship with his pregnant girlfriend (Frankye Pain). She has some money and uses it as a power trip, promising to set him up with a new shop. When that doesn't eventuate he attacks her in a fit of rage, and leaves with a gun and three bullets. He heads back to Paris with no money and no prospects. As he sinks lower and lower into hopelessness his anger intensifies, and his mind races with fantasies of violence and revenge.

    This is a confronting and profoundly disturbing movie, mainly because of it's realism and believability. While it certainly features some scenes of extreme violence, and one scene of explicit pornography (blurred in the print I watched), most of what makes it so powerful and horrible is the almost non-stop venomous monologues of "The Butcher". Director Gaspar Noe self consciously apes Scorsese's 'Taxi Driver' in several scenes, but this movie is a truly original vision. Highly recommended for movie buffs with strong stomachs, and the ability to deal with dark and troubling material.
    TheVid

    A brilliant, manipulative assault on viewer sensibilities.

    This is Gaspar Noe's deliberately disturbing film of one man's resentment of his own life. It's a highly cinematic monologue of malevolence by a volatile, middle-aged protagonist. The film's brilliance comes from the daring moralism it projects right up to it's startling conclusion. Without giving anything away, this is a mean-spirited, convincingly fiendish love story that sadistically gives it's audience a 30 second chance to leave the theater before things get resolved. A absolutely terrific monster movie for mature audiences only!
    jrv-4

    Living without love

    The movie shocked me, it made me feel sad, sorry and ashamed.

    It shows how a potentially good human being can become bad due to the lack of love in our society. Society and it's egoism, loneliness, selfishness, and individualism affect all humans. Some more than others. This movie is a rather extreme example, but it is definitely what is needed to shake you and make this world a better place.

    Some might interpret it as a useless display of bitterness and turn their head to keep on living their "comfortable" lives. Probably most will do that by fear of confronting such a terrible reality. With that attitude nothing will change.

    I see the main's characters attitude as the natural consequence of a society without love, a society where everything is given in exchange of something (natural consequence of capitalism). Unfortunately people living afraid and with no love are everywhere. Their acts are a consequence of the extreme individualism and lack of interest of human beings towards others, hence the lack of care for themselves, hence the lack of love.

    "Life is a selfish act". Unfortunately our society, or in other words ourselves, act selfishly. As long as that keeps on going the world will be a sad, boring and lonely place.

    I have faith in humanity and in living in a world of care, respect, tolerance and responsibility towards the rest. Unfortunately we still have a looooong way to go.

    I recommend it to everyone, specially the ones who do not like facing reality and prefer living in "comfort". They need it more than anyone. I give it a well merited 10.

    इस तरह के और

    Carne
    7.0
    Carne
    Irreversible
    7.3
    Irreversible
    Enter the Void
    7.2
    Enter the Void
    Climax
    6.9
    Climax
    Vortex
    7.4
    Vortex
    Lux Æterna
    6.2
    Lux Æterna
    Love
    6.1
    Love
    Angst
    7.2
    Angst
    Eva
    5.2
    Eva
    8
    5.8
    8
    7 días en La Habana
    6.0
    7 días en La Habana
    Antichrist
    6.5
    Antichrist

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The first-person voice-over heard throughout the film was written after principal photography was finished. Writer and director Gaspar Noé said, he was mostly drunk, when he wrote it, because he wanted to be as close as possible to the mind-set of the main character. Noé also told audiences, that the rage and frustration articulated in the voice-over was inspired by the near-poverty he experienced during the production of this self-financed debut feature.
    • गूफ़
      The main character tells the manager of the abattoir that he is 50 years old. However, the narration at the start of the movie states that the main character was born in 1939, and the movie is set in 1980, which would make him 40 or 41 years old.
    • भाव

      The Butcher: Most women are poor creatures. Being without a cock, the only way they can feel strong in front of a man is to betray him by latching on to another cock, especially when it's got more money. The part i like is after stuffed her snatch her prince charming dropped her like stinky cheese. She acted like filth, but she was smart enough to admit it. The past always catches up to you. You always end up paying for your acts. And if she threw herself in front of a subway train, it's not my fault. She obviously didn't deserve better...

    • क्रेज़ी क्रेडिट
      The film frequently cuts to title cards that display a variety of messages.
    • इसके अलावा अन्य वर्जन
      To receive an 18 certificate two shots of sexual penetration during the viewing of a hardcore sex film at a cinema were blurred for the UK release. The video featured the same optically edited print.
    • कनेक्शन
      Featured in Baise-moi (2000)
    • साउंडट्रैक
      Honour
      Composed by Thierry Durbet

      © Productions Cezame Argile · Koda Media

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is I Stand Alone?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 17 फ़रवरी 1999 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
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      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Seul Contre Tous
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      • फ़्रांस
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      • Canal+
      • Les Cinémas de la Zone
      • Love Streams Productions
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    बॉक्स ऑफ़िस

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    • US और कनाडा में सकल
      • $6,955
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $6,955
      • 21 मार्च 1999
    • दुनिया भर में सकल
      • $6,955
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 33 मि(93 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby SR
    • पक्ष अनुपात
      • 2.66 : 1

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