रैंडम हार्ट्स

**SPOILERS** Overlong and somewhat confusing drama involving an airplane crash, Southern Airline flight from D.C to Miami, where two of the crash victims were cheating on their spouses.

It's not much later that one of those being cheated on Washington D.C internal affair police Sgt. Dutch Van Den Broeck, Harrison Ford, got wind from her job that his old lady Peyton, Susanna Thompson, was on a flight to Miami to do a fashion shoot for her employer Sacks 5th Av of Washington D.C. Desperately trying to find out if Peyton was on the doomed flight Ducth not only finds out that she was, through a morgue photo at the crash site, but she was using an assumed name! Peyton was using the name of the wife of the person that booked the flight Cullen Chandler, Peter Coyote. Things get even more strange when it's discovered that the late Mr. Chandler's wife, who he's been cheating on, is non other then New Hampshire congresswoman Kay Chandler, Kristin Scott Thomas, who's now in a life and death campaign for reelection!

The movie brings the two, Dutch & Kay, together in finding if in fact it's true that they were being cheated on by their marriage partners. And in the process they end up falling in love with each other! If it was just that the film "Random Hearts" would have made for a pretty good adult love story. Instead by putting into the film murder drug dealing both police corruption and political chicanery the movie at times was almost impossible to follow!

Dutch who should have taken a leave of absent from the D.C Police Department in order for him to overcome his grief goes the exact opposite direction. Instead he goes full blast in busting fellow D.C cop George Beauford, Dennis Haysbert, for drug dealing by him getting, which is very unprofessional on Dutch's part, very personal about it. This not only leads to Dutch's top informant to get murdered but Dutch almost ending up murdered himself! Or at the least losing his job or being put behind bars for taking the law into his own hands! All of this together with Dutch trying to find out if his wife Peyton was untrue to him seemed too much for the poor guy to handle. As for Kay she had far more pressing problems in the fact if her dead husband's infidelity became public it could very well screw her out of a second term in the US Congress!

***SPOILERS*** With the film being much too long, 133 minutes, as well as complicated and confusing you completely lose interest in it at about the one hour mark! It takes a while to realize what exactly Dutch & Kay are so desperately looking for, their cheating partners secret love nest, and when they, independent of each other, finally find it what was the big shocking surprise anyway! It only proved to Dutch & Kay, what we in the audience knew all along, what should have been obvious to them right from the very beginning of the movie!

Random Hearts: Losing a significant other is a subject most people would rather not think about. Now, try to imagine this agony exacerbated by the knowledge that your spouse was headed for an illicit rendezvous when they died: the combination of grief and betrayal is simply too overwhelming to comprehend. This is what confronts Dutch Van Den Broeck (Harrison Ford) a hard-nosed cop with DC Internal Affairs and Kay Chandler (Kristin Scott Thomas) a US Congresswoman, when their cheating spouses are killed in a plane crash.

With heavy hitters Ford and Thomas on the Marquee, and the subject matter in question, I expected a well crafted, intriguing movie, or at the very least, an entertaining one. If only it were so. Hearts suffers from a flat, poorly written script, with corny formulaic dialogue - several "touching" moments left the audience in hysterics - leaving the actors with little too work with. The problems don't end there.

From its inception this movie was obviously intended as a romantic drama. I can only assume that the subplot involving an investigation of a duo of dirty cops was added as an afterthought to secure the ever-important 18-35 male demographic. The result is a quixotic mess: every time the movie begins to flow and find its legs, it veers off on a tangent, until you longer care what happens.

When the credits finally started rolling after 133 minutes I was positively exhausted. Unless you've seen all the movies that are currently out or are desperate for a pseudo date flick, give this a miss.

I admit I have been a fan of Harrison Ford for many, many years now so it didn't surprise me that I enjoyed his performance here. But I also enjoyed the way the storyline developed and thought the casting was well done. I don't know whether I "buy into" Kristin Scott Thomas as a Congresswoman but she is a fine actress and a beautiful woman. I took notice of her in the first Mission Impossible. Although her part was small she stuck out on the screen.

Here her and Ford play people whose spouses are killed in an airplane crash. They are seated together and this is where the plot takes off. Apparently Ford, a police detective in Wash D.C., discovers that his wife was having an affair. He further discovers that the affair was with the husband of a New England Congresswoman.

The story takes on many subplots as Ford and Thomas find themselves drawn together by revelations of their marriages, the uncovering of deceipt, and the pure grief and anger over the loss of a loved one.

I think the movie is worthwhile either renting or catching on cable.

Kay (Kristin Scott Thomas) is a political newbie running for office. Her husband is played by Peter Coyote. Dutch (Harrison Ford) is police IA investigator and he thinks his marriage to Peyton (Susanna Thompson) is fine. However Dutch finds that his wife died in a plane crash suspecting that she's having an affair.

Director Sydney Pollack has made a very undramatic movie. It's slow moving. The first half of the movie meanders to the point of meaninglessness. When the mystery of their affair start to surface, Dutch goes into mean investigating machine mode. Dutch investigating was interesting for about 10 minutes, but the affair is never allowed to be in doubt. The question becomes where is the mystery. Kay puts it best. They're gone. There isn't even a possibility of divorce. So what's the point of the movie.

I guess the point is for these two leads to work out their anger and their loss together. It is just so slow with the jazzy trumpets and soft piano. Sydney Pollack thinks this is more profound that it actually is. The two leads have no chemistry. Harrison Ford is horribly cold. The romance is nothing more than melodrama. His police investigation is nothing but a sideshow. I would have more respect for the movie if Dutch goes ahead and shoots the suspect. If this movie is about Kay and only about Kay, the story has a little bit of potential. There is a bit more on her side with her daughter and political ramifications.

Has there ever been a more dour, dreary and depressing movie romance than "Random Hearts," a film that drones on for 131 grueling minutes and traps two wonderful actors, Harrison Ford and Kristin Scott Thomas, in its diabolical clutches?

Ford is a police sergeant working in internal affairs and Thomas is a New Hampshire congresswoman whose paths cross when their spouses, who are having a secret affair with each other, die in a plane crash. Drawn together by both circumstance and grief, the two begin a tentative love affair despite the many complications it sets up.

The actors do their best given the stark limitations of portraying two people overcome with despair, but the audience is nevertheless subjected to more than two hours of unrelieved gloominess. In a sense, it is a bit of a relief to see a romantic film that is not all lightheartedness and carefree silliness, but a subject as profound as the study of grief and loss on the human psyche demands a less conventional, more imaginative and serious a format than this film provides. (The brilliant film, "Fearless," from 1993 is a startling case in point). The actions of the characters often ring false as when, for instance, the two grieving spouses, sitting in a car, suddenly begin grappling in a wild sexual frenzy, a moment that elicits giggles from the audience because it is so lacking in motivation and preparation. Moreover, the film pads out its narrative by constantly cutting away to an irrelevant and wholly underdeveloped subplot involving Ford's pursuit of a murderous cop - a sideshow that results in a completely ludicrous shooting scene that undercuts the seriousness of the film's purpose.

"Random Hearts" is an obvious and, perhaps, even admirable attempt to bring a more mature, adult-oriented love story to the screen. It's a shame, then, that all involved seem to have confused dreariness with profundity and gloominess with depth.