Varumayin Niram Sigappu

Varumayin Niram Sivappu (1980) : Brief Review -

I haven't seen any film exploring the conflict between moral idealism and horrible reality of unemployment in such hard-hitting manners. A damn serious formation of Chaplin's Classics. The first frame in the film shows MA holders shouting for Job, and we realise that we are in for some serious show. However, the film has some comedy in the first half that might just give it a chance to be called satire but Arguably. Poetical forces play in the life of an unemployed yet well educated young man. He finds the depth and the beauty of his principles yet fate leaves him in destitution fighting over his morals against the immorally realist nature of society. I remember all the Chaplin classics from Depression Era as well as Post World War era where he brilliantly conveyed message through his Comedy. From his last days 'Monsieur Verdoux' was one such film which didn't have much of a comedy Flavour but showcased a conman's life jingling through unemployment and his kind nature of Helping other needful people. Varumayin Niram Sivappu was sort of like a reminder of that film but here the horrible reality of unemployment was on extreme level. Even harder than Bollywood films of 50s decade which attempted the similar topic. Kamal Haasan plays a character which is morally authentic but factually very tough to find in real life. He portrays a poetically designed man with utter honesty and that outburst of his failure is expressed in right manners. Sridevi plays his love interest, a girl not as much poor as him and little confused but therefore more real. This entire love angle is designed beautifully by the writer, slightly away from typical Indian romance. This Balachander Classic is truly a genuine artistic break from mindless commercial potboilers of Tamil Cinema in 70-80s.

RATING - 8/10*

By - #samthebestest.

A lot of people thought this movie was highly exaggerated, but I think it was a pretty accurate reflection of what idealistic young men go through in India. Kamal is in his element, as is Sridevi. In fact, everyone does a good job. Plenty of melodrama and cliches, but the movie ends on the right note. Thengai Sreenivasan appears for a few incredibly funny minutes, proving that there are no small roles -- only small actors. MSV and Kannadasan, not to mention Bharathiyar, make for an everlasting classic soundtrack. Worth a watch.

One of the best films in indian film industry. K.Balachander's best film. One of the Kamal and sridevi best movies.Kannadasan wrote the lyrics. M.S.Vishwanathan scored music well

Excellent Movie. Everybody acted very well in the movie. Songs and BGM in the movie were good. The movie was so interesting. The movie was not at all boring. This is one of the Best Movie of Kamal Haasana and K. Balachander. Excellent Movie.

KB, the director of this flick has delved deep into the problem of unemployment in the 80's period of India. The license restrictions made unemployment further higher in the country and this story deals with a well-educated youth who is extensively ideal and does not lose his morality for mere survival. What follows is his actions in life making him fight his own father and come out of his house as an independent unemployed youth fighting in order to find a job. This movie also shows two other people who are the protagonist's room-mates and the film ends with the beautiful character portrayals and twist and turns. The film shows that morality is very relative in this world and the order of the day is survival through any-means. Among the protagonist's friends,one of them marries a rich widow and gets settled while the other becomes a mad-beggar roaming in the streets. The film's heroine is shown as a woman who is also a heavy victim of fate with a drunken father and a mad and rich boss who tries hard to marry her but she is in between the boss and her lover finally managing to marry her lover. Another beautiful character is the dumb painter on the roads trying to make a living through his paintings. What is clearly shown in the film is that the unemployed youth are well-educated and active young people and are not lazy people. Maslow's hierarchy of needs is exemplified through this film. Kudos to the director and the hero Kamal Haasan for this film.