चंद्रमुखी शिमला जाती है तो उसे पता लगता है कि पिछले जन्म में वह पारो थी, ऐसी लड़की जिसका बलात्कार हुआ और हत्या कर दी गई थी. अपने काले अतीत से त्रस्त, वह अपराधियों को सजा दिलाने की कोशिश करती... सभी पढ़ेंचंद्रमुखी शिमला जाती है तो उसे पता लगता है कि पिछले जन्म में वह पारो थी, ऐसी लड़की जिसका बलात्कार हुआ और हत्या कर दी गई थी. अपने काले अतीत से त्रस्त, वह अपराधियों को सजा दिलाने की कोशिश करती है.चंद्रमुखी शिमला जाती है तो उसे पता लगता है कि पिछले जन्म में वह पारो थी, ऐसी लड़की जिसका बलात्कार हुआ और हत्या कर दी गई थी. अपने काले अतीत से त्रस्त, वह अपराधियों को सजा दिलाने की कोशिश करती है.
- पुरस्कार
- 7 जीत और कुल 1 नामांकन
फ़ोटो
Priya Rajvansh
- Karuna Singh
- (as Priya Raajvansh)
Deven Verma
- Pyarelal
- (as Devan Verma)
Keshto Mukherjee
- Jagat Ram
- (as Keshto Mukerjee)
Satyendra Kapoor
- Paro's Father
- (as Satyen Kapoo)
D.K. Sapru
- Janak Singh's Father
- (as Sapru)
फ़ीचर्ड समीक्षाएं
I am shocked to see 7.2 rating on Imdb for this classic cult by Chetan Anand. i mean c'mon what is wrong with indian audience and critics. This movie deserves to be in TOP 5 hindi movies ever. Direction, Story, Sceenplay, Music & most importantly Acting be all the legends in this movie is beyond perfect.
Highly recommended to everyone who is reading this review.
Highly recommended to everyone who is reading this review.
Kudrat (nature) starts with the arrival of Chandramukhi (Hema Malini) with her parents to Shimla and to the pleasant surprise of her parents, an old friend of her mother has also come over there with her young son, Dr. Naresh (Vinod Khanna) who is a psychiatrist. Naresh and Chandramukhi become friends and Naresh silently starts feeling love for Chandramukhi in his heart. However a trouble starts taking place with Chandramukhi. She starts experiencing nightmares. A dream that frequently occurs to her is her chasing someone and then getting entangled in the hanging roots of a huge banyan tree. Further, she finds many places and people as quite familiar to her though she has never been to Shimla before (except when she was just an infant as told by her parents). Besides, she gets fascinated to the public prosecutor in the city court - Mohan (Rajesh Khanna) and in a state of something like seizure, she starts calling Mohan as Maadho and herself as Paaro. As she is undergoing fits time and again, it's a challenge for her friend, Naresh to correctly diagnose her problem and then cure it.
Naresh uses hypnotism and makes Chandramukhi to revisit the bygone phase of her life. However by default, in that hypnotic state of hers, Chandramukhi reaches back to her previous birth when she was Paaro and was in love with Maadho (now Mohan in this incarnation). Maadho's sister, Satto (Aruna Irani) was her best friend and she was living happily with her father (Satyen Kappu) in a nearby village. Through this experiment and talking to Satto who is still alive, Naresh comes to know that she was raped and killed by someone. Besides, her beau, Maadho had died even before her death. Knowing that Mohan is none else but Maadho of the previous incarnation, Naresh seeks his help to cure Chandramukhi (who was Maadho's sweetheart Paaro in that birth). By meeting Chandramukhi frequently, Mohan feels himself as in love with her despite the fact that he is supposed to marry Karuna (Priya Raajwansh) who is a lawyer and the daughter of Mohan's godfather, Chaudhary Janak Singh (Raaj Kumar). When Mohan invites Chandramukhi and Naresh to a party thrown by Chaudhary Janak Singh (Raaj Kumar), she gets frightened like anything to see him and runs away with a terrible shriek.
Now Mohan and Naresh alongwith Satto who is still alive, starts digging the buried past related to Maadho's death and Paaro's going missing. By hypnotizing Chandramukhi again, they now know a lot about the crime and the culprit. But the problem is how to prove the guilt after so many years. There's a dismissed (and drunkard) police constable (Keshto Mukherjee) still alive who knows something significant about Paaro's death because her aggrieved father had lodged an FIR in the local police station for her disappearance and her dead body was never found. Satto, Mohan and Naresh also seek the help of a holy man (Raj Mehra) who tells some relevant things to them with the help of Bhrigu Samhita (the holy code supposed to have been written by the great sage, Bhrigu Maharaaj).
Mohan gets the case of Paaro's disappearance reopened and files a criminal suit in the local court against the supposed culprit on the basis of the evidences and the witnesses available with him. After a gripping court-room drama and many twists in the story, justice finally prevails and the love-birds of the previous birth get united in this birth.
This brilliant and intriguing story would have got messed up in the hands of an inefficient director. However fortunately, it was directed by one of the most proficient and respected directors of Indian cinema, Chetan Anand (the elder brother of Dev Anand and Vijay Anand) who has handled very well not only the intricate script but also the high profile star cast. He has done justice to the roles of all the actors including Raaj Kumar, Hema Malini, Rajesh Khanna, Vinod Khanna and Priya Raajwansh and presented the story on the screen in the most interesting manner.
Alongwith suspense, there is a good dose of romance also in the movie which gets enhanced by the melodious songs composed by R.D. Burman and penned by seasoned lyricists like Anand Bakshi, Majrooh Sultaanpuri and Qateel Shifaai. Hamen Tumse Pyar Kitna Ye Hum Nahin Jaante, Tune O Rangeele Kaisa Jaadu Kiya, Dukh Sukh Ki Har Ek Maala Kudrat Hi Piroti Hai, Saawan Nahin Bhaadon Nahin etc. are all very good songs. I will mention my two favourites from this album - 1. Chhodo Sanam Kaahe Ka Gham Hanste Raho Khilte Raho (sung by Kishore Kumar and Annette) which is a foot-tapper, 2. Sajti Hai Yun Hi Mehfil Rang Yun Hi Dhalne Do (sung by Asha Bhonsle) which is a soulful song and should be listened to peacefully.
The cinematographer has ably captured the beauty of Shimla and the picturesque scenes are a treat for the eyes. Besides, since the flash back (pertaining to the previous birth of the lead characters) belongs to the British rule in India, the milieu of that period has been very impressively brought alive on the screen for which the art director deserves a pat.
Chetan Anand has given all the principal actors ample opportunity to show their talent. Hema Malini and Vinod Khanna have emerged as the best performers. Raaj Kumar could not fully get rid of his mannerisms. Rajesh Khanna and Priya Rajwansh have disappointed. The court-room scenes have gone unnecessarily over the top due to Priya's unnatural performance. Aruna Irani, Deven Varma, Keshto Mukherjee, Satyen Kappu etc. have impressed in their supporting roles.
Summing up, this reincarnation based drama is a spellbinding musical suspense-thriller with a good dose of romance.
Naresh uses hypnotism and makes Chandramukhi to revisit the bygone phase of her life. However by default, in that hypnotic state of hers, Chandramukhi reaches back to her previous birth when she was Paaro and was in love with Maadho (now Mohan in this incarnation). Maadho's sister, Satto (Aruna Irani) was her best friend and she was living happily with her father (Satyen Kappu) in a nearby village. Through this experiment and talking to Satto who is still alive, Naresh comes to know that she was raped and killed by someone. Besides, her beau, Maadho had died even before her death. Knowing that Mohan is none else but Maadho of the previous incarnation, Naresh seeks his help to cure Chandramukhi (who was Maadho's sweetheart Paaro in that birth). By meeting Chandramukhi frequently, Mohan feels himself as in love with her despite the fact that he is supposed to marry Karuna (Priya Raajwansh) who is a lawyer and the daughter of Mohan's godfather, Chaudhary Janak Singh (Raaj Kumar). When Mohan invites Chandramukhi and Naresh to a party thrown by Chaudhary Janak Singh (Raaj Kumar), she gets frightened like anything to see him and runs away with a terrible shriek.
Now Mohan and Naresh alongwith Satto who is still alive, starts digging the buried past related to Maadho's death and Paaro's going missing. By hypnotizing Chandramukhi again, they now know a lot about the crime and the culprit. But the problem is how to prove the guilt after so many years. There's a dismissed (and drunkard) police constable (Keshto Mukherjee) still alive who knows something significant about Paaro's death because her aggrieved father had lodged an FIR in the local police station for her disappearance and her dead body was never found. Satto, Mohan and Naresh also seek the help of a holy man (Raj Mehra) who tells some relevant things to them with the help of Bhrigu Samhita (the holy code supposed to have been written by the great sage, Bhrigu Maharaaj).
Mohan gets the case of Paaro's disappearance reopened and files a criminal suit in the local court against the supposed culprit on the basis of the evidences and the witnesses available with him. After a gripping court-room drama and many twists in the story, justice finally prevails and the love-birds of the previous birth get united in this birth.
This brilliant and intriguing story would have got messed up in the hands of an inefficient director. However fortunately, it was directed by one of the most proficient and respected directors of Indian cinema, Chetan Anand (the elder brother of Dev Anand and Vijay Anand) who has handled very well not only the intricate script but also the high profile star cast. He has done justice to the roles of all the actors including Raaj Kumar, Hema Malini, Rajesh Khanna, Vinod Khanna and Priya Raajwansh and presented the story on the screen in the most interesting manner.
Alongwith suspense, there is a good dose of romance also in the movie which gets enhanced by the melodious songs composed by R.D. Burman and penned by seasoned lyricists like Anand Bakshi, Majrooh Sultaanpuri and Qateel Shifaai. Hamen Tumse Pyar Kitna Ye Hum Nahin Jaante, Tune O Rangeele Kaisa Jaadu Kiya, Dukh Sukh Ki Har Ek Maala Kudrat Hi Piroti Hai, Saawan Nahin Bhaadon Nahin etc. are all very good songs. I will mention my two favourites from this album - 1. Chhodo Sanam Kaahe Ka Gham Hanste Raho Khilte Raho (sung by Kishore Kumar and Annette) which is a foot-tapper, 2. Sajti Hai Yun Hi Mehfil Rang Yun Hi Dhalne Do (sung by Asha Bhonsle) which is a soulful song and should be listened to peacefully.
The cinematographer has ably captured the beauty of Shimla and the picturesque scenes are a treat for the eyes. Besides, since the flash back (pertaining to the previous birth of the lead characters) belongs to the British rule in India, the milieu of that period has been very impressively brought alive on the screen for which the art director deserves a pat.
Chetan Anand has given all the principal actors ample opportunity to show their talent. Hema Malini and Vinod Khanna have emerged as the best performers. Raaj Kumar could not fully get rid of his mannerisms. Rajesh Khanna and Priya Rajwansh have disappointed. The court-room scenes have gone unnecessarily over the top due to Priya's unnatural performance. Aruna Irani, Deven Varma, Keshto Mukherjee, Satyen Kappu etc. have impressed in their supporting roles.
Summing up, this reincarnation based drama is a spellbinding musical suspense-thriller with a good dose of romance.
Director chetan anand also features in the movie at duration 14:11 and 14:51 wearing a coat.
I loved the movie as it held my attention and interest till the end while offering a visual feast of sorts, replete with the ethereal beauty of Hema and the very handsome Khanna (in a supporting yet powerful role), the picturesque locales and overall colourful ambiance, be it in costumes or surroundings. Performance wise, Hema Malini proves herself worthy of being the centre of attraction and action of the movie, vinod khanna has lived his character to perfection, Priya rajvansh though seems lacklustre initially, transforms into a beautiful substantial portrayal of a proud indefatigable daughter. Raj kumar is....well, raj kumar again!Aruna Irani is wasted in a half baked character but the real let down is the hero himself. Yes, Rajesh Khanna disappoints on all counts. Period. I might be biased against his 'style of acting' but I did find it woefully short of the requirements of the role. Maybe that is why I found the character one dimensional most of the time. The only thing that works for him here is his superstar status. The music is excellent(the name of the music director guarantees that!) although the songs could be better choreographed. The story clichéd but told with a difference. The courtroom drama is the highlight of the movie and takes it to another level altogether. Crowned in the end with a perfect climax,overall, the movie is a must watch for film buffs.
What a masterpiece by Chetan Anand!!!Kudrat is the movie closest to my heart apart from Karz.
I must have seen this movie 10 times but every time it gives me goosebumps,everytime I feel like Iam watching it for the first time. Yes that is the way Chetan Anand has created the movie that audience will watch it for ages. This movie leads me to an argument inside my mind about existance of reincarnation.
Hema Malini? No wonder why Dharmendra had fallen for this gorgeous screen goddess. The dashing Vinod Khanna,Rajesh khanna's super powerful court room drama,The majestic Rajkumar,Aruna Irani all did a tremendous job.
But it was Priya Rajvansh's unpredictable late entry as a hard hitting lawyer snatched away the movie from the rest.
I must have seen this movie 10 times but every time it gives me goosebumps,everytime I feel like Iam watching it for the first time. Yes that is the way Chetan Anand has created the movie that audience will watch it for ages. This movie leads me to an argument inside my mind about existance of reincarnation.
Hema Malini? No wonder why Dharmendra had fallen for this gorgeous screen goddess. The dashing Vinod Khanna,Rajesh khanna's super powerful court room drama,The majestic Rajkumar,Aruna Irani all did a tremendous job.
But it was Priya Rajvansh's unpredictable late entry as a hard hitting lawyer snatched away the movie from the rest.
क्या आपको पता है
- ट्रिवियाFilmaker Chetan Anand, made an appereance twice in this film, in the begining scenes of the film at Simla railway station. Chetan Anand dint attend the premier of Kudrat as he was upset with the producer.
- कनेक्शनReferenced in Jhankaar Beats (2003)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Kudrat?Alexa द्वारा संचालित
विवरण
- चलने की अवधि2 घंटे 44 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें