The Celebration

What a film. Apparently the first of the dogme series of films (hand held camera, natural lighting, no backing track etc.). Forget that. This is brilliant in its own right as a 'family' drama. I was hooked from 20 minutes in. A fascinating insight into how human beings will brush abhorrent past crimes under the metaphorical carpet if it means continuation of their privileged lives. Human drama at its best. 10 out of ten

First of all, the home video camera style, casting and editing perfectly suited the subject matter and script. Wealthy and overbearing patriarch is feted on the occasion of his 60th birthday -- extended family and hangers-on gather with some of the best and worst aspects of our culture on display. It's also a rather sad occasion, as one of daddy's daughters killed herself not long ago, but several guests mention how "nice" the funeral was, and which room is mine? Eldest son rises to give a toast to the old man -- and out comes some unpleasantness that people would either prefer to pretend they didn't hear, or stuff forcefully back down his throat. Then the fun really starts.

Thanks to the cast for acting with restraint -- and being believable.

Some very black humour (including pathetic scenes of the decadent bourgeoisie at play), none of it gratuitous, some of it damning, some just outrageously funny. But this is not a light film in any sense. Guess what really happens when the victimised family member tells the truth? Ouch! What about when mommy gets to choose between husband and child? Double ouch!! And finally, when victim asks dad why he did it -- well, prepare for the blow to the old solar plexus...

Trust me, I know. This is how it really happens. It's good to see a well-crafted film (that gives its human themes paramount importance) on this subject. I'm tired of watching films which try to make me feel sorry for rich kids whose parents just don't understand how hard it is to be a rich kid with pimples.

As the families (one in ten?) with histories like this one can attest, being "dysfunctional" would have been a very happy place to be, compared to the reality as shown in this fine film.

Vinterberg's "Festen" which follows the strict guidelines of Dogma 95 could perhaps be hampered in its artistic approach, but not so here. Indeed with the hand-held camera the reality of the scene is intensified to such an extent one feels an integral part of the drama.

It's a family celebration of father Helge's 60th birthday. It's strange though that all the guests seem to arrive at the same time, speeding up the driveway in great excitement. There is lots of noise. hugs and kisses and the camera intruding in a mischievous way.

This family has some terrible dark secrets known to some, not to all. They are divulged by the eldest son Christian (Ulrich Thomson) in his dinner speech toasting his father. This is a wonderful scene, tense, sharp, riveting. The guests are shaken to the core. Is he telling the truth or is he having a wicked game with the assembled company? It's great stuff - really compelling drama.

The history of the family can be pieced together from information revealed in a series of toasts, but Christian's contribution renders the party speechless. It's a fairly noisy film with lots of people talking together, having arguments (Christian's brother Michael {Thomas Bo} has an uncontrollable temper) or screaming in frustration. These out bursts contrast so well with the scenes of stunned silence. They are quite electrifying moments - no words are necessary.

Films like this one make movie-watching well worthwhile. No wonder it won a Jury Prize.

"Festen" aka "The Celebration" was the impressive directorial debut of the young Danish filmmaker Thomas Vinterberg ("It's All About Love", "Dear Wendy"), and the first film made according to the rules of the daring Dogme 95 movement. It shows that you don't need big budgets to make a great film. However, Dogme wouldn't work if its films weren't as daring as its ideals of film-making - and "Festen" proved that those guys really have much to say.

"Festen" is an extremely cruel film, and it's somewhat uneasy to watch in some moments. The celebration of the title refers to the 60th birthday of Helge Klingenfeldt-Hansen (Henning Moritzen), who entertains his big family in his castle. But Helge's son, Christian (Ulrich Thomsen, excellent), whose twin sister recently committed suicide, has an important revelation that will surprise - and displease - many people; in the meantime, other secrets are revealed and nobody will get away clean. "Festen" deserved all praise/awards it got in international festivals (it won the Jury Prize at Cannes 98) and is a great introduction to Danish cinema. My vote is 10/10.

Talk about dysfunctional families!! This movie is a real shocker ... expect the unexpected, all the way through. Very creative, profound and heart-wrenching breaking of the family silence about dark secrets. You cannot watch this movie and not be changed, outraged and shaken.