Dance Me to My Song

Although quite difficult to watch because of some of the violence, it is a very realistic portrait of a young handicapped girl and her care-giver. Having taught children and adolescents with these kinds of handicaps, I and my wife were completely enthralled and could not leave our TV screen. Yes we winced at some of the violence and hoped for a good ending, but this is a must movie. Ironically, this kind or movie does not show up on English TV but was shown on Canada's French language "life" network! What a pleasure! An excellent picture. Oh, I forgot... the movie, even though shown on a French language network, was not dubbed, so if you wish to view this excellent picture, please watch "Aime-moi telle que je suis". An experience you won't forget!

Ok, I did the whole nine yards:saw LONDON, the PALACE( did not meet the Queen)Saw the sights and heard the sounds, met wonderful people and saw a great movie at the Festival. Dance Me To My Song is unforgettable, mesmerising, thought provoking and emotionally charged.

Story of ulia is played by Heather Rose, a cerebral palsy sufferer/co-writer. She keeps your attention hooked with the aid of her emotional nemesis Madeline, played by Joey Kennedy. This movie is a must see and makes a refreshing change from what we suffer in our local theaters. Initially, a tad slow to begin with the movie picks up remarkable pace and energy as all the characters come to the fore front and yes I said characters because this is one movie where the director, Rolf De Heer has not sacrificed his characters to the gods of money or editing. Look out for the touching cameo by the brilliant Rena Owen.

The direction is great. Currently I am busy locating other Rolf De Heer movies like Bad Boy Bubby. Another great Australian director.

this is a must see movie.

I commonly feel that too much attention is paid to the semantics of what I consider to be "convenient designations" for complex conceptions (i.e. handicapped, disabled) but after reading various journal articles regarding the power of metaphorical language, I have come to pay much closer attention to the use of language. In the summary, the reviewer refers to Julia as being trapped inside of a twisted body. This opening statement struck me nearly as much as the opening scene of the movie. For someone to label a body as 'twisted' not only idealizes a certain conception of the physical body, but also disempowers any person with any type of physical disability or difference from the 'normal.' This metaphor devalues and insults human beings and at the same time sets up inescapable prison bars on the other side of which lie acceptance. This language is in fact powerful, and some metaphors are more than simply, "convenient designations."

A remarkable film which stays with you long after you leave the theatre

A strange, compelling film about a topic we never hear much about. Severely disabled people don't have a voice in our cultural landscape. Like in other films, De Heer manages to tackle topics in ways which are confronting and innovative, such as the way the microphones on Rose's body pick up her body's sounds and give us a very subjective view of her physicality. The script was mostly written by Heather Rose, who played the main role and sadly passed away a few years after the film was made. Apparently she wrote the script together with another severely disabled writer on an early bulletin board (pre-internet) The film is challenging, provocative and has surprising moments of humour.

Isn't creativity and innovation what the art of film-making should be about? Check out other De Heer movies, too, they're all different from each other. B. Huber