Souvenirs of Death

Anyone who collects World War Two military equipment (especially German) knows that our GIs were avid trophy hunters. Even today, some 70 plus years later, veteran "bring backs" turn up at gun shows and estate sales across the country. I saw this short film several years ago and I recall the pistol in question was a 1914 Mauser. But at the film's end there is an FBI message about the dangers of all war trophy guns and they showed an MP-40 sub machinegun.

I first saw this short film in the mid-1960s on WPIX-Channel 11 in New York, and it had a profound effect on me. I was always respectful of guns, to the degree that I had any contact with them (which was not at all), but this movie really woke me up as a kid to the dangers of irresponsible gun ownership. Seeing it again in the twenty-first century, it still packs a wallop, although obviously the issues have changed as gun ownership -- far beyond the ranks of nostalgia-laden veterans -- has exploded in most parts of the United States.

Souvenirs of Death (1948)

*** 1/2 (out of 4)

Extremely interesting short about how automatic weapons used by Germans during WW2 made their way back to America and into the hands of the underworld. Apparently this was a big problem back in the day and this documentary short, narration from the gun's point of view, does a great job at showing the issues of gun control decades before it became a real issue. *Directed by Crane Wilbur who would go on to director It! The Terror From Beyond Space.

*The IMDb lists another director but the credits have Wilbur listed.

This episode of John Nesbitt's THE PASSING PARADE, his long-running series of shorts for MGM -- and elsewhere, a radio and a television feature -- tells the story of a Mauser automatic pistol, picked up from the corpse of a dead German officer and taken home as a souvenir by a passing American soldier.

After it shot the family dog, it starts to make its way hither and yon until it falls into the hands of a bleak-eyed Morris Ankrum, a criminal who uses it for its intended purpose -- to make holes in people. Meanwhile, Nesbitt tells the story from the gun's viewpoint, precise, prissy, and totally uncaring about the havoc its owner wreaks. It all ends with a message from J. Edgar Hoover. While stirring music plays, the audience is told that these guns are bad things. The gun has already made it clear that it bears no responsibility for these matters. I agree with its logic.

There was Souvenirs of Death , the story of the life of a gun.