Devil in the Flesh

Okay, so the plot was fairly standard, but this film still worked for me, thanks in large part to Rose McGowan. She did a terrific job in this movie, and actually, she practically carries this film single-handedly. To be fair, scenes with the detectives and her grandmother were among the best in the movie, but make no mistake about it, this is Rose's film. This film is also filled with lots of silly humor, but unlike most thrillers, the jokes actually work in this movie. You have to give the filmmakers some credit too, because they took a tired story, and they kept the predictable storyline, and yet, they made a good movie.

We've seen it all before -- the troubled, love-struck psychopath who develops a deadly obsession with her hunky high-school teacher. She likes him, he rebuffs her, she kills some people, yada-yada-yada...

Rose McGowan is a hottie. No doubt about that. But even her sleaze-pot sexual energy can't save this dud (the fact that she isn't naked in the film doesn't help either). Within thirty minutes, you know what's happening and how the film is going to be resolved (even worse, you don't really CARE).

If you're in the mood for a student-teacher stalker flick, skip this one and pick up "The Crush" instead.

I really liked this as a piece of late night trashy noir cable junk because it pushed the extremes of bad taste. I saw it late at night and was impressed with the sharp dialog and witty put-downs uttered by its femme fatale protagonist, Debbie Strand (in a wonderfully vampy and campy performance from Rose McGowan). Yes, the set-up is contrived and the outcome is cheesy but along the way I was impressed with the audacity of the film's comic-book nastiness and the sheer determination of the protagonist to get what she wanted. However, what's most disappointing is the end, which merely opens the way for another film, without truly exploring why Debbie Strand did what she did. Another annoying trait in these films is to resolve issues in an unambiguous manner, usually absolving the complicity of the lead male. A simple-minded, formulaic tale saved by Rose McGowan and some witty one-liners. As for the rest, cable fodder.

Ever since the phenomenally weird "The Doom Generation" I've had a wicked crush on Rose McGowan. Her natural bad-girl charisma and sexily shaped chin make her one of the most enticing actresses of her generation. Her starring in "Dearly Devoted" was therefore the sole reason I had for checking out the film, as you can already derive from the DVD-cover that it's a standard, by-the-numbers and rehashed nineties thriller. With its main theme of "dangerously seductive teenage femme fatale", "Dearly Devoted" is similar to "Poison Ivy" (starring Drew Barrymore) and "Wild Things" (starring Denise Richards) and almost identical to "The Crush" (starring Alicia Silverstone). Following the suspicious death of Debbie Strand's mother and her lover in a fire, the seemingly confused teenage girl is put under the custody of her strictly Catholic grandmother. At her new school, Debbie doesn't make a whole lot of friends, but she does fall in love with the hunky literature teacher Peter Rinaldi. It quickly becomes obvious that Debbie isn't your average high school girl, but an obsessive and deranged psychopath who kills in order to get what she wants. "Dearly Devoted" is identical to "The Crush" because the male protagonists go through exactly the same hell. They attempt to befriend their jailbait admirers and narrowly resist all the sexual allusions, but when they actually physically reject them down, both their private as professional lives turn into a living nightmare. "Dearly Devoted" is predictable and not at all suspenseful, but at least it's never boring and the female eye-candy compensates for the unoriginality. The twist-in-the-end is not exactly groundbreaking, neither, but at least it managed to trick me for a minute or so. Rose McGowan was 25 years old for this role in which she depicts an underage schoolgirl, but that's alright, because she looks terrific in all those skimpy outfits. Apparently there's also a sequel, but it doesn't star Rose.

I'm not sure what it is that makes me like this movie so much, because as I said it is rather cliche, but I don't think it makes the film bad just because the script isn't totally original, because let's be honest, nothing is original nowadays. I loved The Crush and think Miss Silverstone is a talented actress, but her appearances itself is too sweet for you to actually believe she was psycho, Rose on the other hand has established herself as a, let's say "doomy" actress and she knows how to throw those "f*ck off" looks around perfectly which made things a little more realistic. She basically carries the film, of course that's what she was supposed to do... if you love Rose you definitely need to rent this one or watch out for it on HBO because personally, I think it's cool and one of her better movies.

P.S. -- Skip that dreadful sequel!