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The Wedding

  • टीवी फ़िल्म
  • 1998
  • 3 घं
IMDb रेटिंग
6.1/10
566
आपकी रेटिंग
Halle Berry, Lynn Whitfield, Carl Lumbly, and Eric Thal in The Wedding (1998)
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... सभी पढ़ेंIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.

  • निर्देशक
    • Charles Burnett
  • लेखक
    • Dorothy West
    • Lisa Jones
  • स्टार
    • Halle Berry
    • Eric Thal
    • Lynn Whitfield
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.1/10
    566
    आपकी रेटिंग
    • निर्देशक
      • Charles Burnett
    • लेखक
      • Dorothy West
      • Lisa Jones
    • स्टार
      • Halle Berry
      • Eric Thal
      • Lynn Whitfield
    • 12यूज़र समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 5 कुल नामांकन

    फ़ोटो

    टॉप कलाकार35

    बदलाव करें
    Halle Berry
    Halle Berry
    • Shelby Coles
    Eric Thal
    Eric Thal
    • Meade Howell
    Lynn Whitfield
    Lynn Whitfield
    • Corinne Coles
    Carl Lumbly
    Carl Lumbly
    • Lute McNeil
    Michael Warren
    Michael Warren
    • Clark Coles
    Marianne Jean-Baptiste
    Marianne Jean-Baptiste
    • Ellen Coles
    Cynda Williams
    Cynda Williams
    • Liz Odis
    Charlayne Woodard
    Charlayne Woodard
    Richard Brooks
    Richard Brooks
    • Lincoln Odis
    Gabriel Casseus
    Gabriel Casseus
    • Hannibal
    Shirley Knight
    Shirley Knight
    • Gram (Miss Caroline)
    Ethel Ayler
    Ethel Ayler
    • Eunice
    Paul Butler
    • Preacher
    Peter Francis James
    Peter Francis James
    • Isaac Coles
    Carl Gordon
    Carl Gordon
    • Mr. Hawkins
    Margo Moorer
    Margo Moorer
    • Emmaline
    Shilla Benning
    Shilla Benning
    • Gigi
    Joseph Bias
    • Young Isaac
    • निर्देशक
      • Charles Burnett
    • लेखक
      • Dorothy West
      • Lisa Jones
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं12

    6.1566
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    फ़ीचर्ड समीक्षाएं

    6Sergio Vicente

    nice sets, landscapes.... beautiful Berry

    Things I liked about The Wedding:

    Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
    8Andrew_S_Hatton

    It tackles a subject of which I was ignorant.

    Obviously we all compare ourselves with others to some degree even though it is not a praiseworthy activity, however I had never considered the extent to which class-ism probably wrecked relationships amongst Black families in the early 20th century.

    Yes the story was perhaps too fanciful with just about every relationship portrayed, affected by the same issue but it sure does expose the issue as I had never considered it before.

    It is interesting to read that Dorothy West had the book, 30 years in the making. I wonder how it would have been received if it had been completed prior to the beginnings of the racial revolution in the sixties with Dr Martin Luther King etc.

    Somehow the whole thing seemed a bit "wooden" in delivery but nonetheless as it tackled a subject that I suspect has been unconsidered by most, it was worthwhile doing and not surprisingly needed the backing of Oprah Winfrey to see the light of day.

    It put me somewhat in mind of the trans racial issues as presented in the musical Showboat which I would recommend to anyone who wants to explore these issues in a more subtle and tuneful production.
    Pro Jury

    Perfect Halle Berry in a flawed production

    Many wonderful minutes of beautiful Halle Berry in tight mauve or peach pants and white tops. Warm, charming, and a joy to see.

    THE WEDDING explores the times and trials of a clan of some of the more elite upper-class African Americans living in the eastern USA in the early 1950's. There are more family conflicts than a viewer can shake a stick at. however, the pacing is slow and the background music reeks of pure "Made-for-TV" sad to say.

    More troubling, the production is rife with needless and unexplained flaws. One is that all through the movie it is repeatedly well established that a lighter skin complexion is very highly desired and negro features are less revered. When one daughter marries a darker black man, although he is a medical doctor and a good man, many in daughter's family reject the husband-to-be only because of skin complexion. OK, fine.

    But there is logical difficulty because a "very handsome" black man, apparently single and available, moves in next door to the wedding house. The same family and neighborhood elders who uniformly scorn the black doctor are seen admiring the new neighbor. The unexplained problem is that the new neighbor is by far the darkest skinned man with the most negro features in the whole cast. The fact that this man is darker and more African looking than others is completely ignored throughout the script as if the director mis-cast the part of the neighbor and hoped viewers would be too dumb to notice.

    Another sign of a weak script is found in the scene where the white fiance announces bad news about his parents expected arrival for the wedding. The scene was simply unrealistic. In real life, mature adults have an idea about how to break bad news with SOME tact. What was said and the way it was said was overly and needlessly blunt, awkward and ill-timed.

    Ending at the beginning, watching Halle Berry was the best part of the movie for me.
    3CC1966

    Swing and a MISS...Sorry Oprah! (may contain spoilers)

    There are so many things wrong with this movie (if you have read the book), that i don't know where to begin: First let me say that Halle Berry was great as Shelby. But she was more physically suited to play Liz...

    Again, if you read the book, you see that Shelby's hair is blonde, and her eyes are blue, and her skin is very fair. There was a flashback (in the book) to when she got lost as a little girl. She was lost for so long because no one knew to look for her specifically-they were expecting to find a child with traditionally black features.

    With regard to Lute McNeil: Dorothy West paints a picture of a man who, because of his upbringing, generally hates women (ironically, not his daughters, though); he sees them as possessions and breeders, and moves on when the next lady strikes his fancy. If he stuck to his pattern, Shelby would have gone the way of the all the other women. In the end, I think she saw that. The movie painted him far too sympathetically-you wanted to cheer for him as Shelby's salvation. But Lute was a dangerous man.

    The chemistry between Meade and Shelby on screen was sooooooooooo weak-thus making Lute that much more attractive. That's not the way West meant it. And why the screenwriters chose to change his name from Wyler (in the book) to Howell (In the movie) made no sense to me.

    And in the book, the little girl died from her injuries after being struck by the car. Hearing Gram say at the end "oh thank heavens, that little girl is gonna be alright" was just plain cheesy.

    This was one of the most beautifully written books this century, and as much as I love Oprah, I found her vision of it for TV completely out of step with the spirit of what Dorothy West wrote. If you can, you owe it to yourself to get a copy of West's final masterpiece.
    9moses_29115

    Oprah Winfrey does it again with The Wedding

    I loved this movie. It shows that prejudice is not just black and white, but also light and dark and have and have not! The movie is realistic because we hear terms like "beautiful light-skinned", "getting too dark" and "good hair" every day. The movie also shows how easy it is for that prejudice to be passed on from generation to generation and that the coming of age period in a person's life should not be taken lightly because that is the opportunity to right wrongs learned from the previous generation. Granted some may see this movie and hate the grandmother, to do so would be to liken yourself to her. Self hate exists among each race. It is particularly sad within the African American community because of the difficulty and intensity of the struggle for freedom. Humankind has to learn to be beautiful in spirit and in love. I think that is the point of the story.

    इस तरह के और

    Things We Lost in the Fire
    7.1
    Things We Lost in the Fire
    Their Eyes Were Watching God
    6.4
    Their Eyes Were Watching God
    My Brother's Wedding
    7.1
    My Brother's Wedding
    The Rich Man's Wife
    5.3
    The Rich Man's Wife
    Nightjohn
    6.8
    Nightjohn
    Introducing Dorothy Dandridge
    7.0
    Introducing Dorothy Dandridge
    Selma, Lord, Selma
    7.1
    Selma, Lord, Selma
    Losing Isaiah
    6.4
    Losing Isaiah
    Why Do Fools Fall in Love
    6.4
    Why Do Fools Fall in Love
    The Glass Shield
    6.1
    The Glass Shield
    After the LockDown: Black in LA
    After the LockDown: Black in LA
    Race the Sun
    5.4
    Race the Sun

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      As of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
    • भाव

      Meade Howell: I need to talk to you, Shel.

      Shelby Coles: No, it's not a good time.

      Meade Howell: No, I need to talk to you now. Listen, I thought that music came first, and I was wrong. You come before that. I love you. And I am not going to let you just walk away with no good reason.

      Shelby Coles: I think I've given you very good reasons, Meade.

      Meade Howell: Why, Shel? Because we can't stay in the same hotel in Georgia? We'll make them let us stay in the same hotel!

      Shelby Coles: No, it's because I don't think I want to spend my whole life fighting, defending who we are. Proving to the whole world that we have a right to be together!

    • कनेक्शन
      References Banshun (1949)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 फ़रवरी 1998 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La boda
    • फ़िल्माने की जगहें
      • Southport, नॉर्थ कैरोलीना, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Hamdon Entertainment
      • Harpo Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 3 घं(180 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby
    • पक्ष अनुपात
      • 1.33 : 1

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