Yasagure anego den: Sôkatsu rinchi

This "sequel" to "Sex and Fury" is more of a softcore sex romp than the bloody tale of revenge its parent was. Teruo Ishii's direction is a little flat and uneven and it's quite obvious his passion is female flesh, not kinetic action or creating a glorious action/erotic hybrid. Norifumi Suzuki, the director of "Sex and Fury", is a more original, energetic director and brought great artistry and aesthetic brilliance to his work. Ishii's accomplishment is a diverting time filler with too many characters, some intrigue, and mountains of softcore canoodling. The opening fight scene revisits the stylistics of the original film, but quickly dispenses with that style and involves itself in unnecessarily complex plotting. The finale is reasonably bloody, but it never reaches the towering heights of its predecessor because Ishii directs it like he's bored.

For me, not quite as delirious as 'Sex and Fury', there are less set pieces and this is a little confusing now and again. Even so with the fabulous Reiko Ike to the fore with her penchant for bare breasted swordfights, this remains a must. The opening credit sequence with the parasols is wonderful and I was surprised not to see it reprised during the body of the film. Super camera-work, splendidly colourful sets and costumes plus an incredible amount of female flesh. So many beautiful naked girls, prancing, dancing and bending over to have phials inserted! The final fight is way over the top with naked flesh and rivers of blood, it just seems a shame there were not a couple more such scenes between the glorious opening and the gratuitous finale. Very enjoyable, nevertheless!

I recall some politician once being advertised as "tan, rested, and ready." Well, Ochô (Reiko Ike) has recovered from her massive wounds sustained in Sex & Fury, and is ready to do battle again.

This time she is involved in the "Crotch-Gouge" murders. Something to do with Chinese drug mules who smuggle the drug up their crotch. Needless to say, the drug gang picked the wrong person to mess with.

Exploring the video nasties of the 70s and the pinky violence of the same period is an adventure in just how wild filmmakers can be. At least the Japanese films are all in glorified color and full of gorgeous beauty. The music is also very upbeat and enjoyable.

There are more breasts than in a chicken processing plant, and the blood flows freely in the final battle. This was not as good as Sex & Fury, but it had a whole lot more skin.

DAMN I love this era of Japanese exploit film-making. I just recently really started digging into the 70's pinky and samurai films - but I have to say that I've LOVED every one that I've seen so far. Violent, gory, sleazy, sexy - they just don't make films like these anymore...

Unfortunately, the story behind FEMALE YAKUZA TALE is a little convoluted and can be hard to follow at times. This one has Ocho (female pickpocket and "swords-mistress" extraordinaire of SEX AND FURY fame) trying to bring down a drug cartel that uses dope-addicted women as mules to smuggle drugs in their snatches. There are some rival gangs also involved, and throw in a side-plot of some of the local girls becoming victims of a string of "Crotch-Gouge" crimes (!?!), another female assassin who prays before she kills, and a guy who is part of a local crime family who was in jail but now is out and is looking to take down the new leader...and there ya have it...

Again, the main problem with FTY is that there are too many things going on at once, and too many characters who are introduced and then not explained very well, so that the story can become confusing and hard to keep up with. But, on the good side - there is so much sleazy "fun" going on that it's hard to fault the film for some plot inconsistencies. We are treated to the typical rape, torture, some hilarious dildo play, tons of tits and ass, and a few good fight scenes (including an awesome end battle of the drug dealers versus a gang of ex-mules who are naked and p!ssed!!!). I do think there could have been some more violence also - but I won't really hold that against the film either, as there is just so much fun stuff going on in this one. And in typical fashion for the Japanese exploit-style films of this time-frame - the sets, settings, cinematography, choreography, and acting are all top-notch. An absolute winner and highly recommended for pinky fans. Check out also SEX AND FURY, FEMALE PRISONER 701: SCORPION, LADY SNOWBLOOD, and the BABY CART series. 8.5/10 for FEMALE YAKUZA TALE...

The ravishing Reiko Ike is back, sexy and deadly as ever in this awesomely sleazy sequel to Norifumi Suzuki's "Sex And Fury" (1973). Brought to you by cult-director Teruo Ishii ("Black Cat's Revenge", "The Executioner", "Orgies Of Edo", "Horrors of Malformed Men",...), "Yasagure anego den: sôkatsu rinchi" aka. "Female Yakuza Tale: Inquisition and Torture" of 1973 is yet another great entry to the Japanese 'Pinky Violence' Exploitation sub-genre. The film's great visual style, tons of sleaze and violence, and, above all, genre-goddess Reiko Ike make this a must-see for my fellow Pinky Violence enthusiasts and highly recommended to any fan of cult-cinema.

The sexy and lethal gambling-lady, thief and swords-woman Ochô Inoshika (Reiko Ike) is back, and immediately confronted with lots of new enemies. Among others, she has to struggle with a ring of drug smugglers who smuggle heroin in a very kinky manner... I don't won't give away any more of the story, as I don't wanna spoil any of the fun, but I can assure that my fellow Japanese Exploitation lovers should be more than satisfied. While "Female Yakuza Tale" may not be quite as good story-wise as the foregoing "Sex And Fury", it even surpasses its predecessor in sleaziness. The film is again beautifully shot, with immensely stylish fighting sequences. What makes these (often slow-motion) sword-fights even more memorable is the fact that the ravishing heroine Ochô tends to fight bare-breasted or even completely naked. Also, the ONLY thing that I did not love about "Sex And Fury" namely the romance (Christina Lindberg's voice made me understand why her character in "Thriller, En Grym Film" was mute) is omitted here for good, and even though I might stand alone with this opinion, I liked the fact that Lindberg was not part of this one. There's again a lot of bloodshed, and the sleaze-factor is enormous. I won't go into detail, but Pinky Violence fans will know what to expect, and I assure that their expectations are not going to be disappointed. A great sequel to the brilliant "Sex And Fury", "Female Yakuza Tale" is pure cult-cinema that satisfies in all regards and a must see for every fan of Japanese Exploitation cinema! Highly Recommended!