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Casting five year old twin boys as Adam Sandler's costars in this 1999 Columbia Pictures release was a very good idea. After all, Sandler's usual man-child character had to have somebody that he could relate to. Sandler portrays Sonny Koufax, a man who just might be the pure epitome of somebody who's not responsible. However, if that theory wasn't tested then there would be no film. In an effort to possibly win back his girlfriend (Kristy Swanson) who has left him because of his being irresponsible and has since taken up with another man, he offers to be a guardian for his traveling roommate's (Jon Stewart) son, Julian (portrayed by twins Cole and Dylan Sprouse). Agreeing to assume full responsibility for a child makes Sonny think that Swanson just might change her mind about leaving him. It doesn't happen and now child services won't let him return Julian. Sonny learns to grin and bear the situation by attempting to bond with Julian and in so doing, he gradually begins to feel more like an actual responsible father figure. Of course things get complicated when Stewart eventually returns home and a custody battle begins (Julian has grown attached to Sonny by this time). Even this dramatic seeming scene evolves into more adolescent comedy. Sandler's fans should enjoy this film but since I was never especially a fan of Sandler, I consider it to be just another crumbled up piece of paper in the sorry recent film comedy wastebasket.

It's hard not to like "Big Daddy", though diehard fans of Adam Sandler may well cringe at this further step in the sentimentalization of the comic actor. For although this film has raised the hackles of a number of overly sensitive worrywarts for its seeming endorsement of permissive parenting, the film is, in reality, far more soft-hearted than hard-edged. Actually, this seems to be, probably, the wisest direction for Sandler to go in at the moment because, as an actor, he conveys an aura of genuine likability that fits well with his Average Joe persona. "Big Daddy" might have been a better film if it had not given in so easily to sentimentality and predictable emotional uplift, but Sandler's deadpan portrayal of an immature adult forced to grow up into responsibility-laden fatherhood makes the film relatively enjoyable.

Sandler portrays a 30-something loser living in South Manhattan, who has been milking a minor foot injury to the tune of a $200,000 court settlement and whose life, consequently, consists of miniscule employment, a general lack of direction, and a girlfriend who's ready to move on to an older man with a "5-year plan". When a little boy suddenly shows up on his doorstep (the hitherto unknown son of a friend of his), Sandler decides to temporarily take him under his wing in the hopes of winning his girlfriend back. Thus, a man with almost no resources of adult maturity attempts to instill skewed life lessons into a willing, highly impressionable young mind. This leads to Sandler's teaching the boy to indulge in predictable, but surprisingly timid, antisocial behavior such as urinating on public buildings, staying up late, tripping unsuspecting rollerbladers etc. The film is not always at its peak of creative freshness at such times, but Sandler's lowkey cynicism provides some humor.

As Sandler grows to care for his tot and the inevitable forces array themselves against him to take the child away, the film veers off in the direction of sappiness and maudlin tearjerking. One may be moved at times, but one also craves the satirical sharpness and bite that a more courageous screenplay might have provided.

The movie does display an enlightened view of gays (though Hollywood has yet to get past the point where gay characters can do more than merely twinkle at each other), but it loses points for its rather nasty tone towards old people. Still, any film designed to send Dr. Laura into spasms of psychoanalytical outrage should be respected and honored.

Overall, "Big Daddy" is a movie that, if it had taken more audacious pathways, might have been a firstrate comedy. As it is, it provides numerous chuckles and a cuddly warm feeling - and that, given the state of much of big screen comedy these days, is about all we dare allow ourselves to expect.

Big Daddy- Sonny Koufax (Adam Sandler) is the irresponsible guy - he has no manners, and no clue. Although Sonny has somehow managed to get a girlfriend, she is tired of his aimless ways, and gives him an ultimatum - do something with your life or I leave. Fate steps in with a ready-made 'solution': Sonny will raise the little boy who was dropped off at the apartment with a note proclaiming his roommate (Jon Stewart) the father, his girlfriend will realize his newfound responsibility, and all will be well. Plausibility this movie doesn't have. But we are talking about Adam Sandler, the man who has given us such brainteasers as Happy Gilmore, and Billy Madison. Sandler's frat-boy humor - childish and, scatological - has however, drawn a huge following as evidenced by The Waterboy's huge box office, (a movie that I myself enjoyed and will surely be pilloried for). I expected one thing from this movie - a good laugh. And it delivered. The obligatory tearjerker scenes were painful, but thankfully few and far between. If you are in the mood for some humor-light on cheap Tuesday, give this movie a chance.

Adam Sandler (The Waterboy, The Wedding Singer) has pulled off another hit with Big Daddy. Sandler stars as a lazy law-school graduate who won't take the bar exam. One day when his roommate goes on a business trip to China a child arrives at the day with a note claiming to be his roommate's son. Sandler takes the kid for a day and after having a good time decides to keep him to impress his girlfriend who doesn't think he's trying to grow up. His girlfriend dumps him and he's stuck with the kid. Not surprisingly Sandler isn't a good father, but soon he bonds with the kid and he learns how to be a good father. This might sound like a cheesy feel-good film, but with Sandler the humor is kind of low-brow, but often hilarious. The film does also offer a few touching scenes between Sandler and the kid. Sandler's performance was very funny, but reminded me a little of Jim Carrey's performance in Liar Liar. Liar Liar if you have seen it was a regular Carrey comedy, but offered a couple of serious scenes which Carrey pulled off well. Carrey then went on to do The Truman Show and win a Golden Globe. Sandler also has a couple of serious scenes which he nails well. I'm not suggesting that Sandler is going to become a great actor (like Carrey seems headed for) but he may have the skill to do it if he wants. Leslie Mann (George of the Jungle, The Cable Guy) and Joey Lauren Adams (Chasing Amy, A Cool Dry Place) are both good as sisters. Jon Stewart (The Faculty, Playing by Heart) is solid as Sandler's roommate. Twins Cole and Dylan Sprouse are convincing as the kid. Finally, two favorites of mine have very funny supporting roles. Steve Buscemi (Reservoir Dogs, Armageddon) is good as a homeless friend of Sandler's. And Rob Schneider (Judge Dredd, Knock Off) is hilarious as an immigrant delivery man who is good friends with Sandler. Highly Recommended.

Sonny Koufax (Adam Sandler) is an unemployed layabout who claims that he is unable to work due to an accident he had involving a cab from 2 years ago. Sonny is a self-absorbed individual who generally thinks of no-one but himself much to the annoyance of his girlfriend. However, when a 5 year old boy named Julian (Cole Sprouse) ends up on his doorstep, Sonny claims to have adopted Julian in order to try and win back his girlfriend and prove himself worthy of her affections. Whilst Julian is in Sonny's care, Sonny does some growing up himself in the midst of some rather questionable antics as a caretaker parent.

The marketing for this film was always questionable; the film poster shows Sandler and the boy standing in front of a door and urinating against it. In this respect it does itself no real favours as there may be many people that decide not to watch it because it looks like it's going to be crude and juvenile from the poster. In fairness this isn't completely inaccurate as there are some aspects of the film that are a bit juvenile and crude, but the actual bulk of the film is quite charming and sweet and fairly enjoyable and I'm just puzzled as to why a fairly sweet-natured film was marketed so poorly. Anyway I digress...

Sandler's comedy films have sometimes proved problematic because some of the characters he has portrayed have been unlikeable or unsympathetic. In Big Daddy though, as things progress it becomes fairly obvious that Sonny's actually an OK person that just needed a bit of a kick up the backside. Looking after Julian gave Sonny a purpose in life and as mentioned it gave him the kick up the backside that he'd needed for the last 2 years. The chemistry between Julian and Sonny was also really good and the two of them share both funny moments and tender moments - I thought that Sonny telling Julian that wearing sunglasses meant nobody could see him was a funny idea and quite sweet as well.

There are some weaknesses to this film; firstly a lot of the acting here is rather mediocre (although Steve Buscemi was good fun in the limited screen time that he was given). The film was also a little too light on laughs for my liking - although the warmth and charm of the picture compensate slightly for the slight lack of humour. The film also gets very soppy towards the end and I also found some of the character shifts to be a bit dubious. The script offers few surprises and is fairly predictable, but I always say it doesn't matter if you know outcome B at point A as long as you generally enjoy everything in between and that pretty much sums up my feelings about this film. It's hardly Oscar-worthy, but it has some funny moments, it has some charm, and it surprised me by being better than I expected it to be.