IMDb रेटिंग
6.5/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.
- पुरस्कार
- 2 कुल नामांकन
फ़ीचर्ड समीक्षाएं
You can't talk about Kiyoshi Kurosawa's Sweet Home without mentioning that it would later go on to inspire the Resident Evil series and is primarily the reason we have the survival horror genre as we know it today. It's a film whose reputation proceeds it, partly due to the fact it has had no official release since it was VHS, thus has been confined to relative obscurity and infamy because of this. I did manage to track down a Blu-ray release of this although it's only an upscale from a seemingly forgotten DVD source, but it's better than nothing. I get very strong Hausu vibes from Sweet Home with its female perspective at centre stage, with the maternal strength they possess. Despite being an early Kiyoshi Kurosawa picture, he nails the feel of what I can only describe as a Japanese take on The Evil Dead, even if the pacing is a little wonky. But when coupled with the pretty gruesome effects work, makeup and awesome synth score by Masaya Matsuura, Sweet Home has enough visual madness to cut through the muddy picture quality.
This Japanese film, loosely inspired by POLTERGEIST, has some great scenes of eye-popping horror action, rendered by Dick Smith (of THE EXORCIST fame). The bulk of the film, however, seems to drag tremendously in comparison to these scenes; maybe I'm poisoned by Hollywood pacing, but I don't think so. Worthwhile viewing for fans of Japanese horror, but not a masterpiece.
I would agree with the other reviewers that this is essentially a Japanese take on POLTERGEIST. Do not let that stop you from seeing it however.
If there was any way to truly describe this film, it would be if Dario Argento (during his heyday in the late 70's) directed a film with Japanese stars. Every shot has the look and the lighting from films like SUSPIRIA, PHENOMENA, TENEBRAE, even down to the tracking shots and steadycam work.
Which brings me to another point: if there is anyone who has a VHS/ laserdisc/ DVD of this film (preferrably with english subtitles), please let us know. I have a copy but it could have better image quality.
Regardless, seek this film out. You will not be disappointed.
If there was any way to truly describe this film, it would be if Dario Argento (during his heyday in the late 70's) directed a film with Japanese stars. Every shot has the look and the lighting from films like SUSPIRIA, PHENOMENA, TENEBRAE, even down to the tracking shots and steadycam work.
Which brings me to another point: if there is anyone who has a VHS/ laserdisc/ DVD of this film (preferrably with english subtitles), please let us know. I have a copy but it could have better image quality.
Regardless, seek this film out. You will not be disappointed.
This is a fun movie directed by Kiyoshi Kurosawa and produced by Juzo Itami, who also appears in his last acting role as an Early Times whiskey-swilling mysterious good 'ol boy alongside wife and frequent star Nobuko Miyamoto. In the doc Building the Inferno from Criterion's 'Jigoku' disc, Kiyoshi Kurosawa mentions that he tried to get Jigoku's production designer Haruyasu Kurosawa to work on Sweet Home.
It's a shame that didn't happen, however it still has fx by Dick Smith and Kazuhiro Tsuji. But don't let those names fool you, it is not an art-house film for the international market but an atmospheric pop flick. They manipulate shadows and use practical fx in a manner that suggests an appreciation for Bava, particularly in one sequence involving a medieval poleaxe and a wheelchair.
The movie was made concurrent to the Famicom game of the same name by Resident Evil/Biohazard game designer Shinji Mikami. This is a key film in the development of the survival horror genre, so why is it only available on unsubbed VHS or crappy DVD-Rs of the old VSoM tape? There were major cuts and reshoots by Itami following the release of Kurosawa's theatrical cut, shaping it into a more commercially viable film. So Toho has that cut locked away, and following Itami's suicide and Kurosawa's relative success as a very different sort of storyteller there is probably little economic motive to release either cut in a restored version.
It's a shame that didn't happen, however it still has fx by Dick Smith and Kazuhiro Tsuji. But don't let those names fool you, it is not an art-house film for the international market but an atmospheric pop flick. They manipulate shadows and use practical fx in a manner that suggests an appreciation for Bava, particularly in one sequence involving a medieval poleaxe and a wheelchair.
The movie was made concurrent to the Famicom game of the same name by Resident Evil/Biohazard game designer Shinji Mikami. This is a key film in the development of the survival horror genre, so why is it only available on unsubbed VHS or crappy DVD-Rs of the old VSoM tape? There were major cuts and reshoots by Itami following the release of Kurosawa's theatrical cut, shaping it into a more commercially viable film. So Toho has that cut locked away, and following Itami's suicide and Kurosawa's relative success as a very different sort of storyteller there is probably little economic motive to release either cut in a restored version.
First off, to anyone who sees the version I did. The film starts out with a commercial of the video game based on the movie. They show some scenes from the movie, and pretty good ones at that. So, if you start the flick and see a video game commercial I'd turn my head away just so you don't ruin anything for yourself.
Japanese Horror is something of a hit or miss with me. I'm not a fan of the jerky ghosts who walk like they have rheumatoid arthritis, or the pale-faced long hair girls. I'm not saying those movies can't deliver a chill or two, but overall it's a very played out scare-tactic and it's almost eye-rollingly cliché nowadays. Well, back in 89' there was a movie called Sweet Home, and this flick suffers from zero of these problems. It's unique in it's scares and chills, and that's what I really commend it for.
With a story revolving around a family/team heading to a abandoned mansion to investigate whether the house has a rare painting the story plays out like any haunted house flick. There may be something wrong, but no one really cares or believes. Well, after a little bit, they finally do begin to realize the mansion is cursed, but by the time they realize, the wheels of horror are in motion, and it's now a fight to stay alive.
Sweet Home, isn't a perfect flick, there are some drags in the film, and I personally think the movie could have been a lot scarier. They had perfect set-ups mixed with perfect camera-shots, but only used them for the creepy factor instead of the scare-factor. You're presented with a sense of dread, but rarely do they ever really try to scare you. Nevertheless, the film does offer chills and enough of them to satisfy the viewer.
But with a cool story, good acting, fantastic atmosphere/cinematography and great fx, the movie more than delivers enough for an entertaining and unique little haunted house flick. If you're into Japanese horror/haunted house flicks, give this flick a shot. It's worth it.
Japanese Horror is something of a hit or miss with me. I'm not a fan of the jerky ghosts who walk like they have rheumatoid arthritis, or the pale-faced long hair girls. I'm not saying those movies can't deliver a chill or two, but overall it's a very played out scare-tactic and it's almost eye-rollingly cliché nowadays. Well, back in 89' there was a movie called Sweet Home, and this flick suffers from zero of these problems. It's unique in it's scares and chills, and that's what I really commend it for.
With a story revolving around a family/team heading to a abandoned mansion to investigate whether the house has a rare painting the story plays out like any haunted house flick. There may be something wrong, but no one really cares or believes. Well, after a little bit, they finally do begin to realize the mansion is cursed, but by the time they realize, the wheels of horror are in motion, and it's now a fight to stay alive.
Sweet Home, isn't a perfect flick, there are some drags in the film, and I personally think the movie could have been a lot scarier. They had perfect set-ups mixed with perfect camera-shots, but only used them for the creepy factor instead of the scare-factor. You're presented with a sense of dread, but rarely do they ever really try to scare you. Nevertheless, the film does offer chills and enough of them to satisfy the viewer.
But with a cool story, good acting, fantastic atmosphere/cinematography and great fx, the movie more than delivers enough for an entertaining and unique little haunted house flick. If you're into Japanese horror/haunted house flicks, give this flick a shot. It's worth it.
क्या आपको पता है
- ट्रिवियाThere used to be a debate about which came first, the game or the movie. Further complicating the debate about which came first: Sweet Home's trailer is both an advertisement from the movie, and a sales pitch for the Famicom game. It includes scenes from both. However, it's since been proven that while both came out in 1989, the movie was released in January of that year, while the game came out in December.
- क्रेज़ी क्रेडिटAfter credits go over footage of the mansion it fully and spectacularly collapses in the post-credits scene.
- कनेक्शनFeatured in The J-Horror Virus (2023)
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- How long is Sweet Home?Alexa द्वारा संचालित
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