Skazka stranstviy

I have not much more to add to the reviews - this movie gets a 10 from me. This flight episode, together with Tarkovsky's flight episodes from "Andrei Rublev" (opening) and "Solaris" (closing) is IMHO the most moving and inspiring moment in film history.

A small remark for the former Soviet citizens among you;-)

Has anyone also felt some well-concealed allusions to the life behind the Iron Certain as much as I did in the episode with Don Quixote and the knights on top of the dragon?

Just like in a "communist" system, for many it was actually quite warm and sweet while for some it was not quite as easy to get out as it was to get in (most likely the same could be said about a "capitalist" system too though). I think such allegories were quite common in Soviet movies and it is often a sport to find and interpret them.

The film follows two orphans, a sister and her younger brother, separated when the youngest is stolen for his magical ability to feel gold, something which at the same time tortures the young boy. The sister runs, looks, even sees him at a distance, but her struggles only continues. Luckily she gets aide from a philosopher and healer, who in many ways serves as the film's main comic relief, but his journey is not a happy one either.

From the very beginning, as the camera closed in on the town, as the music played, as the colors exploded, I knew I would love this film. Almost every frame was perfect, and they drew up the magical world we are visiting in the most perfect way imaginable. This is a beautifully dark and twisted fairytale, in the way only Eastern Europeans can make them. It created it's own world with an amazing eye for details, and managed to be absurd and funny, at the same time as it told a very, very bleak story. It could be described as an odyssey, a tragic chase, a voyage into strange lands, and visions we will see.

And beyond it all, there is color. Nearly every image seems perfectly crafted. The full glory of soviet cinematography. It was so masterly directed and shot I bookmarked all films directed by Aleksandr Mitta, and even looked into other films by the cinematographer, Valeri Shuvalov. Two names I had never heard of before. This was a truly amazing discovery, and I can't wait to search out more.

Still holds up to this day.

This movie creates a magical atmosphere incredibly well using music, landscapes and acting to create something unique for that time. The film shows how experiences shape people to the better or worse, in this case it is Schoenberg through the change from innocence and poverty to arrogance and wealth. Although it's a very simple plot it hides many hidden symbolic elements which when revealed really makes you realise how superb this film is. The music in this movie along with the camera shots really are touching and do feel surreal, magical and pure. Back then it was hard to make a truly scary scene but this movie manages to capture some very eerie moments which even made me feel uneasy, in the kidnapping scene everything seemed a bit off, the kids were dreaming of a happy jolly santa but they were greeted with a dirty, deceitful and ambitious santa, thirsty for wealth and the illusion of happiness . The plague scene was miserable, it engulfs you in darkness and and people seem to lose their fire and become soulless striders exhausted by the plague chipping at society and hope day by day. Finally there's the dragon scene, it represents how civilisation will always want more, humans are greedy by nature; the judge scene conveys the social imbalances of humanity and injustice of law and corruption in pretty much all countries. For a film that's 40 years old it's just a blast to watch, although the creatures look a bit goofy they still strike fear and terror into you. What fascinates me is that sometimes people can make better quality movies with less resources, for example this film is much better than a lot of present day films. Overall a surreal film.

"Skazka Stranstviy" is the story of a young brave girl Martha and her search for the lost little brother Mai who possessed a gift (or a curse) of finding the buried treasures and who was kidnapped by the villains many years ago. On her long search, Martha becomes friends with a poet, visionary, and genius inventor Orlando, and together they would visit many dangerous places and encounter disasters and miracles including plague, betrayal, fears, loyalty, courage, flying, hope, and death...

I have not seen this wonderful movie for almost twenty years but my dear friend sent me last night the links to some scenes that feature the soaring score by incomparable Alfred Schnitke and watching them for over and over took me back in time to the world that has gone but always stays with me - the world of memory. I was surprised how well I remember "Skazka Stranstviy". I even remember how I watched it for the first time in the Moscow Theater, and how unusual, dark, scary, philosophical yet uplifting it was. Its look reminds the paintings of Pieter Bruegel the Elder and Hieronymus Bosch at their gloomiest and grimmest. Its spirit is not always optimistic or suited for young children but Tale of the Voyages is dramatic, intense, even tragic but always poetic, moving, and spiritual - not unlike Hans Christian Andersen's tale of the voyages, "The Snow Queen". Alfred Schnitke's truly breathtaking score gives the movie the unique appeal by taking you so far and high above the earth that not even the "highest-flying birds of memory" and regrets could reach you.

I read from the other reviews that that this skazka is not a regular fairy tale - it depends on what we call a fairy tale. If you think of them, fairy tales, the unabridged versions of them are often scary, graphic, disturbing, violent, bloody, gory, and fascinating. Brothers Grimm's, Hans Christian Anderson's, Oscar Wilde's fairy tales, myths and legends of ancient Greece - there are elements of pure horror and tragedy in these fairly tales. "Skazka Stranstviy" reminds more of these classics rather than their Disney's adaptations, and that makes it unforgettable watching (and sound) experience that the viewers remember many years after they saw it and want to compare their impressions as adults with those from their childhood.

Andrei Mironov (Orlando) proved once again what huge talent he possessed and how much he could've done had he not died untimely at the age of 46 in 1987.

This movie is supposed to be a fairytale. Is not. I saw it some years ago and I tell you: it's really dark, dark fantasy. The plague, personalized as a female beggar or beautiful lady brought me several nightmares. Well, this movie is really good! But don't allow your children watch it!