Resurrection Man

Stylishly shot, but predictable, woefully under-developed script with patchy performances other than the compelling lead male actor. Seems to believe it's about violence, but incoherent story and directorial approach to the ultra violence the film purports to explore, results in triple X rated pop video. Not just bad, but stupid on quite a deep level.

If you didn't press stop on your video recorder five minutes into this film due to the shocking nature of some of the opening scenes, you will discover that this is a beautiful film which has more in common with 'Interview With The Vampire', 'The Company Of Wolves', 'Brighton Rock' and 'Frankenstein' than it does with a film about sectarian violence.

Despite the book on which this was based, sectarian violence just provides an underlying base to stage this tale of the vampire like 'Victor Kelly', a young Irishman with a thirst for blood, fame and self destruction.

Stuart Townsend epitomizes evil in the role of Victor, supported by many talented actors.

The evil staring eyes of Victor Kelly, will stay with you long after watching the film. Perhaps this is why Stuart Townsend has been cast in the latest Anne Rice adaption.

Making a film about any conflict is ambitious but making one during a conflict is even more so. This film tactfully tackles the story of the Shankill Butchers a gang that mindlessly slaughtered innocent civilians and got away with it because it was during the Troubles. Strong performances from O'Rawe and Fricker in creating authentic Belfast dialogue. Townsend is sensational as as Victor and Holmes music is as good as its gets - long love SugarSweet...! If this production had the same budget as Goodfellows I shudder to think how good it could have been. Open your mind and imagine what it was like to live in a western street in 1970 with the army running down it and bombs going off.

Resurrection Man focuses on sectarian violence in Northern Ireland in the 1970s. Concentrating on what sort of characters are involved in this lifestyle and their relationships, but doesn't really go into much detail why. Which makes the film into a more stereotypical "two gangs battling" film, focusing mainly on the relationships between the members of the protestant gang, and making it all very stylish. This is the film's main flaw, it's feels like you've seen it before, it has been done before and better by others. That said, Resurrection Man has some good performances and a decent soundtrack, but on the whole, unless any of the plot lines are of interest to you personally, you might be better off watching some of the established "classics" of the genre that are fairly well known.

Eoin MacNamee's screenplay loses some of the visceral quality so powerfully evoked in his own novel, and the sense of place suffers badly from the movie having been shot entirely outside of Belfast.

A heavily fictionalised account of the life of notorious Loyalist murderer Lenny Murphy, the film admirably conveys the arbitrary nature of sectarian violence in Belfast in the 1970's, and the performances are universally excellent. Not for the squeamish, the film reminds us just how far Northern Ireland has had to come on its present peace process.