अपनी भाषा में प्लॉट जोड़ेंA research chemist comes under personal and professional attack when he decides to appear in a 60 Minutes exposé on Big Tobacco.A research chemist comes under personal and professional attack when he decides to appear in a 60 Minutes exposé on Big Tobacco.A research chemist comes under personal and professional attack when he decides to appear in a 60 Minutes exposé on Big Tobacco.
- निर्देशक
- लेखक
- स्टार
- 7 ऑस्कर के लिए नामांकित
- 23 जीत और कुल 58 नामांकन
फ़ीचर्ड समीक्षाएं
I'll make this simple for you with short attention spans: Al Pacino's best performance of the 90s. Russell Crowe's best work on par with LA Confidential (if not better) and a gripping shot by Christopher Plummer as 60 Minutes anchor Mike Wallace.
For those who can handle it, read on:
Jeffrey Wigand (Russell Crowe) has been fired from his job. He has to break the news to his wife (Diane Venora, who I believe should go on to be one of the best actresses of all time) that their beautiful home, swank cars and health care plan (their oldest daughter is athsmatic) are about to go down the tubes. He's been given a severance package but that's about to fall apart as well.
Enter Lowell Bergman (Pacino), producer for CBS Television News' bastion of journalistic integrity, 60 Minutes. Bergman's doing a report on fires that were started by careless smokers and has been given a report so huge and full of technical jargon he can't make heads or tales of it. Through a friend he is put in touch with Wigand in the hopes of finding a translator. Wigand thinks Lowell is coming after him because of what he knows about his former employers, a major tobacco company.
It is at this moment that director Michael Mann institutes a trick, the likes of which hasn't been seen since All The President's Men. The two exchange a cat-and-mouse conversation via fax. Bergman finally calls Wigand's bluff by daring him to meet him the next day. He does.
What does Wigand know? Well, its all over the papers these days about how the tobacco industry lied about manipulating the leaves to make them more habit forming. We have Wigand to thank for that. But that isn't where the story ends. This is a two-fold tale; on one hand you have the self-destruction of a man who put everything on the line just so he could do the right thing. On the other, you have a television producer who so believes in the integrity of himself, the network, and his show that he is willing to risk everything he has to fight for the protection of his source. I haven't seen this much commitment outside of Woodward and Berstein's staunch protection of "Deep Throat."
The trump card of this film though comes in the form of Christopher Plummer playing one of the most visible news figures of the past 25 years, Mike Wallace. Wallace teeters on the edge of looking like a foul-mouthed, celebrity hungry, media hound who's only thought is about ratings. However, before its over, he evokes the "integrity of Edward R. Murrow," a line that gave me chills and made me pray for an Oscar Nomination.
Director Michael Mann is known chiefly for his Action/Thrillers. This 155 minute film is slow paced but gripping for ever second it is on the screen. A lot of people have complained over the past 7-8 years about Pacino's "staccato" performances, suddenly shouting at the slightest provocation. This film returns him to his prime form, a style he hasn't walked in since Dog Day Afternoon, ...And Justice For All and Serpico.
Anybody got a light?
For those who can handle it, read on:
Jeffrey Wigand (Russell Crowe) has been fired from his job. He has to break the news to his wife (Diane Venora, who I believe should go on to be one of the best actresses of all time) that their beautiful home, swank cars and health care plan (their oldest daughter is athsmatic) are about to go down the tubes. He's been given a severance package but that's about to fall apart as well.
Enter Lowell Bergman (Pacino), producer for CBS Television News' bastion of journalistic integrity, 60 Minutes. Bergman's doing a report on fires that were started by careless smokers and has been given a report so huge and full of technical jargon he can't make heads or tales of it. Through a friend he is put in touch with Wigand in the hopes of finding a translator. Wigand thinks Lowell is coming after him because of what he knows about his former employers, a major tobacco company.
It is at this moment that director Michael Mann institutes a trick, the likes of which hasn't been seen since All The President's Men. The two exchange a cat-and-mouse conversation via fax. Bergman finally calls Wigand's bluff by daring him to meet him the next day. He does.
What does Wigand know? Well, its all over the papers these days about how the tobacco industry lied about manipulating the leaves to make them more habit forming. We have Wigand to thank for that. But that isn't where the story ends. This is a two-fold tale; on one hand you have the self-destruction of a man who put everything on the line just so he could do the right thing. On the other, you have a television producer who so believes in the integrity of himself, the network, and his show that he is willing to risk everything he has to fight for the protection of his source. I haven't seen this much commitment outside of Woodward and Berstein's staunch protection of "Deep Throat."
The trump card of this film though comes in the form of Christopher Plummer playing one of the most visible news figures of the past 25 years, Mike Wallace. Wallace teeters on the edge of looking like a foul-mouthed, celebrity hungry, media hound who's only thought is about ratings. However, before its over, he evokes the "integrity of Edward R. Murrow," a line that gave me chills and made me pray for an Oscar Nomination.
Director Michael Mann is known chiefly for his Action/Thrillers. This 155 minute film is slow paced but gripping for ever second it is on the screen. A lot of people have complained over the past 7-8 years about Pacino's "staccato" performances, suddenly shouting at the slightest provocation. This film returns him to his prime form, a style he hasn't walked in since Dog Day Afternoon, ...And Justice For All and Serpico.
Anybody got a light?
"The Insider" in many ways reflects the golden days of American cinematography, where every scene serves a purpose, dialogue is sharp and poignant, and characters and events remain true to their emotions and nature.
The film presents certain questions throughout its duration that are intended to invoke thought in the viewer, and at the same time explores them to unprecedented depths which are by no means native to the film industry. The story is of a quick-paced nature, and demands that the viewer pay the utmost attention to every single line and image presented; it flabbergasts in its unparallelled structure of continuity and coherence to those sentient enough.
After watching this film, it became apparent why Crowe was so reluctant to play the role of Maximus in "Gladiator" after acting the part of Jeffrey Wigand. It appears more or less as if Crowe had been this character in reality, and it really inspires to see that such a talented actor is finally beginning to enjoy the prominence that he deserves.
In the past decades, there has been a progressive decline in the number of intelligent films making it onto the market, but the success of "The Insider" will hopefully serve as a shout-out to all the film companies and directors reluctant to tread on such sensitive ground. This movie could not receive a higher recommendation!
The film presents certain questions throughout its duration that are intended to invoke thought in the viewer, and at the same time explores them to unprecedented depths which are by no means native to the film industry. The story is of a quick-paced nature, and demands that the viewer pay the utmost attention to every single line and image presented; it flabbergasts in its unparallelled structure of continuity and coherence to those sentient enough.
After watching this film, it became apparent why Crowe was so reluctant to play the role of Maximus in "Gladiator" after acting the part of Jeffrey Wigand. It appears more or less as if Crowe had been this character in reality, and it really inspires to see that such a talented actor is finally beginning to enjoy the prominence that he deserves.
In the past decades, there has been a progressive decline in the number of intelligent films making it onto the market, but the success of "The Insider" will hopefully serve as a shout-out to all the film companies and directors reluctant to tread on such sensitive ground. This movie could not receive a higher recommendation!
Finally, now here is a movie where everybody seems to agree on the same verdict. It is a very rare occasion that most of the major critics, the Academy and myself all agree on the judgment of the quality of a motion picture. This only goes to say that this film really has to be good. It also goes to show that the best movies are almost always based on true stories. Truth always trumps fiction.
This movie was very well directed and well filmed, but above all it was well acted. Both Crowe and Pacino deliver memorable, believable performances, creating characters for which we can feel for, with whom we can identify. I agree on most of the Oscar Nominations, but I also feel that maybe an Oscar was warranted for best screenplay which is probably the best part of this motion picture.
Thumbs up!
This movie was very well directed and well filmed, but above all it was well acted. Both Crowe and Pacino deliver memorable, believable performances, creating characters for which we can feel for, with whom we can identify. I agree on most of the Oscar Nominations, but I also feel that maybe an Oscar was warranted for best screenplay which is probably the best part of this motion picture.
Thumbs up!
Russell Crowe at his best as a Kentucky tobacco executive in Eric Roth and Michael Mann's masterpiece, "The Insider," is one of the most underrated American films ever. Not only is it important historically for its political implications - not about tobacco, but about conflicts of commercial interest that control freedom of speech along the airwaves in the U.S.- it is a great story and it is true. Disney had no idea how to market "The Insider" and essentially sold it as tobacco movie and it is so much more. Pacino gives a grand A plus performance as a Long Island Jewish producer and halfway through the movie I forgot he was Al Pacino. Even better Christopher Plummer masterfully captures the full essence of Mike Wallace. Gina Gershon could turn lust from a stone as always. Michael Mann seems to always pull strong performances from his actors, and Eric Roth who brilliantly adapted "Forrest Gump" did the same here with Mann. Though long, "The Insider" is never boring and a movie all Americans should see twice to make sure they fully comprehend regardless of how you feel about the tobacco debate.
Finally after many years watched Michael Mann's legal drama 1999's "The Insider" and it was clearly a well done legal drama that searches for answers and blows the whistle on those in power who try to hide corruption that blends greed and power. The film recounts a chain of events that pitted a guy against the giant tobacco industry. And this film would really be in depth and drag the characters thru a fight of their lives.
Al Pacino(still one of the best actors in the business)is in top form with a strong performance as veteran "60 Minutes" producer Lowell Bergman and Russell Crowe(is the man affected by it all the insider himself former tobacco executive Dr. Jeffrey Wigand). The story is pretty cut and dry when Wigand is fired by the tobacco company, he agrees to become a paid consultant for a story that Bergman and "60 Minutes" is working on about the unethical ways within the tobacco industry. This all leads to a long battle between all with a lot of legal cat and mouse games which puts everyone's reputations on the line.
As expected the tobacco industry will use any legal and corporate means they can to help save a billion dollar a year habit. Still both Bergman and Wigand are fighters that are searching for answers and they want justice in the form of truth as with every little bit more evidence is uncovered.
Cleraly this is a harrowing drama with legal and emotional twist and turns it has an in depth cold hard edge that keeps you glued while searching for answers and fighting for the truth with twist. "The Insider" was for sure one of Michael Mann's better made films.
Al Pacino(still one of the best actors in the business)is in top form with a strong performance as veteran "60 Minutes" producer Lowell Bergman and Russell Crowe(is the man affected by it all the insider himself former tobacco executive Dr. Jeffrey Wigand). The story is pretty cut and dry when Wigand is fired by the tobacco company, he agrees to become a paid consultant for a story that Bergman and "60 Minutes" is working on about the unethical ways within the tobacco industry. This all leads to a long battle between all with a lot of legal cat and mouse games which puts everyone's reputations on the line.
As expected the tobacco industry will use any legal and corporate means they can to help save a billion dollar a year habit. Still both Bergman and Wigand are fighters that are searching for answers and they want justice in the form of truth as with every little bit more evidence is uncovered.
Cleraly this is a harrowing drama with legal and emotional twist and turns it has an in depth cold hard edge that keeps you glued while searching for answers and fighting for the truth with twist. "The Insider" was for sure one of Michael Mann's better made films.
क्या आपको पता है
- ट्रिवियाMike Moore, the Attorney General of Mississippi, played himself for the scenes involving the lawsuit.
- गूफ़In the beginning of the film when Mike Wallace refuses to move his chair away from the Sheik, the translator translates Mike's English into Farsi to the Arabic-speaking Hezbollah. Farsi and Arabic are not the same language and usually Persians and Arabs do not understand each other's languages, unless they studied them.
- भाव
Mike Wallace: Who are these people?
Lowell Bergman: Ordinary people under extraordinary pressure, Mike. What the hell do you expect? Grace and consistency?
- इसके अलावा अन्य वर्जनThe TV version is actually longer than the theatrical version and was extended over two nights. The edit was supervised by director Michael Mann.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: The Best Films of 1999 (2000)
- साउंडट्रैकTempest
Written by Lisa Gerrard, Madjid Khaladj and Pieter Bourke
Performed by Lisa Gerrard and Pieter Bourke
Courtesy of 4 AD Limited/Warner Bros. Records Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Insider?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- El informante
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,90,89,912
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $67,12,361
- 7 नव॰ 1999
- दुनिया भर में सकल
- $6,02,89,912
- चलने की अवधि
- 2 घं 37 मि(157 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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