IMDb रेटिंग
5.4/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree pro surfers - gifted Shane, once-great Mickey and rising young star Keoni travel to Madagascar, Bali and Hawaii in search for the ultimate wave.Three pro surfers - gifted Shane, once-great Mickey and rising young star Keoni travel to Madagascar, Bali and Hawaii in search for the ultimate wave.Three pro surfers - gifted Shane, once-great Mickey and rising young star Keoni travel to Madagascar, Bali and Hawaii in search for the ultimate wave.
Shane Dorian
- Shane
- (as Patrick Shane Dorian)
Vincent Klyn
- Madagascar Prince
- (as Vince Klyn)
फ़ीचर्ड समीक्षाएं
What can you say about a film that has thirty minutes of fantastic surfing footage but not much more at all? Well, not much more at all.
In God's Hands stars three non actors (that's pretty obvious) who are also top surfers. They're the real thing. Patrick Shane Dorian, Matt George and Matty Liu really do ride this 40 plus foot monsters in this film, and really are towed onto them by jet skis. And all of that is pretty awesome.
I didn't find the sound track all that appealing but I think I've been wiped out in a bit of a Morning Of The Earth time warp for twenty years now. That surfing flick, which I saw in a hall in the Coff's Harbour decades ago, just has to be one of the best films for me ever.
But none of those Morning Of The Earth waves were the monsters that these lads snake down, and get murdered under.
So the surfies out there, and there's plenty of them, will just have to see this fantastic wave action and they'll just have to see it on the big screen. They won't expect much more than just waves with human's sliding down them and they won't be disappointed.
In God's Hands stars three non actors (that's pretty obvious) who are also top surfers. They're the real thing. Patrick Shane Dorian, Matt George and Matty Liu really do ride this 40 plus foot monsters in this film, and really are towed onto them by jet skis. And all of that is pretty awesome.
I didn't find the sound track all that appealing but I think I've been wiped out in a bit of a Morning Of The Earth time warp for twenty years now. That surfing flick, which I saw in a hall in the Coff's Harbour decades ago, just has to be one of the best films for me ever.
But none of those Morning Of The Earth waves were the monsters that these lads snake down, and get murdered under.
So the surfies out there, and there's plenty of them, will just have to see this fantastic wave action and they'll just have to see it on the big screen. They won't expect much more than just waves with human's sliding down them and they won't be disappointed.
My boyfriend is a surfer and one night I rented this movie for us to watch. When he was out of the room I started it and as soon as he heard the waves crash he ran into the room. The movie is great because it has great action to keep the guys interested but there is an underlying romance between the extremely gorgeous Patrick Shane Dorian and a really pretty costar that makes it a good movie for couples to watch. My boyfriend was very appreciative and I'm sure any other guy would be too.
This film is definitely not for everyone. It is less about story, and more about life. It has a Zen-like quality about seeking for the pursuit of happiness. I am not a surfer, but I love this movie. As one who is an avid mountain biker, this film provides a dream of being able to enjoy a sport and a lifestyle to the max. Anybody who loves adventure sports would thoroughly love this movie. Not only is it fun to watch for the lifestyle, but the cinematography is absolutely amazing. It's hard to find better.
If it weren't for the stunning footage of surfing in this film, it wouldn't even be worth writing about, let alone watching.
The writing, dialogue and story, is so ghastly, it's difficult to tell what Zalman King was thinking. Does he hate the sport? Did he realize that the highly polished, kinetically charged surfing sequences would have made a great documentary, and so he decided to show his contempt for them by slapping on empty-headed melodrama?
In the beginning there's some ludicrous high jinks in some African country (name of the country? I don't know -- New Orleans, I think, or maybe Hong Kong), followed by some scenes aboard a freighter (a freighter with no discernable purpose, manned by a crew of three), followed by a sequence at a surfer training camp (?), followed by scenes wherein one of the main characters gets struck down with a terrible sickness (yellow fever? small pox? heat cramps?), and then gets well. It ends with a bunch of surfing followed by a bunch of surfing.
The dialogue is hollowed-out, cheesy ersatz Kerouac, mostly from a fellow who talks into a tape recorder for some vague future purpose (Dennis Hopper in "The American Friend," anyone?)
On the upshot, if there was money spent on anything for "In God's Hands," it was the film stock and the cameras. Rarely has cinematography been this glisteningly, unabashedly beautiful, without a specific color scheme suited to the story (i.e. war movies, westerns). It rivals anything John Toll achieved in his photography for "The Thin Red Line." In the end, however, this film is reduced to being a ninety-six minute screen saver, and belongs in the same trash bin as Hype Williams' "Belly" and Claude Lelouche's "A Man and a Woman."
The writing, dialogue and story, is so ghastly, it's difficult to tell what Zalman King was thinking. Does he hate the sport? Did he realize that the highly polished, kinetically charged surfing sequences would have made a great documentary, and so he decided to show his contempt for them by slapping on empty-headed melodrama?
In the beginning there's some ludicrous high jinks in some African country (name of the country? I don't know -- New Orleans, I think, or maybe Hong Kong), followed by some scenes aboard a freighter (a freighter with no discernable purpose, manned by a crew of three), followed by a sequence at a surfer training camp (?), followed by scenes wherein one of the main characters gets struck down with a terrible sickness (yellow fever? small pox? heat cramps?), and then gets well. It ends with a bunch of surfing followed by a bunch of surfing.
The dialogue is hollowed-out, cheesy ersatz Kerouac, mostly from a fellow who talks into a tape recorder for some vague future purpose (Dennis Hopper in "The American Friend," anyone?)
On the upshot, if there was money spent on anything for "In God's Hands," it was the film stock and the cameras. Rarely has cinematography been this glisteningly, unabashedly beautiful, without a specific color scheme suited to the story (i.e. war movies, westerns). It rivals anything John Toll achieved in his photography for "The Thin Red Line." In the end, however, this film is reduced to being a ninety-six minute screen saver, and belongs in the same trash bin as Hype Williams' "Belly" and Claude Lelouche's "A Man and a Woman."
Alright ....for those of you who can actually admit that you are annoyingly retentive on a movie having a clear plot, resolution, and all those school book-type terms from a movie, steer away from this one. You will be tearing your hair out=)
***************************************************
For those of you who surf, who know what it *feels* like to ride a wave, you will appreciate this movie ( I guarantee) more than any other surf movie or documentary you've ever seen. Believe me, take it from a surfer. THESE 'ACTORS' ARE NOT ACTORS. THEY ARE WORLD-CLASS/COMPETITION SURFERS.
And though those retentive people will point out that they can't act, I am saying what they do in this film is the *only* way to act. Zalman King used his head here to have three world-class surfers, ( Matt George, Shane Patrick Dorian, and Matty Liu), one of which was #1 in the world for three straight years(Dorian). I have a friend who met him and told me how cool he was and that he's actually *very* self-conscious about the gap between his teeth. I think it is beautiful to watch him try to speak without showing it in the film, because this is a reflection of his true self; his true insecurity. He is also shy about being in the spotlight, even limiting televised interviews on surfing networks.
Anyway, the screen gladly welcomes him here, along with many other surfers, including many 'seniors' over 35, (one of which who invented the toe-in surfboard), who make a few cameos throughout the movie.
*** IF YOU'RE A CINEMATOGRAPHY LOVER (as I am) you will LOVE this movie. The waves, the colors, the sensuality. Yes, this movie is *very* sensual. This film was directed by the same guy who made 9 1/2 weeks, and Two Moon Junction. Because the main focus is on the surfing, the tiny love story in it keeps you wanting more. Somehow everything looks sensual (ie: flowing hair, pearls falling on a seashell in slow-mo, the smiling girl on the train, the music). Everything in this movie can be freeze-framed and it would never look boring. There is always something deep within each picture the characters seem to be thinking and transferring to the screen. SIMPLY PUT, this movie is a work of art.
*** IF YOU LIKE MOVIES TO ENLIGHTEN YOU, this movie will serve its purpose. It delves into the minds of these young men. It steers clear of trying to be something it's not. You end up wanting to be out there with them, riding those waves. You end up understanding, by the end of the film, why (at least Dorian) was always looking for that 'one big wave that starts all the other waves', to simply get that feeling. You'll end up wondering what would make you feel that way in your own life. It might be surfing.
And YES, this movie could've been changed to a documentary on surfers, but why? They would not have had as wide of an audience, and there are simply NOT enough movies about surfing out there. People need to know more about the greatest sport on Earth.
This movie is for everyone except for lazy, narrow-minded people, who can go back to criticizing movies that "should have been documentaries". (not to sound TOO harsh)=)
peace, -Sep
***************************************************
For those of you who surf, who know what it *feels* like to ride a wave, you will appreciate this movie ( I guarantee) more than any other surf movie or documentary you've ever seen. Believe me, take it from a surfer. THESE 'ACTORS' ARE NOT ACTORS. THEY ARE WORLD-CLASS/COMPETITION SURFERS.
And though those retentive people will point out that they can't act, I am saying what they do in this film is the *only* way to act. Zalman King used his head here to have three world-class surfers, ( Matt George, Shane Patrick Dorian, and Matty Liu), one of which was #1 in the world for three straight years(Dorian). I have a friend who met him and told me how cool he was and that he's actually *very* self-conscious about the gap between his teeth. I think it is beautiful to watch him try to speak without showing it in the film, because this is a reflection of his true self; his true insecurity. He is also shy about being in the spotlight, even limiting televised interviews on surfing networks.
Anyway, the screen gladly welcomes him here, along with many other surfers, including many 'seniors' over 35, (one of which who invented the toe-in surfboard), who make a few cameos throughout the movie.
*** IF YOU'RE A CINEMATOGRAPHY LOVER (as I am) you will LOVE this movie. The waves, the colors, the sensuality. Yes, this movie is *very* sensual. This film was directed by the same guy who made 9 1/2 weeks, and Two Moon Junction. Because the main focus is on the surfing, the tiny love story in it keeps you wanting more. Somehow everything looks sensual (ie: flowing hair, pearls falling on a seashell in slow-mo, the smiling girl on the train, the music). Everything in this movie can be freeze-framed and it would never look boring. There is always something deep within each picture the characters seem to be thinking and transferring to the screen. SIMPLY PUT, this movie is a work of art.
*** IF YOU LIKE MOVIES TO ENLIGHTEN YOU, this movie will serve its purpose. It delves into the minds of these young men. It steers clear of trying to be something it's not. You end up wanting to be out there with them, riding those waves. You end up understanding, by the end of the film, why (at least Dorian) was always looking for that 'one big wave that starts all the other waves', to simply get that feeling. You'll end up wondering what would make you feel that way in your own life. It might be surfing.
And YES, this movie could've been changed to a documentary on surfers, but why? They would not have had as wide of an audience, and there are simply NOT enough movies about surfing out there. People need to know more about the greatest sport on Earth.
This movie is for everyone except for lazy, narrow-minded people, who can go back to criticizing movies that "should have been documentaries". (not to sound TOO harsh)=)
peace, -Sep
क्या आपको पता है
- ट्रिवियाTodd Chesser was scheduled to fly to Maui to stunt-surf the death scene at Maui Pe'ahi (Jaws). But the surf was good in Oahu, so he stayed home, and at 9am paddled with two friends into the lineup at Outside Alligator Rock. Chesser drowned two hours later, after getting caught inside by a 25-foot set.
- गूफ़Near the end, when Shane is on the Mexican skiff, He ties his leather bag and sleeping bag to a red buoy, then throws the buoy in the water. The buoy floats away, dragging away his belongings. However, in the next shot on the boat, the sleeping bag and leather bag are visible under the surfboard.
- कनेक्शनReferenced in Blue Crush (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is In God's Hands?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- En las manos de Dios
- फ़िल्माने की जगहें
- Bali, Indonesia(Denpasar, Padang Padang)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $15,46,414
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,55,342
- 26 अप्रैल 1998
- दुनिया भर में सकल
- $15,46,414
- चलने की अवधि
- 1 घं 36 मि(96 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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