Anno zero - Guerra nello spazio

Deserving of a place on anyone's list of the worst films ever made, this hugely enjoyable, hopeless sci-fi rubbish has to be seen to be believed. Made the same year as Star Wars and yet still setting the genre back 30 years, this must surely be the worst film ever to be written by two guys named Al.

Most of the fun the film has to offer is to be had reading the credits at the beginning, with a host of hilarious names including Max Bonus and Charles Really. Many of the contributors are only identified by their first initials - undoubtedly a testament to their shame at having participated in this atrocity.

A hotshot space captain and his crew are sent on a dangerous mission to investigate a mysterious signal discovered in deep space. They encounter a planet ruled by a malevolent robot who has enslaved the people who created him. Turns out he sent the signal so that someone would come and fix his dodgy circuit board.

Mysterious space signals and psychopathic technology are not the only nods to 2001: A Space Odyssey. War of the Planets even boasts a space walk gone wrong, and it's even set to some homemade Strauss.

Desperately amateurish performances abound, and are made even sillier by the ridiculous costumes the entire cast wears, although I'll concede that the women do look good in their figure-hugging outfits. Crammed full of some of the most abominable "special effects" I've ever seen in a film, this is well worth a look if you're into truly awful cinema.

So I concur with most of the reviews that suggest "War of the Planets" is an abomination, and if it weren't for the figure-hugging uniforms (as worn by the female cast), ludicrous skull-caps, a vaguely entertaining climax and a now-rare appearance by one-time international star John Richardson, this Italian sci-fi wouldn't rate at all.

Something of a "2001: A Space Odyssey" rip-off, that also seems to be channeling "Beneath the Planet of the Apes", finds rogue skipper Richardson assigned a supposedly benign mission as penance for his misbehaviour, suddenly thrust into a fatal mission to protect the earth from an omnipotent intergalactic robot that has decimated the inhabitants of a nearby planet.

There's an awful lot of cheesy special effects, unimaginative set decoration, random solar flames and ubiquitous laserblasts, underscored by the typically puerile over-dubbing, and punctuated by Strauss and other stock music of the ilk, serving as some misguided attempt at a sophisticated backdrop. It's actually very tame and very lame with little redeeming qualities. Richardson looks assured despite the tripe, and he's ably assisted by the intense-looking cast of relative unknowns (Yanti Somer, West Buchanan, Vassili Karis and Percy Hogan in a minor supporting role) as they plod through 90 minutes too long of futuristic bunkum.

Too derivative to capture a cult following, just another C-grade snore- fest that's found its way into unsuspecting loungerooms via the 1-cent movie bundles - which is not to suggest every film in those boxes of goodness are as laborious as "War of the Planets", but this is definitely one of the few to avoid.

The Italians are at it again. Crippled by an incoherent script, this Italian-made space opus is lost in the vacuum of space. The title, minus the word "Cosmos," was used a decade earlier during the very 'mod' 60's. The runaway satellite in that film was child's play compared to this leaky albatross. This film deals, badly, with a more lethal out-of-control planet. The man in charge, the director, had to have been on a three-day coffee break. The extras rush and jump around in a swirl of confusion. Some high school productions are more organized. One actor pronounces the word data as "da-da." When the landing party finds living beings on the planet, they all resemble an army of metallic "Mr. Cleans." Crazy. A few of the female crew members are painted into their threads. And the ridiculous skull caps are definite turn-offs. Future technology is represented by scratchy video monitors and blinking boxes of gyros and lights. Organ music saturates the soundtrack with grunts and groans, piped in from a very dark place. The final showdown pits a rabid crewman against the lead Mr. Clean. Both souls are jettisoned out an air lock. Have a nice trip.

Yup .. this piece of cinematic doodie, is terrible. Why, Oh why, do I have soft spot for crap movies .. we'll never know. At least I'm not the only one. Apparently this is a kind of follow on from "Planet of the Vampires" .. which although low budget, was quite an entertaining and atmospheric film. It's definitely NOT a Star Wars rip off as it has nothing to do with that.

It starts badly, teeters off in the middle, and the less said about the end the better. Best thing to do if you want to see this is with it on youtube .. there's a few places that have it. I certainly wouldn't buy it unless it's on one of those sci-fi movie box sets that contains 100 awful movies.

I won't dwell on the 'story' .. but needless to say it's badly made. Awful script ... if awful even comes close to describing it. One can't help but blame the director for a lot of the dumb performances because .. well .. it's his fault! Editing is okay, considering the crappy material they had to work with.

But hands down the biggest offence in this film is the music score. Ouch!! .. like being rogered with a prize winning cactus. John Barry proved you could have awesome music in a goody film (Starcrash 1978), so there's no excuse to phone in the score like they did here.

Watch it if you dare, or if you're a sucker for bad movie .. like me! This movie could have been saved if the boys and bots at MST3K had riffed it, sadly it wasn't awful enough for them :P

Would be a good film for a crap-fest!

I am not a fan of the idea that a movie can suck so much and be so terrible that it can, or should, be perceived in any way that which is positive but, at least in description this movie is an exception, fore this movie is so STUPID that it is "a movie almost awesome in its badness", to borrow a phrase! They actually sift music from other films, horror movies & documentaries mostly, & remade it with something that sounds like a 1950s synthesizer...to add to the soundtrack, which is probably the best thing about the film ironically...

The ending is actually far more climactic than I would even have imagined giving them credit for & is probably the 2nd best thing about the film, and I even concede that the women do look good in their figure-hugging outfits, but (...it's not like they get naked!), nothing is redeemed & there is & shall forever never be no forgiveness for this excruciatingly lame-ass sh!t-pile!!