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IMDbPro

Il mio West

  • 1998
  • PG-13
  • 1 घं 35 मि
IMDb रेटिंग
4.5/10
998
आपकी रेटिंग
Harvey Keitel, David Bowie, Sandrine Holt, Alessia Marcuzzi, and Leonardo Pieraccioni in Il mio West (1998)
Gunslinger's Revenge: Peace Pipe
clip प्ले करें1:13
Gunslinger's Revenge: Peace Pipe देखें
1 वीडियो
5 फ़ोटो
कॉमेडीड्रामापश्चिमीस्पेगेटी वेस्टर्न

अपनी भाषा में प्लॉट जोड़ेंA cold-blooded killer provokes a legendary gunslinger into coming out of retirement to see who's really the fastest gun in the West.A cold-blooded killer provokes a legendary gunslinger into coming out of retirement to see who's really the fastest gun in the West.A cold-blooded killer provokes a legendary gunslinger into coming out of retirement to see who's really the fastest gun in the West.

  • निर्देशक
    • Giovanni Veronesi
  • लेखक
    • Vincenzo Pardini
    • Giovanni Veronesi
    • Leonardo Pieraccioni
  • स्टार
    • Leonardo Pieraccioni
    • Harvey Keitel
    • David Bowie
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.5/10
    998
    आपकी रेटिंग
    • निर्देशक
      • Giovanni Veronesi
    • लेखक
      • Vincenzo Pardini
      • Giovanni Veronesi
      • Leonardo Pieraccioni
    • स्टार
      • Leonardo Pieraccioni
      • Harvey Keitel
      • David Bowie
    • 20यूज़र समीक्षाएं
    • 7आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो1

    Gunslinger's Revenge: Peace Pipe
    Clip 1:13
    Gunslinger's Revenge: Peace Pipe

    फ़ोटो4

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार34

    बदलाव करें
    Leonardo Pieraccioni
    • Doc
    Harvey Keitel
    Harvey Keitel
    • Johnny Lowen
    David Bowie
    David Bowie
    • Jack Sikora
    Alessia Marcuzzi
    Alessia Marcuzzi
    • Mary
    Sandrine Holt
    Sandrine Holt
    • Pearl
    Jim van der Woude
    • Joshua
    • (as LimVan Der Woude)
    Yudii Mercredi
    • Jeremiah
    Michelle Gomez
    Michelle Gomez
    • Ragazza di cuoio
    Kwame Kwei-Armah
    • Rastafarian
    • (as Kwame Kwei Armah)
    Stephen Jenn
    • Albino
    Rosalind Knight
    Rosalind Knight
    • Signora Willow
    Jimmy Gardner
    • Sam Comet
    Jean Heywood
    Jean Heywood
    • Signora Comet
    Stephen Joseph Scott
    Stephen Joseph Scott
    • Lieutenant
    • (as Lorenzo Wilde)
    Sean Baker
    Sean Baker
    • Telegrafista
    Andrew Dunford
    • Pianista
    Valentina Carnelutti
    Valentina Carnelutti
    • Prima ballerina
    Cristina Moglia
    • Seconda ballerina
    • निर्देशक
      • Giovanni Veronesi
    • लेखक
      • Vincenzo Pardini
      • Giovanni Veronesi
      • Leonardo Pieraccioni
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं20

    4.5998
    1
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    10

    फ़ीचर्ड समीक्षाएं

    1destracricetale

    one among the worst Italian movies ever.

    Leonardo Pieraccioni is a nice, handsome man who made some successful comedy (romantic)movies in Italy, targeting the 20-30 years middle class womans. No gross matters, no sex , no curse language , I would to say no humor and no fun but it is just my opinion.

    This time he make an attemp with a spaghetti comedy western and failed miserably. The plot is absurd and amateurish, the actors (pretty goods) were wasted in a crappy plot with just some glimpses . Do you want to enjoy yourself a Italian comedy? Do you want to see a spaghetti western? Simple make another choice: From Sergio Leone to Ugo Tognazzi,Bud Spencer e Terence Hill . Speaking to Tuscany ' commedians ,I would suggest Alessadro Benvenuti (prior 2000)and the early Benigni.
    7davefawcet

    Good subtle humor and still real.

    If you would enjoy seeing some of the formula characters and scenes in a western presented in new ways, you might like this. Some of these formulas are treated with quietly humorous disrespect, be warned, if you take westerns seriously. Think of a good "Gunsmoke" episode made as a movie for the level of plot depth. People were real, involved, and creatively presented. The dialog limps at times, but Keitel's personal presence compensates for some of the limitations. Scenes weren't always smoothly connected, some had a "plot requirement" feel but I do wonder what ended up on the cutting room floor. People wore dirty clothes, gunshots produced blood, town citizens were parochial and short-sighted, the basics I need to stay involved. Bowie is appropriately evil, and does sensible evil things to achieve his goals!
    1crocker-4

    Oh, the script

    Beginning with his first line of dialogue, one hopes that the main character (Leonardo Pieraccioni) will get shot. The kid is tedious. Keitel can't do anything with the script (and you can't blame him for not really trying). I don't understand the complaints about Bowie ... he's cliché, and the accent is horrid, but his scenes are the only ones offering any semblance of entertainment.

    But it's the dialogue, story, and main actor that kill the film. The main characted give his lines in English, but has clearly been dubbed by a native speaker (unfortunately, not an actor). To call the result "wooden" would give ply-wood a bad name. Attempts to reclassify it as a some sort of intentionally pastiche cult comedy are wishful thinking. Not that the film doesn't inspire a degree of laughter ...
    vmoulton

    It is what it is

    Several of the comments here show negative response to what I feel is really a kind of tribute film to the great Sergio Leone. This film could easily have been Parmesan cheese atop the fabulous westerns Leone and Clint Eastwood created, but I think it keeps a good blend with the genre. Yes, the main character, Doc, is speaking in Italian and English is dubbed in. But that's a big part of the charm of all "foreign" films, especially the spaghetti westerns. And having spent my childhood in Oklahoma, I thought Bowie's psychotic bad man accent was surprisingly good (although I think Dwight Yoakam would have made a better casting choice). The soundtrack, likewise, could have come off as a pale substitute for Morricone's memorable scores. I thought the choice of the Marley's reggaeesque tune was more than suitable, especially since one of the "bad guy" characters was Rastafarian - one of many colorful additions that, in my view, bring nice flavors to the genre.

    My only complaint after seeing the film once is that it's too short. If it were expanded to include more about Keitel's character and his earlier relationship with Bowie's, the climactic scene could have carried more punch - maybe not along the lines of the Bronson/Fonda gunfight in Once Upon a Time in the West, but richer character development would definitely have added more suspense and contributed to bringing a well-worn genre into the 21st century.

    I don't think anyone who is a true fan of spaghetti westerns would be disappointed in spending 95 minutes with a tastefully created, colorful, quirky film like this.
    7FightingWesterner

    Schmaltzy Stuff, Kietel And Bowie Make It Fun Though.

    Aging gunfighter Harvey Kietel returns to his family after twenty years, to find his wife dead and his only son a pacifist doctor. He's soon followed by degenerate hick David Bowie, who wants his chance to best Kietel and won't take "No" for an answer.

    The first half of this tender-hearted, politically correct Italian western (the first in awhile) is pretty syrupy, but alright as long as you're not expecting a rip-roaring spaghetti western. Harvey Kietel is as excellent as always and the location photography pretty good.

    Things get weird in the second half, when a scenery-chewing Bowie and his motley crew arrive to begin a vigil outside Kietel's house. Here he's quite amusing, talking with the same fake southern accent he used for his cameo appearance in Twin Peaks: Fire Walk With Me and even getting a chance to strum his guitar and sing, that is until he bashes it over the head of another character.

    I couldn't help but like it.

    इस तरह के और

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    5.9
    Yellowbeard
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    6.2
    The Hunger
    मेरी क्रिसमस, Mr. सॉरेन्स
    7.2
    मेरी क्रिसमस, Mr. सॉरेन्स

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Director Giovanni Veronesi stated in an interview that David Bowie answered to his proposal to take part to the movie in 48 hours, telling him: "you are crazy proposing me this movie, but I'm crazier because I'm accepting". Bowie's only condition was to have an accommodation without barking dogs within a radius of 3 kilometers, so they had to do a sort of raid around the countryside and same Veronesi adopted some of the dogs they picked up.
    • गूफ़
      The telegraph office has what appears to be a reel-to-reel film projector, some time before the beginning of the twentieth century.
    • साउंडट्रैक
      Everyone Wants to Be
      Written by David Marley and' Stephen Marley'

      Music composed by Ziggy Marley/Ziggy Marley and the Melody Makers

      Vocals by Wyclef Jean (as Wycleff)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 दिसंबर 1998 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • Gunslinger's Revenge
    • फ़िल्माने की जगहें
      • Campocatino, Vagli, Lucca, Tuscany, इटली
    • उत्पादन कंपनियां
      • Cecchi Gori Group Tiger Cinematografica
      • Pacific Pictures (I)
      • Pacific Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,00,00,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 35 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

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