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Sex Madness

  • 1934
  • Not Rated
  • 57 मि
IMDb रेटिंग
2.9/10
1 हज़ार
आपकी रेटिंग
Sex Madness (1934)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंThis exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexualit... सभी पढ़ेंThis exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexuality and drug use.This exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexuality and drug use.

  • निर्देशक
    • Dwain Esper
  • लेखक
    • Joseph Seiden
    • Vincent Valentini
  • स्टार
    • Vivian McGill
    • Rose Tapley
    • Al Rigali
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    2.9/10
    1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Dwain Esper
    • लेखक
      • Joseph Seiden
      • Vincent Valentini
    • स्टार
      • Vivian McGill
      • Rose Tapley
      • Al Rigali
    • 22यूज़र समीक्षाएं
    • 21आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो4

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार22

    बदलाव करें
    Vivian McGill
    • Millicent Hamilton
    Rose Tapley
    Rose Tapley
    • Mrs. Hamilton
    Al Rigali
    • Mr. Hamilton
    Mark Daniels
    Mark Daniels
    • Wendel Hope
    • (as Stanley Barton)
    Linda Lee Hill
    • Sheila Wayne
    Ruth Edell
    • Mrs. Fay
    Charles Olcott
    • Paul Lorenz
    Ed Redding
    • Dr. Hampton
    Pat Lawrence
    • Tom Lorenz
    Allen Tower
    • Dr. Harris
    • (as Allan Tower)
    Richard Bengali
    • Mr. Maynard
    William Blake
    • Dr. Grenoble
    Frank Howsen
    • Dr. Bayard
    Allan Lee
    • Mr. Winthrop
    Jean Temple
    • Mrs. Winthrop
    Albert Patterson
    • James Winthrop
    Miriam Bilavsky
    • Jane
    Natalie Donet
    • Peggy
    • (as Nathalie Donet)
    • निर्देशक
      • Dwain Esper
    • लेखक
      • Joseph Seiden
      • Vincent Valentini
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं22

    2.91K
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    फ़ीचर्ड समीक्षाएं

    3Leofwine_draca

    Poor education film

    SEX MADNESS is one of those exploitational 'public information' films that weave dark and decadent stories of ordinary, wholesome characters whose lives are ruined by vice. This film exclusively tackles the topic of syphilis, depicting it as a blight that can ruin the lives of men, women, families, and even children.

    As is usual for this genre of film-making, the main character is a bright and wholesome young girl whose sordid journey into darkness begins when she appears in a beauty contest. Before long the usual sleazy middle-aged types are taking advantage of her, and when she's diagnosed with syphilis, all seems lost.

    There are many other characters in the film, all of whom are designed to portray the different ways in which syphilis can affect the unwary. The effect on unborn babies is explored, as are the quack doctors with their 'cure anything' pills. The subject matter is an interesting one, but unfortunately this is an amateurish production with a plodding pace and very poor acting, so it's near impossible to enjoy.
    4ethylester

    you can't marry if you have syphilis

    At first it was good, but then it got boring. I really loved the burlesque show. It was so great. I wish there were still shows like this now. Men getting turned on by girls in big feathered hats and sequin leotards jumping around with big grins on their faces seem a little less threatening than those who want genitals of women they've never met before shoved in their faces. Sorry to be so graphic, but the movie makes you realize how drastically sex shows have changed.

    That is really the main part of the movie that caught my attention. The film does have valid points about how you shouldn't have a kid if you have syphilis. And you shouldn't have sex if you have it either. However, the whole idea of someone with this disease being forbid by their doctor to get married seemed a little strange to me. Plus the main woman was in cloud nine the whole as if the whole world was either completely wonderful or completely horrible.

    I also thought the point about the "quacks" was interesting because it's harder today to figure out if a doctor is a quack since we have such a high rate of suing for malpractice. A doctor today might push some unnecessary pills on you so that s/he will get some money from the drug company, but they would never go so far as to guarantee you are cured of syphilis and can now freely have sex with people when you actually weren't cured at all. That's just bogus. I'm glad that doesn't happen anymore.

    Watch this movie to see how drastically times have changed but also to educate yourself about this disease. It's the only thing that hasn't changed.
    5Craig-89

    Hokey 30's scare tactic movie

    This is another one of those scare tactic movies from the 30's that's more hokey than fact. I laughed throughout the whole movie watching the antics of "normal" people in the 30's. It's supposed to teach you about the dangers of syphillis, but is more entertaining than informative.

    This movie ranks up there with "Reefer Madness" and "Cocaine Fiends"......entertaining and nothing more.

    I highly recommend it to anyone that wants a night of belly laughs.
    3rmax304823

    Is This Love? Or Is It Just Physical.

    It's an old scratchy movie about the danger of syphilis. It seems proud of itself for dealing with the disease, although the treatment, so to speak, was better done in Warner's "Dr. Ehrlich's Magic Bullet." It's preceded by one of those announcements trumpeting the seriousness of the subject. You've probably seen them before. If it's not syphilis, it's some other lethal threat. It's the mad empire of Japan, the jack-booted threat of Naziism, the crepuscular shenanigans of "organized crime," the lure of dope, the tentacular charm of Margaret Groin, the girl who refused my invitation to the senior prom because I insisted on wearing Bermuda shorts.

    The acting is terrible. Let's get that out of the way first. There has been better acting in a high school production of "Our Town" in Scotch Plains, New Jersey. Story-wise, it seems that the new District Attorney or somebody is raiding girlie shows. His last drag netted eleven girls who were seen removing their hampering garments on the public stage.

    I found myself wondering about the agents of social control who were assigned the loathsome task of watching the shows until the crime was committed. I kept thinking of Anthony Comstock, the postal inspector of the 1800s and sworn foe of Margaret Sanger, who couldn't tear himself away from the perusal of salacious material. He even blocked some medical texts from reaching medical schools. A lifetime devoted to reading dirty stuff so he could condemn it, a job to kill for.

    This movie runs along similar lines, rather like Cecile B. DeMille's showing us Claudette Colbert taking a nude bath in ass's milk. Terrible stuff. We see a burlesque show with two dozen girls dressed in bathing suits too modest for today's tastes. In the audience, a mustachioed young man is trying to talk his girl friend into spending the night with him. "You can tell your mother you're staying with friends." Nearby a sinister and horny lesbian (in dark clothes) is seducing an innocent young virgin (in white clothes). There are cuts to the maniacal grins of drooling males in the audience. Afterwards, the boys take some of the girls to a house party, where everyone flirts and boozes it up.

    Around this point it occurred to me that some viewers might be thinking, "What's WRONG with these people?" It occurred to me that maybe there was nothing at all "wrong" with them, that they were just doing what the situation demanded, that the problem (if there was one) was systemic. As individuals we tend to imitate the behavior of those around us. That's called "culture" and it's why we're doing this in English instead of Urdu, and it's why none of us will wear a toga to work tomorrow. It's why there is no such thing as "The Society For the Advancement of Ugly People." There are of course subcultures into which we may find ourselves swept up because of constitutional quirks as much as culture. There IS a Flat Earth Society and there are presidential elections.

    You want a movie about syphilis? Watch "Dr. Ehrlich's Magic Bullet." You want a movie with lots of sex? Just go to a movie.
    Michael_Elliott

    Awful But Entertaining

    Sex Madness (1938)

    BOMB (out of 4)

    A sweet, young woman decides she wants to be a star so she tells her fiancé that their love needs to be put on hold while she goes to New York City to make it big. She doesn't make it big but she does have sex with someone and sure enough she catches syphilis.

    SEX MADNESS comes from director Dwain Esper, the man best remembered for MANIAC as well as other exploitation films. It's hard to believe but at one time films like this one, REEFER MADNESS and THE COCAINE FIENDS were controversial pieces of filmmaking that passed themselves off as education pictures while mainly just wanted to draw attention to a naughty subject and make money off of a public willing to pay it.

    Most of these films are incredibly awful without a single thing to really recommend in them. THere are countless awful things about this picture including some really awful performances, a really stupid story and of course everything technical is bad. THe editing, the direction, the cinematography and even the bad stock footage that is used at times. Oh yeah, don't forget the horrid dialogue that happens. As with other VD films, this one here features "real footage" as shock value.

    I'm not going to lie, as awful as this movie is, it's still fairly entertaining simply because of how awful it is. All the false information given, the way everything is hyped up for drama and the ridiculous message are all Bad Movie Cinema 101. On that level, SEX MADNESS is worth watching.

    संबंधित रुचियां

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    ड्रामा

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Rejected by the state film censor boards in New York, Pennsylvania and Kansas on its initial release.
    • गूफ़
      When Millicent is talking to her landlady, the window in the background falls shut. This distracts the actress, who nearly flubs her line.
    • भाव

      Millicent Hamilton: I'm tired. Me for bed.

      Sheila Wayne: Bed? Did you say bed?

      [laughs]

      Sheila Wayne: That's not for relaxin', that's for action!

    • क्रेज़ी क्रेडिट
      In versions titled "They Must Be Told" all the opening credits, even the title, are preceded by the following explanation: "FOREWORD: Down through the ages has rushed a menace more dangerous than the worst criminal. Syphilis. Let us seize this monster and stamp out forever its horrible influence. Syphilis must no longer play its deadly part in our lives preventing marriages ... breaking up families ... and resulting in innocent offspring born blind, diseased and maimed ... doomed to a life of misery. The subject of syphilis must no longer remain hushed, but must be fought in the open like any other dangerous contagious disease ... humanity must be enlightened! Ignorance must be abolished! Young and old ... rich and poor ... "
    • कनेक्शन
      Edited into Muchachada nui: एपिसोड #2.5 (2008)
    • साउंडट्रैक
      Wedding March
      (uncredited)

      Music by Felix Mendelssohn

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Sex Madness?Alexa द्वारा संचालित
    • What does the opening title card say?
    • Is this available on DVD?
    • Watch this film on archive.org

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 28 अप्रैल 1938 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Human Wreckage
    • फ़िल्माने की जगहें
      • न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Cinema Service Corp.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 57 मि
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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