लुप्त साम्राज्यों की खोज करना, अनमोल खजाने को ढूंढ निकलना, यह सभी लारा क्रॉफ्ट के लिए प्रत्येक दिन का कार्य है। हालांकि, उसके पिता (जॉन वोइट) के अतीत का एक रहस्य लारा को उसकी सबसे बड़ी चुनौत... सभी पढ़ेंलुप्त साम्राज्यों की खोज करना, अनमोल खजाने को ढूंढ निकलना, यह सभी लारा क्रॉफ्ट के लिए प्रत्येक दिन का कार्य है। हालांकि, उसके पिता (जॉन वोइट) के अतीत का एक रहस्य लारा को उसकी सबसे बड़ी चुनौती की ओर ले जाने वाला है।लुप्त साम्राज्यों की खोज करना, अनमोल खजाने को ढूंढ निकलना, यह सभी लारा क्रॉफ्ट के लिए प्रत्येक दिन का कार्य है। हालांकि, उसके पिता (जॉन वोइट) के अतीत का एक रहस्य लारा को उसकी सबसे बड़ी चुनौती की ओर ले जाने वाला है।
- पुरस्कार
- 4 जीत और कुल 21 नामांकन
- Hillary
- (as Christopher Barrie)
- Head Laborer
- (as David Y. Cheung)
फ़ीचर्ड समीक्षाएं
I gave it 7/10 stars.
I watched the special features on the blu-ray and saw one of the creators make a statement that the film wasn't at all "cheesy, corny or camp" - did this guy watch the same version I did? The film is all of those things, from the opening scene in which Lara fights a training robot to then insert a mix-tape cassette, Lara's padded pointy breasts, and not forgetting the film ends on a freeze frame shot of Lara holding her guns - yeah not at all...
If somehow you've never seen this film until today, don't take it at all seriously or you won't enjoy it, just switch your brain off and you'll likely get something out of it.
With her mock British accent, Jolie is a lot of fun as the adventurer-archaeologist who is equal parts Bruce Wayne and Indiana Jones, but with a much better body.
Taking its cue from the video game, the film's screenplay is more of a puzzle than a plot. The script is a patchwork of ideas that plays like a Greatest Hits collection of other films. It deals with end of the world stuff, but it never feels apocalyptic. It's controlled chaos, utterly lacking in surprise. The script jumps from one expected moment to the next, never apologizing for its lack of originality.
At least Jolie understands the limitations of the script. There's enough conviction in her performance to make you want to believe in Lara Croft, the spunky heiress is who is equally at home in her spacious mansion or within the catacombs of a lost tomb. She's guided by the spirit (both literally and figuratively) of her late adventurer father, Lord Croft (Jon Voight), and assisted by an archaeologist Alex West (Daniel Craig) and cyber-geek creator Bryce (Noah Taylor).
The film opens like "Raiders of the Lost Ark," with Lara Croft deep inside one of those musty, dusty tombs. Instead of outrunning a giant boulder, Croft squares off against a mechanical monster, a robotic menace that seems to come out of nowhere. It doesn't. We learn that it's a creation of Bryce, used to keep Croft on her toes.
Angelina Jolie made the perfect Lara Croft; her facial expressions and sly smirks added a personality to the flick that I can only imagine the video game is missing. She seemed smart, brave, and composed as well as full of emotion. Okay, maybe the parts with her father (real-life papa Jon Voight) were a little over the top, but since the whole movie is just eye-candy anyway they seemed to fit.
The fight scenes among ruins got me. How can you not love Lara Croft jumping onto a swinging obelisk to smash a glass eye that holds the key to time, or sledding thru an ice cave being pulled by dogs? Or the scene where the villains jump through her castle windows as she rappels around the walls, smashing chandeliers and pistol-whipping bad guys? What's a girl to do but hop on her motorbike, take a guy out sideways, and race off at 100 miles an hour? Excellent.
Angeline Jolie is wonderfully likeable as Lara, plus her English accent is flawless which further endears you to her. Red Dwarf's Chris Barrie pops up as Lara's butler and the two have genuine chemistry together when they are on screen. The film is very well directed by Simon West and it has a very polished sheen to it all plus the pacing is spot on, which for a game adaptation is rarer than hen's teeth.
Smashing good fun which is surprisingly well made and well performed too.
Highly recommended for a boozy Saturday in or a lazy Sunday on the couch.
Released in 1996, Tomb Raider developed by Toby Gard and Core Design became one of the defining video game franchises of the 3D era of video games with the series laying the foundation for other third person platforming games with influences seen even to this day with the likes of Uncharted franchise. Of particular novelty for the series was in its central character Lara Croft who originally intended as a male character was changed as to not invite comparisons to the Indiana Jones franchise. Lara Croft's popularity remains strong to this day with the character's unique look recognized even outside the gaming community and serving as the cornerstone of a franchise that encompasses not only the games, but also comics, action figures, and an upcoming anime series. Development on a Tomb Raider movie had begun in fits and starts through the 90s with drafts by Mortal kombat: Annihilation's Brent V. Friedman and the Street Fighter movie's Steven E. De Souza rejected for one reason or another, and the casting of Angelina Jolie met with mixed responses among audiences. Despite this, the movie became the highest grossing movie based on a video game at the time as well as the highest grossing female fronted action film. While Critical reception tended to skew negative (with the exception of Roger Ebert) the movie received an "okay" response from audiences, and while not anything mind blowing Lara Croft: Tomb Raider does capture the essence of adventure and silliness that endear the games and character to audiences.
Simon West brings his visceral sense of style and intensity to the film that he brought to Con Air and that style is well complimented by the performance by Jolie as Croft who gives us a "devil may care" protagonist who lives for sheer thrills and danger. It's not the most deep of performances, but considering the source material Jolie manages to capture the character's core appeal to a "T" both in terms of personality and the action beats. While the opening "training scene" with Lara squaring off against a killer robot made by her home techie, Bryce, goes a bit further from reality than it should, the other major action sequences are well done with the siege of Lara's manor by Illuminati mercenaries done with some creative usage of bungee cables and household items and the two major tomb sequences in Cambodia and Siberia have strong production design and incorporate some strong "platforming" elements reminiscent of the games without feeling bogged down by them. Daniel Craig I also rather enjoyed as Lara's rival/love interest, Alex Wes, even if Craig adopting an American accent in place of his British one was a little eyebrow raising.
While the adventure elements work well with exotic locales and imposing tombs, other story beats don't feel as strong as they should. Iain Glen serves as our main villain Powell, and while he does okay in the role the villain really never rises above much more than an obstacle (even when it's revealed his connection to Lara's father) with him basically being the Illuminati's glorified errand boy who wants to sit in "the big chair". I feel like maybe if the characters of West and Powell were combined into a singular antagonist we'd probably have a much stronger villain. But the biggest element that doesn't work is Jolie's real life father, Jon Voight playing Lara's father Richard Croft. On paper this SHOULD work as a way of capturing that "father/daughter" dynamic the movie wants to evoke, but not only is Voight's performance as Richard rather underwhelming as he gives a very sleepy performance, but when Jolie and Voight do eventually appear together it plays very distant and awkward and not like a heartfelt family reunion. When you have your "big emotional moment" I shouldn't be noting that Voight had better chemistry with Nicolas Cage playing his son in National Treasure than he has with his real life daughter.
Lara Croft: Tomb Raider given the time this was made was probably the most faithful adaptation of the franchise and character we could expect. With tight direction, a large budget, and an enjoyable performance by Jolie as Croft, the movie is nonsense, but it's entertaining nonsense.
क्या आपको पता है
- ट्रिवियाFilming the scenes where Lara drives her Land Rover through the jungle there had to be endless re-shoots due to snakes and other wildlife falling through the open top roof. Angelina Jolie herself was reported to be terrified.
- गूफ़The Buddhist abbot at the monastery in Cambodia extends the 'wai', a gesture of respect (both palm pressed together and held just below the chin in front of the chest), to Lara, which she returns. A Buddhist monk would never give that gesture to anyone, and certainly not to a female, nor as the initiating party. Also, while monks are greeted that way, they do not return the gesture.
- भाव
Lara Croft: To see your world in a grain of sand, and a heaven in a wild flower. Hold infinity in the palm of your hand, an eternity in an hour. William Blake.
- क्रेज़ी क्रेडिटThere are no opening credits after the title has been shown.
- इसके अलावा अन्य वर्जनThe UK theatrical, video and DVD versions are shorter than the uncut US and international versions, due to BBFC cuts. Cuts were required to what the BBFC called "glamorizing shots" of a flick knife, including the sight and/or sound of the knife opening. These cuts included a close shot of the knife covered in blood in the final fight scene, as well as sight of the knife being twirled by Powell seconds later. Also, the head butt delivered by Lara Croft in the end brawl was completely removed and substituted with a punch. The final deadly throat chop Lara gives Powell was cut for cinema release, but restored for UK video and DVD releases. Although these cuts would have been waived for a 15 certificate the distributors chose to remove the scenes for a lower 12 rating. The Blu-ray release was finally passed uncut, though upgraded to a 15 certificate, in 2009.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Tomb Raider
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $11,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,11,68,070
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,77,35,743
- 17 जून 2001
- दुनिया भर में सकल
- $27,47,03,340
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1