Outside Ozona

Outside Ozona is a creepy, quirky offbeat web of interesting characters woven into a tapestry of American life on the fringes, in the hinterlands. Numerous standout character performances spice up a slow building story- including Kevin Pollak as an acerbic, grouchy clown, Penelope Ann Miller as his stripper girlfriend . For the music fan we have the great Taj Mahal as a late night radio DJ as well as Meat Loaf as his boss- they could be their own "cant stand each other" buddy flick.

The heart of the movie is in the performances of Kateri Walker and Robert Forster- he"s a trucker and she's a school teacher out of gas in unfriendly territory. My reason for writing this review is to alert fans of Robert Forsters work to this great performance- he is everything he is in Jackie Brown in this one --ENJOY

As I was flicking through channels one night I just caught the beginning of a film. It was probably the names of Swoozie Kurtz and Meat Loaf that made me go 'what the heck, I'll watch'. The acting is not superb, but the film doesn't demand great acting. The script isn't brilliant, but the film doesn't demand a great script. Taj Mahal (an interesting name) is the highlight as latenight radio host Dix Mayal. A few gory scenes but interesting to see how the night progresses.

There's a killer on the road.

But the movie would have been much better ,if this character had been ruled out.Because the killer who kills in the name of Jesus has become a cliché.Ditto for the "radio vérité".

What remains is good indeed:best performance is given by Robert Forster who portrays a trucker with a golden heart;more than his sympathy for the young Indian ,it's his scene with the dog that will move you:as simple as it can be ,it goes straight to the heart.The clown and his wife are also endearing characters ,with their clumsiness.The writers have succeeded in giving their men and women some substance,which is quite a feat for a relatively short movie .And there are a lot of "stories" in the story ,like the tale of the elephant.The Indian girl,her grandma,the trucker,the two sisters and the circus people tell us a lot about us,and it becomes a good "road movie by night".But the thriller side,the killer,it was not so necessary ,and the last scene is too long and comes as an anticlimax.

Better than its current low rating anyway

It is a truly offbeat dream-poem of a movie about the loneliness of the open prairie roads on the graveyard shift. The plot winds together several seemingly unrelated storylines united by the fact that all the characters listen to the same two-bit radio station, and seem headed for a common fate. The tension occurs because a serial killer is roaming the highways among the usual losers, misfits, daffodils and lonely hearts.

It's not quite a great movie because it tried to dominate the entire experience with murky tone and forlorn bluesy dialogue, and that is a difficult meal to concoct without grinding it all to cornball mush. The movie is the cinematic equivalent of a sad saxophone wail, and while it had some great moments, that type of mood is sometimes best left to the sax, because expressing it in dialogue can ring false and corny (the Sherilyn Fenn character was an unrealisticly shallow and cardboard cliche, for example).

On the other hand, if you have a taste for the offbeat, you may really enjoy this collection of anecdotes and vignettes. Because of a "this is my song, and I'm going to sing it my way" attitude, it's more interesting than a lot of big budget studio pictures.

A very eclectic cast

This movie is like a rural version of Pulp Fiction, where several subplots are drawn together at the end. It's interesting and moves along well, complete with serial killer, stripper, armed robber, budding romances, and a cool DJ. If you liked the kind of subplot dialogues in Pulp Fiction, you'll like this one.