Crime and Punishment

it is only another outside adaptation of the novel. and the only sin remains the conviction than to save the appearances represents to make a good film. because the sin of this film is the same who defines many other exercise on the Dostoievsky text - good actors, beautiful performances and poor script. or, not exactly the script is the problem but the ambition to give a "reasonable" version of a book who has its precise rules, perspectives and development of the way of characters. and this is all.Patrick Dempsey as a good Raskolnikov, a brilliant Ben Kingsley and Julie Delpy as the ideal Sonia. but the essence of the universe of novel remains a sort of version "ad usum Delphini".

Usually movies for TV don't have the outstanding quality this one displays.Seeing movies like Crime and Punishment is a pleasure.It's well acted and well directed.I wish TV viewers had the opportunity to see more quality films like this.

I have to admit that for a TV movie, I wasn't expecting much out of Crime and Punishment. However, as an avid reader of Dostoevsky, I felt I had to give it a chance. I read Crime and Punishment three years ago, and I loved it and welcomed the chance to see it acted out. I was pleasantly surprised! This was a wonderful adaptation of the novel. It stayed true to the wonderful storyline most of the time, and it was superbly acted. I don't know much about Russia in the nineteenth century, but this film really captured the time and really made me feel like I was there. It is certainly a great work, and anyone who loves Dostoevsky should see it.

This TV movie is an excellent adaptation of the classic novel by Dostoyevsky. This is the story of Rodya Raskalnikov (Patrick Dempsey), an intellectual who is suspended from University and is living in poverty in 19th century Russia. Raskalnikov believes that in order for great men like Napoleon to accomplish great things, they must be above the law.

With this as a psychological backdrop, he gets the news that his sister has been discharged from her governess position and she is considering marrying a rich man she doesn't love to keep the family from starving. He reasons that he, being a great man, must take action to prevent this travesty. So he decides he should kill his pawnbroker, a despicable woman who preys on the misfortune of others, and take her money to save his sister from prostituting herself in this terrible marriage. He reasons that the pawn broker deserves to die anyway, and that his sister's future is far more important. The remainder of the story is a study in the torment and guilt he feels, and from which he cannot escape intellectually.

The film remains true to the novel, which is one of the classics of Russian literature. It is well directed, filmed in Poland to give it an authentic eastern European look. Joseph Sargent does an excellent job of capturing the rank poverty of the time in contrast to the opulence of the privileged.

This is Patrick Dempsey's shining moment, by far the best I've ever seen him. He does a terrific job of capturing the overwrought Rodya's agony and emotional distraction. Although Dempsey was sometimes overly manic in his portrayal, this is one of the most complex characters in literature and it is impossible to imagine anyone getting him just the way Dostoyevsky wrote him. Dempsey has come a long way since the Woo Woo Kid (`In The Mood', 1987).

Ben Kingsley was also terrific as the wily police chief who suspects Rodya of the crime, but with no evidence, cleverly manipulates his psyche to make the guilt unbearable.

I rated this film a 9/10. It is no substitute for reading the novel, but in comparison to most of what is on the market, this is a gem. Most refined viewers will not regret renting this film.

A quiet cinemaization of a masterpiece. Nothing special, strange or beautiful. An ordinary acting and good work. It is a vain ambition to desire translate the Dostoievski's world in a movie. Important is the respect for novel's spirit. And the film is a interesting example for this rule.

Ben Kingsley is correct in the skin of a proteic character. Patrik Dempsy is a special Raskolnikof, victim of desire to show every aspect of a silent crisis. But what instrument is perfect for the Russian soul examination? "Crime and punishment" is not a great TV movie. It is not a reject or a boring piece of weekend afternoon. Corect, without any ambition, it is fairy description of a impressive literary creation. But is it enough? Maybe for the public who ignore the book because the movie is, in fact, only a noble intention.