जब केसी कॉनर, हेरिंगटन हाई स्कूल के अखबार फोटोग्राफर, एक नर्स की हत्या का गवाह बनता है और उसे फिर से जीवित देखता है, तो वह विचित्र घटनाओं की जांच करने का फैसला करता है.जब केसी कॉनर, हेरिंगटन हाई स्कूल के अखबार फोटोग्राफर, एक नर्स की हत्या का गवाह बनता है और उसे फिर से जीवित देखता है, तो वह विचित्र घटनाओं की जांच करने का फैसला करता है.जब केसी कॉनर, हेरिंगटन हाई स्कूल के अखबार फोटोग्राफर, एक नर्स की हत्या का गवाह बनता है और उसे फिर से जीवित देखता है, तो वह विचित्र घटनाओं की जांच करने का फैसला करता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 11 कुल नामांकन
Christopher McDonald
- Casey's Dad
- (as Chris McDonald)
फ़ीचर्ड समीक्षाएं
This film fuses elements of the Breakfast Club with Invasion of the Body Snatchers. Robert Rodrigues makes entertaining films, and does so consistently. The Faculty is no exception, though the formula is radically different from his standard approach. In place of large guns, spectacular stunt choreography and a silly soundtrack, Rodrigues made "The Faculty" with a classy ensemble cast and some awesome special effects. The script is also very good, featuring strong characterization and interesting dialog. All of these elements make The Faculty a very watchable film, and make up for the completely unoriginal and not very coherent plot.
The film begins as a paranoiac comedy about a typical high school where the students and faculty see each other as alien species. Ho hum. However, after about 20 minutes of set-up, the faculty really starts to become an alien species, as they are assimilated by water-loving parasites with very bad attitudes and a kind of group consciousness straight out of Invasion of The Body Snatchers and Star Trek's Borg. Six kids, very unlikely team-mates representing the archetypal teenage personalities of the postmodern world, team up to try to save the world, once they realize that the aliens can be driven off by, of all things, caffeine. Especially impressive are Elijah Wood, Piper Laurie, Robert Patrick, Josh Hartnett and Clea DuVall.
Like most of Rodrigues' films, The Faculty never loses its sense of humor, and pulls off its own absurdity with artful visualization and a tight, driving pace. Unlike many of Rodrigues' films, however, The Faculty is disposable - it's not really meant to be viewed more than once. See it if you're a Rodrigues fan, or somebody who enjoys the obscure but growing genre of horror-comedy.
The film begins as a paranoiac comedy about a typical high school where the students and faculty see each other as alien species. Ho hum. However, after about 20 minutes of set-up, the faculty really starts to become an alien species, as they are assimilated by water-loving parasites with very bad attitudes and a kind of group consciousness straight out of Invasion of The Body Snatchers and Star Trek's Borg. Six kids, very unlikely team-mates representing the archetypal teenage personalities of the postmodern world, team up to try to save the world, once they realize that the aliens can be driven off by, of all things, caffeine. Especially impressive are Elijah Wood, Piper Laurie, Robert Patrick, Josh Hartnett and Clea DuVall.
Like most of Rodrigues' films, The Faculty never loses its sense of humor, and pulls off its own absurdity with artful visualization and a tight, driving pace. Unlike many of Rodrigues' films, however, The Faculty is disposable - it's not really meant to be viewed more than once. See it if you're a Rodrigues fan, or somebody who enjoys the obscure but growing genre of horror-comedy.
Students suspect that their teachers are aliens after bizarre occurrences.
This is very much a film of the 1990s, especially the second half. That same teen horror subgenre that "Scream" mastered and "Disturbing Behavior" did well. Get a mix of teen idols, add a soundtrack, and boom, you have a film. This is no exception, with some of the biggest names of the time on the screen (now, about fifteen years later, it is interesting to see who is big and who is forgotten).
As far as being a "body snatcher" movie, it is pretty good. It is obviously aware of its past, as it overtly makes reference. But it also tries to steer clear of being a copy. Some references to past films are over the top, such as naming a character Edward Furlong. Really? Although not one of Robert Rodriguez's best films, it is still a nice trip down nostalgia lane. And it is probably not his worst (it may be time to stop with the "Spy Kids" and "Machete" sequels).
This is very much a film of the 1990s, especially the second half. That same teen horror subgenre that "Scream" mastered and "Disturbing Behavior" did well. Get a mix of teen idols, add a soundtrack, and boom, you have a film. This is no exception, with some of the biggest names of the time on the screen (now, about fifteen years later, it is interesting to see who is big and who is forgotten).
As far as being a "body snatcher" movie, it is pretty good. It is obviously aware of its past, as it overtly makes reference. But it also tries to steer clear of being a copy. Some references to past films are over the top, such as naming a character Edward Furlong. Really? Although not one of Robert Rodriguez's best films, it is still a nice trip down nostalgia lane. And it is probably not his worst (it may be time to stop with the "Spy Kids" and "Machete" sequels).
Is a rough way of putting it. And never mind those Scream rip-offs or all those other cheap alien/creature-feature films from the 90's. This is a teen horror movie that gives you everything you'd want from a teen movie and everything you'd want from a creature feature, all in one. But what else is to be expected when you got Robert Rodriguez behind the lens? Any other director and this film would be tossed aside as just a teen body snatcher movie. But Robert Rodriguez shows here that he has the style to make it more than that.
Now, I've read the script to this movie before I even saw it and I kept thinking to myself, there has to be another draft of this, no way this could really work and be taken seriously... or as serious as you can take a movie like this. Yet not only was I surprised to see how much of the original script Rodriguez kept in, but I was even more surprised to see how well things actually played out. Sometimes I really love being wrong.
This film delivers, just as much as any other Rodriguez picture that calls back to the good old days of the Grindhouse and makes us forget that those movies weren't even close to par with these "tribute" films that somehow manage to surpass the movies they're tributing. You get everything you want and leave wishing you could spend more time in high school... or at least at this high school.
This film, to me, is the second in Rodriguez's own unofficial Sci-fi Grindhouse trilogy. Starting with From Dusk Till Dawn and ending with Planet Terror. Want to treat yourself to some fun? Watch all three back to back to back. You won't be disappointed.
7/10
Now, I've read the script to this movie before I even saw it and I kept thinking to myself, there has to be another draft of this, no way this could really work and be taken seriously... or as serious as you can take a movie like this. Yet not only was I surprised to see how much of the original script Rodriguez kept in, but I was even more surprised to see how well things actually played out. Sometimes I really love being wrong.
This film delivers, just as much as any other Rodriguez picture that calls back to the good old days of the Grindhouse and makes us forget that those movies weren't even close to par with these "tribute" films that somehow manage to surpass the movies they're tributing. You get everything you want and leave wishing you could spend more time in high school... or at least at this high school.
This film, to me, is the second in Rodriguez's own unofficial Sci-fi Grindhouse trilogy. Starting with From Dusk Till Dawn and ending with Planet Terror. Want to treat yourself to some fun? Watch all three back to back to back. You won't be disappointed.
7/10
Robert Rodriguez's spirited sci-fi/horror hybrid is one for the books, even if solely for rekindling the 'alien invasion' genre during the '90s. Taken over by alien parasites, this time it's high school teachers who can't be trusted anymore with a small group of students – amongst them soon-to-be famous faces of Josh Hartnett and Elijah Wood – discovering the terrifying truth. Kevin Williamson splendidly has his way with stereotypical teenagers in a clever script stuffed with titillating genre references. All performances are outstanding - particularly Robert Patrick eats up every scene he's in - and the K.N.B. Effects Group delivers some of their best work, mixing CGI with traditional monster mayhem. Even with its plot-twists revealed after a first time viewing, this one's worth revisiting.
This is one of those films that you will love if you enjoy sci fi films. It is a satire of one of the best there is out there. Satires are only appreciated by a certain audience. If you didn't like "Heathers", "Scream" or "Shaun of the Dead", then don't bother watching this unless sci-fi comedies is your thing. This isn't just a comedy, it is shocking and has great twists and thrills along the ride. At times it is down right scary. Even sexy (nudity)! It is all around entertaining with some pretty good acting. My personal favorite is the couple that is always fighting, watch out for them! If you loved at least one of the FOUR film versions of "Invasion of The Body Snatchers" then you will truly enjoy the satire of this film, and how much it truly honors previous classics in the way that "Scream" did. Now some say this film is for Teenagers who don't know any better than to think this is a great sci-fi film, but the biggest fan of this film that I know is my 63 year old mother, and I am surely not a teenager anymore.
This film is a classic, and yes, it does feature teenagers as the main cast (not the actors.) But the adult characters make a great performance, and even Jon Stewart is pretty entertaining as the science teacher.
One film that you should stay for the cast credits just for Jon's appearance!
This film is a classic, and yes, it does feature teenagers as the main cast (not the actors.) But the adult characters make a great performance, and even Jon Stewart is pretty entertaining as the science teacher.
One film that you should stay for the cast credits just for Jon's appearance!
क्या आपको पता है
- ट्रिवियाIt was on the set of this film that Harry Jay Knowles first got wind of Peter Jackson making The Lord of the Rings into a movie. He urged Elijah Wood to go for it even though the actor had never read the book. Which Wood duly did, ignoring the news that Jackson was largely casting British actors and videotaped his own audition.
- गूफ़(at around 1h 26 mins) When Marybeth asks Stokely how the book Invasion of the Body Snatchers ends, Stokely replies, "They get us. They win. We lose." But actually the book ends with the aliens giving up because they had underestimated the human desire for survival.
- क्रेज़ी क्रेडिटDuring the cast pictures at the end, the science teacher who was 'killed' in the film is shown very much alive with a patch over his eyes and bandages over his fingers.
- इसके अलावा अन्य वर्जनThe original uncut version of the film included a character named Venus (played by Kidada Jones) who was in about five scenes. All her scenes were cut. She is shown in some TV previews for the film, as well as Faculty/Tommy Hilfinger ads and commercials. She is also visible in a scene in the theatrical version, standing next to Gabe (Usher) in Mr Furlong's (Jon Stewarts) science class when they are looking at the "new species" in the aquarium.
- कनेक्शनFeatured in MTV Movie Special: Varsity Blues (1999)
- साउंडट्रैकThe Kids Aren't Alright
Written by The Offspring
Performed by The Offspring
Courtesy of Columbia Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Faculty?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Aulas peligrosas
- फ़िल्माने की जगहें
- Lockhart, टेक्सस, संयुक्त राज्य अमेरिका(high school parking lot/football field/town exteriors)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,02,83,321
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,16,33,495
- 27 दिस॰ 1998
- दुनिया भर में सकल
- $4,02,83,786
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें