IMDb रेटिंग
7.6/10
21 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn Lapland's cold Arctic Circle, under the eternal midnight sun, unfavourable circumstances reunite two kindred spirits. And governed by circular motifs woven by faith and love, they must an... सभी पढ़ेंIn Lapland's cold Arctic Circle, under the eternal midnight sun, unfavourable circumstances reunite two kindred spirits. And governed by circular motifs woven by faith and love, they must answer a pivotal question. Can they deny destiny?In Lapland's cold Arctic Circle, under the eternal midnight sun, unfavourable circumstances reunite two kindred spirits. And governed by circular motifs woven by faith and love, they must answer a pivotal question. Can they deny destiny?
- पुरस्कार
- 14 जीत और कुल 8 नामांकन
Fele Martínez
- Otto
- (as Fele Martinez)
Kristel Díaz
- Ana
- (as Kristel Diaz)
Jaroslaw Bielski
- Álvaro Midelman
- (as Jaroslaw Bielski)
María Isasi
- Dependienta
- (as Maria Isasi-Isasmendi)
Ángela Castilla
- Casera pensión
- (as Angela Castilla)
फ़ीचर्ड समीक्षाएं
This is so beautiful, it hurts. Tender.
It is a lacy filigree in what it is, essentially a story about longing, urges and space. But that filigree extends to the nature of the space that surrounds the story on screen. And the motion of weaving extends further to the shape of the narrative threads which present the story and urges.
Some viewers will be put off by the structure. It may seem contrived or mechanical, though hardly more so than the usual way which rigidly starts at the beginning and rolls in only one direction. To others it may seem like a lot of unnecessary work. Well, it does require some engagement, but that's the nature of poetry. And unlike "Irreversible" and "Mememto" there's more to it than merely sharing the discovery of knowing with the main character.
I'm convinced that there is a mode of storytelling, the deepest, richest, most rewarding mode... a manner of structuring narrative in such a way that we are "folded" into the story, both watching and participating.
I further believe that the most powerful of folds have geometric structure. We are after all geometric thinkers at root. We think we live in a world of shape and form and reason about that world in the same way. All this is underscored in cinema, which reshapes that real world in ways that we can handle and examine. I'll go so far as to posit that the best art has a story, a presentation of that story and an annotation of the nature of art and presentation, all using the same strokes and shapes.
Geometric folds, cosmologies, readable structure.
Medem is our current master of this. His "Sex and Lucia" goes much further than this in the complexity of structure and the circularity of urge weaving future pasts. But this has an appeal in its simplicity.
As with "Lucia" (a scrambled "Alice" story), you can start anywhere "Hopscotch" -wise and build from there on reflection after leaving the theater. Were the lovers related? Was the girlfriend his mother? Did they even ever meet on the plaza? Did he die in the trees after weaving a happy virtual life? Or was it one circular boyish ejaculation under his bed? Along the way, look for airplanes: starting with a zillion paper airplanes thrown out a window with a message so dear that it changes everyone it touches. Overlap that with the image of having the courage to come back in through the (same) window and touch someone with love.
There are a few patterns in the lace here that you will take with you for the rest of your life. And anything that can do that, and do it using the language of dreams in such a way that makes love more lucid if it can do that, you'll want to see it, handle it, co-invent with it turn it over in your mind, a golden woven solid of wires as geometric urges.
And it is so much richer if you know the story between the filmmaker and his father to whom this is dedicated. And that Medem's own son plays the boy. Start with "Lucia." Its a masterpiece. Then absorb this.
Ted's Evaluation -- 3 of 3: Worth watching.
It is a lacy filigree in what it is, essentially a story about longing, urges and space. But that filigree extends to the nature of the space that surrounds the story on screen. And the motion of weaving extends further to the shape of the narrative threads which present the story and urges.
Some viewers will be put off by the structure. It may seem contrived or mechanical, though hardly more so than the usual way which rigidly starts at the beginning and rolls in only one direction. To others it may seem like a lot of unnecessary work. Well, it does require some engagement, but that's the nature of poetry. And unlike "Irreversible" and "Mememto" there's more to it than merely sharing the discovery of knowing with the main character.
I'm convinced that there is a mode of storytelling, the deepest, richest, most rewarding mode... a manner of structuring narrative in such a way that we are "folded" into the story, both watching and participating.
I further believe that the most powerful of folds have geometric structure. We are after all geometric thinkers at root. We think we live in a world of shape and form and reason about that world in the same way. All this is underscored in cinema, which reshapes that real world in ways that we can handle and examine. I'll go so far as to posit that the best art has a story, a presentation of that story and an annotation of the nature of art and presentation, all using the same strokes and shapes.
Geometric folds, cosmologies, readable structure.
Medem is our current master of this. His "Sex and Lucia" goes much further than this in the complexity of structure and the circularity of urge weaving future pasts. But this has an appeal in its simplicity.
As with "Lucia" (a scrambled "Alice" story), you can start anywhere "Hopscotch" -wise and build from there on reflection after leaving the theater. Were the lovers related? Was the girlfriend his mother? Did they even ever meet on the plaza? Did he die in the trees after weaving a happy virtual life? Or was it one circular boyish ejaculation under his bed? Along the way, look for airplanes: starting with a zillion paper airplanes thrown out a window with a message so dear that it changes everyone it touches. Overlap that with the image of having the courage to come back in through the (same) window and touch someone with love.
There are a few patterns in the lace here that you will take with you for the rest of your life. And anything that can do that, and do it using the language of dreams in such a way that makes love more lucid if it can do that, you'll want to see it, handle it, co-invent with it turn it over in your mind, a golden woven solid of wires as geometric urges.
And it is so much richer if you know the story between the filmmaker and his father to whom this is dedicated. And that Medem's own son plays the boy. Start with "Lucia." Its a masterpiece. Then absorb this.
Ted's Evaluation -- 3 of 3: Worth watching.
"Lovers of the Artic Circle (Los Amantes del Círculo Polar)" was basically "Next Stop Wonderland" crossed with "Map of the Human Heart" about a couple who fall in love as children and continue star-crossed throughout their lives.
The critics decried the theme of coincidence but it does in fact happen, so it was sweet here.
And yes they are both easy on the eyes and maybe that it's in Spanish makes them seem even more romantic.
I liked that the parents were real people who have problems and lives and grow and change.
The story line goes from each's perspective in flashbacks and current, illuminating thoughts and motivations, which seems to be a trend in movie-making.
Quite beautiful cinematography.
(originally written 5/2/1999)
The critics decried the theme of coincidence but it does in fact happen, so it was sweet here.
And yes they are both easy on the eyes and maybe that it's in Spanish makes them seem even more romantic.
I liked that the parents were real people who have problems and lives and grow and change.
The story line goes from each's perspective in flashbacks and current, illuminating thoughts and motivations, which seems to be a trend in movie-making.
Quite beautiful cinematography.
(originally written 5/2/1999)
10hanzap
For people who do not like Medems work, it will be hard to watch and boring. If you liked any of his other films you will love it. Otherwise you will have to sit and be patient to let Medem touch you. Everyone will recognize some parts his own falling in love, or his relationship with his parents. Medem describes all this in a poetic and heartbreaking way, edited in multiple viewpoints. If you can open up yourself on these subjects, this film will make you think over your own life, love and parents. It is also nice to see that this film fits exactly between "Tierra" and "Sex and Lucia", Medems other masterpieces made before and after this movie. Absolutely great stuff.
It's really difficult to understand European cinema after watching thousands of American-Big Studio films.
At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.
And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).
It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.
The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.
It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.
Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.
At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.
And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).
It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.
The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.
It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.
Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.
Los Amantes del Círculo Polar is probably not a movie to everybody's taste. If you want to see a lot of action, great comedy or some astonishing special effects, you better don't even think about watching this one. In fact it hasn't much more to offer but some philosophical thinking. Thinking about destiny and how we can't escape from it, thinking about life and love, thinking about coincidences...
It starts with a young boy running through a forest because he wants to retrieve a soccer ball. A girl of about his age is running through the same forest. She's running because her mother told her that her father has died. He follows her and she falls on the ground. She sees him and immediately recognizes her father in him, he on the other hand immediately falls in love with her... Because of some coincidences his father and her mother start a relationship and they become "brother and sister". As they grow older their love for each other doesn't fade, but their lives separate. In the end they meet each other again, not in Spain, but in Lapland (Finland).
Los Amantes del Círculo Polar is shot in a very original way. First you get the scene from the point of view of one of the two characters, than you get the scene again, but this time from the other character's side. Even though the director has paid more attention to the story and the way it was told than to the performances of the actors, this still is a very impressive movie. I give it an 8.5/10
It starts with a young boy running through a forest because he wants to retrieve a soccer ball. A girl of about his age is running through the same forest. She's running because her mother told her that her father has died. He follows her and she falls on the ground. She sees him and immediately recognizes her father in him, he on the other hand immediately falls in love with her... Because of some coincidences his father and her mother start a relationship and they become "brother and sister". As they grow older their love for each other doesn't fade, but their lives separate. In the end they meet each other again, not in Spain, but in Lapland (Finland).
Los Amantes del Círculo Polar is shot in a very original way. First you get the scene from the point of view of one of the two characters, than you get the scene again, but this time from the other character's side. Even though the director has paid more attention to the story and the way it was told than to the performances of the actors, this still is a very impressive movie. I give it an 8.5/10
क्या आपको पता है
- ट्रिवियाWhen asked where the idea for the movie came from, Julio Medem said that he started thinking about it after getting divorced, because it was the first time he experienced heartbreak and wanted to write a movie about the love as the most powerful force, something that never ends and it's forever between two people.
- गूफ़Otto jumps from his plane at 66°33"40' North, 02°55"05' East. These are the geographic coordinates that Ana wrote on her letter to Otto, to mark the location where she was staying in Finland (Rovaniemi). But if he really would have used these coordinates he would have jumped right into the Atlantic Ocean. The (almost) correct location of the cottage where Ana was staying is 66°33"40' North, 25°55"05' East. That is also the same location that the old Otto points out on his map when he and Ana meet each other for the first time in his apartment in Rovaniemi.
- साउंडट्रैकSinitaivas
Written by Josef Rixner, Lauri Jauhiainen, George de Godzinsky
Performed by Olavi Virta and Harmony Sisters
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Lovers of the Arctic Circle?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,17,422
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $10,697
- 11 अप्रैल 1999
- दुनिया भर में सकल
- $3,57,549
- चलने की अवधि1 घंटा 52 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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