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When a cheating wife is discovered plotting her husband's death, her oddball daughter commits matricide with the aid of some hairy, eight legged companions. Creepy little thriller is a poor man's "Willard" in which the beguiling Susan (Suzanne Ling - never seen before or again) is remarkably naive to the cruel intentions of various sleazy characters with whom she comes into contact. High on the pervert-alert, is her nefarious uncle (Mason), the local police chief who's been chasing her tail since puberty, discovers her involvement in a series of unexplained deaths and seeks to protect his political ambitions abetting a cover-up to divert suspicion away from his family. Mason is the epitome of ugliness, and his predatory pursuit of the adolescent Ling, is as appealing from a cinematic perspective as it is morally repulsive.

Intense over acting and varying breeds of comically amateurish supporting performances coupled with laughable set-ups contrived for lukewarm climaxes, successfully mar what could have potentially been a minor sleeper, such is the satisfying symmetry in the storyline. Director Munger's casual treatment and unimaginative scene construction, display a lack of detail that is evident throughout the film, though he does manage to conjure some modicum of suspense at every critical peak – it's just a shame there's not a more palpable indication of the tarantula's impact on the victims (most seem to succumb to shock and hyper-anxiety, or is that just the quality of the acting?).

"Kiss of the Tarantula" takes a convenient pathway to imagined justice, while the central character's psycho-sexual motivation, which is intimated throughout the film, is never properly explored or connected to her deviant behaviour. As such, Ling's character is little more than a facade, and much of the film's promise is diluted by the superficial treatment. Perhaps lethally hampered by the budget, while there's lots of potential, overall, it's significantly lacking in the execution.

When you look at the poster or the VHS cover, you think this is going to be some kind of horrible boring B movie that flunked before it even hit theaters. Well, in some ways it's absolutely ridiculous. Other ways, it's frightfully disturbing and suspenseful. The Tarantulas used are actually a quite expensive and sought after species, the Mexican Red knee. Completely harmless, we make the venom of these spiders look like they can kill virtually in an instant. That's silly to me, but to others it might prove quite chilling. The crazy part is the family life of the poor young woman. Incest, murder, bullying, I'm amazed the poor girl wasn't in an asylum. I'll say this much, this film will leave you with your mouth agape in disgust and amazement. I really liked it.

If seeing a man play a creepy, unattractive, hair-hat-wearing corrupt cop who's an incestuous uncle a little too convincingly is your thing, your ship came in and has been at the docks for decades! Otherwise, the movie is just tedium and people hilariously spazzing out and killing themselves over spiders that pose them no real harm.

1975's "Kiss of the Tarantula" may have been easily overlooked in its day as a low budget drive-in quickie, but in recent years is gaining momentum as a cult item. As a two time solo feature on Pittsburgh's Chiller Theater (Nov 22 1980 and Aug 6 1983), I was familiar with it at the time but had long forgotten the details, not surprisingly. The only horror film shot in Columbus, Georgia, it didn't do the kind of business it was expected to, a cast of local unknowns with one Hollywood import, Eric Mason, a TV veteran cast as town sheriff Walter Bradley and uncle of teenage Susan (Suzanne Ling), whose father John (Victor French lookalike Herman Wallner) is a mortician, one reason why she's been shunned by classmates and branded as weird. A more understandable reason is her total devotion to her pet tarantulas, enabling her to kill her abusive and unloving mother, who was plotting with Walter to murder her husband, his own brother. This knowledge is also known to Susan, who grows into pretty womanhood with her uncle's unwanted advances becoming more creepy over time. After classmates accidentally kill one spider in her home, she sets the others loose on them in a parked car at the drive-in (double billing "Dirty Harry" and "Magnum Force"), unable to get out of their vehicle before fatally succumbing. The two people who suspect the truth soon meet their dooms, the first in claustrophobic fashion, the other strangled by the brutal sheriff who knows his niece is responsible but still desires her for himself. The climax is certainly fitting, but leaves the viewer feeling rather empty, no characters to identify with or root for. The central figure of Susan is never developed to any likable degree, glimpses of remorse not enough to register beyond the surface. This is the critical lack preventing audience sympathy for her, unlike better known protagonists such as Willard or Carrie. The film pretty much ends with Susan unsuspected and free to continue, with all her enemies dead, yet this provides no satisfaction for the audience, left only with the pervasiveness of unease. In that way the picture does succeed in its modest approach and rural atmosphere, pretty much the definition of a cult film.

I would say that this was inspired by the success of Willard which came out the previous year but the action is provided by spiders instead of rats. How about the scenes at the drive-in movie theatre? A volkswagen contains four victims who are screaming at the top of their lungs and no one comes to investigate. Were they and the spider woman the only ones at the drive-in? The spider woman spends time fending off the lecherous advances of her uncle, played by Eric Mason, whose acting style reminded me of William Shatner.

I would guess that this uninspiring little film was probably inspired by Stephen King's book 'Carrie', and possibly even Brian De Palma's film adaptation, as while this film was released in the same year; I'm sure that there was more than enough time to write the script and make the film with what was left of it. Spiders are common throughout horror cinema, and big tarantulas are a fear of many people. Adding to this theme is the tried and tested formula of a young female outcast getting her revenge...so really, there's not many excuses for this film not being better. Kiss of the Tarantula hasn't gone on to achieve much acclaim and it's rather unknown, which doesn't surprise me at all. The film focuses on a young girl who likes spiders. Her mother doesn't share this arachnid appreciation, however, and after continually telling her daughter off for playing with spiders, the young girl decides that enough is enough and ends up putting a spider in her mother's bed, which leads to a heart attack. Some years later, the girl is still disturbed; and decides to use the spiders to get revenge on her current enemies.

The fact that this film was shot on a low budget is clearly shown through the use of the spiders; as it can't have cost much to round a few up for filming, and this is pretty much all the film has in terms of horror imagery. The spiders are about enough to pull it through, but the film is otherwise lacking; and I find it hard to believe that everyone except the central character is scared of them. The plots surrounding the spiders isn't too interesting either, with only the idea of the young girl being an outcast for her 'hobby' and a plot involving her uncle and her mother having an affair providing distraction from the central theme. The fact that the film is set in a funeral home is a positive element, as mortuaries often provide an interesting location for horror films, and that works well here. As you might expect given the type of film, the acting is largely diabolical, and I'm not surprised that this was the only film role for Suzanna Ling. Director Chris Munger never made another film after this one also, and overall; Kiss of the Tarantula is almost worth seeing, but you wouldn't be missing anything by not watching it.

Mortician's daughter Susan Bradley likes to play with spiders, much to the disgust of her adulterous mother Martha (Beverly Eddins), who is having an affair with Susan's uncle Walter (Eric Mason), the local sheriff. When Susan overhears the cheating couple plotting to kill her father, she releases a tarantula into her mother's bedroom during the night, scaring the woman to death.

Years later, Susan (now played by Suzanna Ling) is still obsessed with spiders, keeping a collection of the hairy horrors in the basement of her father's funeral home. After a group of school bullies start to make her life a misery, Susan once again uses her eight-legged friends to settle the score, and finally gets even with her pervy Uncle Walter.

Scaring a victim to death with spiders isn't the most reliable way to commit a murder—not everyone is arachnophobic, the critters might run away from rather than towards the intended victim, or they might simply get squished—but as unlikely as it might seem, the plan works like a dream for Susan, making this a very silly film indeed. This might not be a problem, but director Chris Munger's handling of the action is so uninspired that the whole thing proves rather dull as well as daft.

As a card-carrying arachnophobe, I should have been on the edge of my seat every time the spiders are unleashed; instead, I was merely bored. Kudos to the actors who let the tarantulas crawl over their face and hands, but it really wasn't worth the effort. For a much more enjoyable '70s spider feature, watch Kingdom of the Spiders—it's got William Shatner in it, for starters

From the first scene, little Susan seems troubled and is fascinated with spiders. She considers them her pets. And why not? Mom has all of the warmth and maternal love of one of dad's corpses on a slab. Dad is a mortician and full of love for his daughter. The actress playing mom is pretty stiff in her role (no pun intended) and actually seems much too old for the part she is playing. She is having an affair with her husband's brother, a cop. Susan overhears mom talking on the phone, figures out who she is talking to, and overhears their plans to kill her beloved dad.

So Susan waits until mom is asleep and puts her pet tarantula on her. Mom awakens, doesn't jump out of bed, just lays there in terror, and then has a heart attack and dies. Mission accomplished. Dad is safe. Susan grows up. Her age is never specified, but it seems that she is in high school because she is walking to school with a backpack. Although, like mom, she seems about ten years too old for the part. By this time Susan has many tarantulas as pets in the basement and she is still the apple of her dad's eye.

Pretty soon Susan is solving all of her problems with bullies and the kids who broke into the mortuary and killed one of her pets spiders by planting spiders on them when and where they least expect it. In every case they don't run away, they just sit there screaming with the spiders crawling on them and die of a coronary. Never have I seen so many healthy young people die of heart attacks.

Now that Susan has matured, Dad's lecherous brother begins to have the hots for her, bothering her and getting just a little too affectionate. Blech! The girl is your niece! To make matters worse he's the local DA, and he and the cops are stumped at all of the deaths occurring around town. To make matters even worse he wants to run for state Attorney General. But for some strange reason he sends his brother out to campaign while he shadows Susan with his tongue dragging the floor. Usually voters want to hear from the candidate, not his brother.

This all comes to a head with the DA committing a terrible crime himself, and Susan wreaking a completely ironic justice upon the guy that for once did not involve her spiders.

The dialogue is wooden and the acting uninspired. And then there is the case of the high schoolers that look like they are in their 30s and the convenient way all of the victims die at the sight of a spider. However, this is a case of something you just don't see anymore - an independent low budget film with actors so anonymous you wonder why they bothered to give them names in the movie different from their actual names. For several of the players I think this was their only credited role.

For me, it is an artifact of the last days of drive ins, and for that reason I enjoyed it. It is so authentic, so not mass produced, so something that no movie studio would have any part of today that it is just a guilty pleasure of mine. Your mileage may vary.

This is awful. It has an awful story line. The acting it awful. It is not scary. 4.5 is overrating it. This is a 1. The ending is awful. If you want to see something scary see King Kong (1933). Do not see movie. King Kong (1976) is also very scary. This is not scary at all. There are better movies out there like Halloween III season of witch. If you want see something scary see Son of Kong. I see that people keep giving it a 3 I do not blame them. This could scary a 10 year old. But I would not give this a 3. 3 is overrating it. Do not waste your time and do not waste your money. Do not see this movie. You have seen warned this is one of the worst movie of all time. Save your money. Life is to short to see pooh pooh.

In the distinctly 70s tradition of films such as WILLARD, HOLY Wednesday, STANLEY, and JENNIFER; THE SNAKE GODDESS, this unspectacular independent non-chiller concerns a strange, spider-loving girl who dispatches her little 8-legged friends on killing missions...vengeance against folks who've treated her badly. Lovely Suzanna Ling, apparently in her only film appearance, is quite appealing. Her performance isn't exactly award-winning, but she shows potential, and one wonders what she may have accomplished had she not opted for instant retirement following KISS OF THE TARANTULA(it's hard to blame her, however).

It's very likely that you've seen this whole idea brought on before, and with better results(actually, I can't think of a time when it might have been done more poorly). Even as 70s-era drive-in fodder goes, this is a weak, ordinary film devoid of surprises or anything resembling quality craftsmanship.

An obscurity, moreless, and justifiably so. 3.5/10

KISS OF THE TARANTULA, filmed in ten days in Columbus, Georgia, followed invisibly in the wake of WILLARD, substituting spiders for rats.

Susan (Suzanna Ling), who as a little girl unleashed a deadly pet spider on her vain mother, lives a sequestered life with her mortician father. She thwarts three teenage hoodlums who attempt to steal a casket from her father's basement workshop; they terrorize her a bit and kill some of her spiders. In response, she tracks them down and lets the furry eight-leggers loose on them, gradually feeling less guilty with each killing. One victim is trapped in an air duct with a dozen creepy bugs marching toward him.

KISS OF THE TARANTULA is a supreme gross-out for spider-haters, though for the rest of us the action will seem tame. Though mostly undistinguished, the movie contain an alarming bit of typecasting for actor Eric Mason, who believably portrays Susan's sleazy, serpentine uncle. In the end, the uncle is rewarded for his lewd behavior in a buried-alive scene that is much scarier than any of the spider sequences.

Susan is a young girl who had always had an fascination with spiders, but her mom didn't like it. After finding out she had planned to kill her father, just to be with his brother. She scares her mother to death by releasing a Tarantula on her. Years have past, Susan now has a big collection of pet Tarantulas, but one night some hoons come into the mortuary where she lives with her father, to steal a coffin and but they kill one of her spiders. Now she what's to take revenge on those who were involved by releasing her pets onto them. But that's one of her worries, as her sly uncle is now trying to put the moves on her.

While searching around in a second hand shop for some unknown films, I came across this little oddity which was called "Kiss of the Tarantula". Well, I liked the look of the front cover of the video case and the synopsis sounded like great b-grade, drive-in 70's feature. Paid my $2 for it, later I watch it that night and I gotta say that this little tale was a fair treat. Not great, but fair is best the way to put it.

This simple-minded low budget horror flick had an innocently sweet tone to it, and you'll definitely be thinking of "Willard" (1971), as they shared definite similarities. Just this time it's the spiders turn. Also it adds a twinkle of "Carrie" (1976) into the equation too. But in that case, it doesn't match the thrills of those particular films. It skewed more towards a glum melodrama actually, with the creepy crawlies playing second fiddle to Susan's troubles with her devious uncle. I guess that's just the way the plot plays out, as it seems to lose interest in the tarantulas, because they don't even pop up in the third act. Though saying that, just the look of a hairy spider makes my skin crawl. But here that wasn't always the case, yeah there are some eerie scenes like a grisly panic caused by the tarantulas in a car and a pulsating air vent scene (..now that was eerie). But these were more provoked by panic and you somewhat laugh because its basically silly watching the spiders crawl all over their initial victims. Nothing is totally horrific about the hysteria laced attacks, but more so... freaky. Mainly for a person who has arachnophobia. Most of the time Susan's either pondering around, caressing with her fingertips and talking to them! Suzanna Ling is rather gorgeous as Susan Bradley and Eric Mason is notable as Walter Bradley. The rest of the amateurish cast, I was surprised, they gave above average performances. Though, there were one or two characters that seem to vanish, after thinking they might have more of a role. The dialogue is stilted and the direction is mostly dour with the exception of a couple lines of added irony, but the minor production to a certain agree still generates a surprise or two that sticks with you. That really goes to the cleverly illustrated climax that effectively packs a killer punch. Backing all that up is an electronic score, which did at times settled the mood, but other times came across as unbalanced with rather odd choices and placement. If your looking for something cheesy, you won't find it here, because it takes itself rather seriously. It does comes across like a TV feature, but still it doesn't hamper proceedings.

A reasonable time waster, but don't expect a whole lot of spider terror.

A disturbing movie is great when the best friend you have isn't a human being. And the family is very dysfunctional. Susan Bradley(Suzanna Ling) has a great fascination for spiders which irks her mother, greatly. Her father is a mortician which the wife really hates. She starts seeing his brother who happens to be lawman. Susan uses her pet tarantula on her mother to cause her to have a fatal heart attack. After that, she would use it on anyone who gets in her way. When some of her so-called friends come into the mortuary to give her and her father a hard time, she release her anger on those responsible. Susan would grab a couple of those big spiders, and the scream fest begins. Especially at the drive-in movie. The scare fest was intense when some of the tormentors die in the car, and one ended up in the hospital. Even the smallest and harmless spider would give her a scare. One of the other bad friend gets scared to death at work, while of the friends who died in the drive-in scare gets killed by Susan's creepy uncle. This movie is like "Psycho" meets "Arachniphobia". Of course, that movie doesn't come out for 14 years. This movie is not for the weak. You must be brave to see this. 4 out of 5 stars.

"Kiss of the Tarantula" is a mildly interesting horror film about a teenage girl named Susan(Suzanne Ling)and her fondness for spiders.When anyone crosses her or her mortician father,the spiders come out to set things right.Her leering uncle and town sheriff(Eric Mason)has eyes for her,and she has the perfect plan to dispose of him.She also takes vengeance on the high school kids who broke into her house and killed her prized spider.She unleashes a slew of her friendly eight-legged buddies in their VW Bug at a drive-in.It's a pretty gruesome,but also very silly scene.Although its' low budget shows,the film still has some nice touches and a great ending which shouldn't be missed.Director Chris Munger also made exploitation flick "Black Starlet" (1974)and producers Daniel Cady and John Hayes were also responsible for "Grave of the Vampire"(1972) and "Garden of the Dead"(1972).Give it a look,if you like tarantuals.6 out of 10.

KISS OF THE TARANTULA is the tale of Susan (Suzanna Ling) and her fuzzy, eight-legged friends. In the prologue, young Susan's mother doesn't share her daughter's love for arachnids, any more than she likes her undertaker husband embalming his bodies, or having to live in the mortuary. Mum is the first to suffer Susan's vengeance through the patter of tiny feet and piercing fangs!

All grown up, teen Susan still lives in dad's funeral home with him and her spider army. It's no surprise that she prefers her tarantulas to humans, since most people in her life are loutish imbeciles. Susan's crawly pals certainly come in handy for taking care of the local cretin population! Never before has such a massacre been filmed inside a Volkswagen Beetle! She's just getting warmed up!

Sort of like WILLARD meets CARRIE, this movie has victims put themselves into tight, incapacitated positions so that Susan's slow-moving creatures can kill them. Though it's not frightening in any way, it is fun to watch grown adults screaming, while allowing these big bugs to crawl all over them without swatting them off!

The finale in the funeral parlor -where 99% of the movie takes place- is the best part by far, and almost makes up for the first hour or so...

Thespian, Herman Wallner portraying John Bradley character resembles the Little House On The Prairie TV show actor, Victor French. Anyone else notice this ? Same facial bone structure and body frame. Thick eye brows, large nose. If it is the actor, Victor French. I am curious why his name was written as Herman Wallner ?