Night of Fear

Pursued by madman (Yemm) after making a wrong turn, young secretary Hoogeveen finds herself at the mercy of the elements (and animals) in this taut Ozploitation thriller that's light on detail but entertaining nonetheless.

Virtually no dialogue is spoken, instead set design, makeup and location cinematography are the stars whilst the usually conservative Yemm (formerly one of the lead detectives from TV's 'Homicide') is cast as a backwoods tramp with just one thing on his mind (besides eating rats). TV soap star Behets also appears in the beginning as an ill-fated saddler.

Terry Bourke's first Australian theatrical film doesn't even make feature length at just under an hour head to tail, yet displays enough mindless mayhem to kickstart a career that would soon see the under appreciated horror-western 'Inn of the Damned', and then the more commercially successful 'Lady Stay Dead' for the 80s video market. Quick and dirty, but definitely worth a look.

My knowledge of Australian horror cinema isn't exactly encyclopaedic, but apparently, this is the first Oz horror film. Night of Fear was originally intended to be the first episode in a twelve part Australian TV horror series, but because Australian censors deemed it 'too gory', it never saw the light of day; until its DVD release some years later. The film definitely is nastier than your average TV show, and it's not really surprising that it never got shown on television. There is no dialogue at all in the film, although this is masked by a barrage of tense and macabre scenes that our young heroine terrorised by a madman. While the film does well in the violence and gore stakes, I personally don't rate it as a masterpiece simply because there isn't all that much to it. The film only lasts for fifty minutes, so you can't expect too much - but the unrelenting pace can become monotonous. You've got to respect writer-director Terry Bourke for attempting to bring horror to Australian TV screens and having his attempt dismissed for featuring too much horror, but personally I'd rather have seen him put his efforts into a more ambitious feature length film instead, and I'll endeavour to see his later efforts such as 'Inn of the Damned'.

I appreciate that this was accordingly conceived as the pilot for a TV show. One had better appreciate it, or else the stylized opening credits and predominant lighthearted music would turn one off right away. Likewise, between Terry Bourke's direction and Peter Hendry's cinematography, there were many choices made here in terms of how shots were arranged that were choices of novelty and not of sincere intent; it's readily evident that the TV program that did not materialize was to have carried a wry, tongue-in-cheek tone even amidst the horror-thriller violence. A bit more plainly questionable is the editing, which carries the same latter sensibility but has the effect of chopping up the viewing experience in a tiresome manner. I could also do without the animal cruelty, a needless, tasteless addition even in a genre that already capitalizes on death and violence. No matter how you want to look at it, 'Night of fear' is neither free of issues nor an essential must-see.

The plot is emphatically straightforward - admittedly in keeping with the slant of the original apparent intent - and the storytelling is so direct and unsophisticated that there's not necessarily much lasting entertainment value to be had here. In the very least I commend the cast for their committed, intense performances, even if Norman Yemm is a little over the top as the hermit. I will also say that to the credit of filmmaker Bourke, the feature is able to achieve a measure of tense atmosphere. With smart use of sound effects, lighting, and art direction in addition to the acting, some more horror-appropriate themes in the score, and instances of fine scene writing, all the key ingredients are in place for a dash of suspense; say what one will of the man's direction, he's capable enough to judiciously exercise those advantages. Furthermore, it's noteworthy that Bourke doesn't bog down the abbreviated tale with extraneous dialogue; save for some passing instances of verbalized exclamations, 'Night of fear' sagely frees itself of words that sometimes just get in the way. Off the top of my head I can think of few genre flicks - or sound pictures generally - that adopted such an approach, and I admire the welcome change of pace.

In fairness to cinematographer Hendry and editor Ray Alchin, their contributions also lend to the harrowing air about the film despite the most overzealous instances. While these fifty-odd minutes are brief and forthright, they nevertheless evoke earnest feelings of horror for as dark and grisly as the story gets before all is said and done. What it really comes down to is that the production quite comes off as the audiovisual equivalent of a short story, the sort one might find in 'Scary stories to tell in the dark' or other such collections; nevermind television - Bourke may well have collaborated on an anthology movie with contemporaries, and 'Night of fear' would have fit right in. For those who appreciate all the places the genre can go, whatever form that might take, this will be modestly satisfying. It's no zenith of thrills of ambience, but it's suitably enjoyable in its grimness, and for as short as it is, it's readily digestible for something light and quick. Don't go out of your way, but 'Night of fear' is a fine little piece if you come across it, and that's all it needs to be.

It's not a work of great entertainment, but it's artistically competent and well worth it for anyone who likes to dip and wallow in Horror.

The editing merges a bit of the raison d'être of a movie trailer, that is, clippings of what will come next, without clarifying what will actually come - which didn't particularly work for me. But, knowing now that this is a movie crafted into a TV series, this almost stylized edit makes sense.

The characters present themselves in the standards of horror films, already very well established in the 1970s, and do not develop a complete arc, they are just there to do what is expected of the genre: kill and die. What you have then is the art around it. Photography, performances and soundtrack.

According to the writings of several of my respectable fellow reviewers around here, "Night of Fear" was the very first Australian horror/exploitation movie ever made. This bit of trivia also got confirmed in the brilliant documentary "Not Quite Hollywood: The Wild, Untold Story of Ozploitation", so I just had to see it sooner or later… Well, the first Aussie horror flick definitely is a peculiar one. "Night of Fear" is very rudimentary, both in terms of plotting and execution, as if writer/director Terry Bourke was reading in his Horror for Dummies manual whilst operating the camera. There are no dialogs, only female screams and a lot of panting, no attempts to provide depth or background to the characters and the plot is simplistic as can be. Following a banal car accident, a sole young girl ends up on a rural backwoods road and quickly finds herself confronted with a hillbilly waving around an ax. She flees and seeks shelter in a nearby cabin, but obviously her troubles only get worse in there. It may all come across as formulaic and amateurish, but "Night of Fear" actually works quite effectively! The pacing is moderately fast and the suspense is non-stop throughout the short running time. Yup, a modest and straightforward little genre outing with some nasty images and authentic shocks. Sometimes that's all it takes to satisfy a horror fanatic. The ending is very shocking and immediately explains why Terry Bourke struggled against so much controversy when it came out. "Night of Fear" was supposed to be the kick-off installment of an Aussie horror TV-series, but the idiot censors didn't agree.