Dream No Evil

DREAM NO EVIL is the perfect example of regional, independent features being far more interesting than Hollywood films from the same age. When studios and producer moguls get involved in a film, they ask questions. "Where are these people? How does any of this advance the plot? Why are they doing an Irish jig now?"

DREAM NO EVIL doesn't want to answer those questions, steadfastly refuses to, and is all the more interesting because of it. Notice I say "more interesting" and not "better": this misses the majority of shots it takes, the narration eviscerates the mood, and the shots and performance are stilted. But an undeniable charm still radiates, as long as you're into this kind of thing.

Could work as the B-side of LET'S SCARE JESSICA TO DEATH or MESSIAH OF EVIL for a double feature of outside-reality Americana horror.

The DVD of this movie that was released as part of the Psychotronica collection encourages you to mock this movie. And heck you can mock it if you want to, I'm not here to judge how you view movies. I am here however, to tell you whether or not I liked it and why.

So yeah, I liked this movie. Why? Well, Brooke Mills is worth watching no matter what she is doing for one. What she's doing here is giving it her all to play a seriously screwed up woman in search of her father. Good stuff indeed.

Another reason I enjoyed this flick is that it is one of those low budget wonders where everything seems to take place in some weird uncharted part of America where everything is just a little off. Some people call that schlock, I call it home.

So watch Dream No Evil or don't, it makes no difference to me. If you do watch it I think you'll like it.

This was one weird film. I recall seeing it on late-night TV as a kid, and then I rented it when I was in college. At least there are some decent actors in the cast (including Lawrence, who's slimier than a sack of snails). Worth a look on a slow evening.

I wanted to like this film more than I did. Sadly, the grindhouse filmmaking missed more opportunities than it took.

Brooke Mills carries this little film with her mesmerizing beauty. I simply could not take my eyes off her. Her performance is good, as is that of Edmond O'Brien as her father. But although the basics of a decent story are there, the script left so little to work with that they relied upon her mere presence onscreen. Great as that may be, it simply is not enough.

This film is a fun diversion and time capsule of the early 70s. Enjoy it for what it is, and try to overlook a weak script and journeyman directing that failed to deliver on what could have been.

"Dream No Evil" focuses on Grace, a woman who was orphaned as a child and adopted by a traveling circus/Evangelist act. Grace harbors a deep yearning to find her birth father, with whom she is deeply obsessed. Her fixation on finding her biological father leads her into an increasingly grim situation.

While it's clear that "Dream No Evil" has taken many notes from "Psycho," it is far more bizarre than Hitchcock's film could have dreamed of being. This low-budget effort is shot in a style reminiscent of 1970s TV movies, and it boasts a significant amount of atmospheric, dusty Inland Empire desert locales that are strangely captivating. Set against them are bizarre characters doing bizarre things, such as the lead, Grace, jumping from a high-dive as part of her adopted family's religious circus act, or hiding out in an abandoned farmhouse and regressing to her childhood self.

Befitting its title, "Dream No Evil" is in fact dreamlike--nightmarish, even at times. Screenplay-wise, the film is fairly straightforward, and the twist can be seen from a mile away (it is all very neatly tied together in the end, in a similarly didactic "Psycho"-esque way), but it is still fairly watchable despite this. While it is not high art, "Dream No Evil" is a minor but intriguing oddity. It certainly won't shock, but it will captivate with its weirdness. 7/10.