Legacy of Satan

The lovely Lisa Christian plays Maya, a sexually frustrated young woman married to the boring George (Paul Barry). Unbeknownst to them, their friend Arthur (James Procter) has gotten mixed up with a Satanic cult, and now this cult considers Maya essential to their plans, luring her & George to their lair by using a costume party as a cover.

Gerard Damiano, the adult film director best known for the iconic Deep Throat, also gave us this decidedly minor horror film that won't be very satisfying to sleaze lovers. (The whole cast actually stays clothed most of the time!). The plot, characters, and performances are all quite insipid, although John Francis still manages to be very amusing as the nefarious cult leader Dr. Muldavo.

The truly tacky makeup effects are courtesy of Tom Brumberger (Don't Go in the House), while other familiar names working behind the scenes include co-composer Arlon Ober (The Incredible Melting Man) and cinematographer Joao Fernandes (Friday the 13th: The Final Chapter). That music score is HILARIOUSLY awful!

Unfortunately, this is a rather dull affair that possesses an awful lot of padding for a film running a mere 70 minutes. It may be of some interest to very curious exploitation & horror aficionados, but it's not a movie I would really recommend.

Sandra Peabody of The Last House on the Left fame has a very small role as a cult member.

Four out of 10.

Legacy of Sat (1974)

* 1/2 (out of 4)

A bored housewife (Lisa Christian) doesn't have much going on in her life until a Satan worshiper decides she'd make the perfect leader for their cult. Soon the woman is dealing with all sorts of weird visions but her husband isn't going to just let the cult take her over without a fight.

Gerard Damiano, best known for DEEP THROAT, directed this rather weird film that has pretty much been forgotten over the years except for those who enjoy seeking out the various "Satan" pictures from the decade. This one here was rumored to have been more explicit at some point but I'm not certain there's any actual proof that it was. Perhaps in the pre-production stages it was discussed but there's nothing evident here to think it was ever shot that way.

The biggest problem with this film is that nothing ever really happens. The wife pretty much does nothing except walk around and have various visions and none of them are that shocking, disturbing and they're certainly not scary. I'm really not sure what Damiano was going for because there's no gore so that rules out any shock value. There's no violence so that's another strike against the picture. There's not really any sexuality so there's nothing erotic going on. I'm not sure if he was just trying to create a psychedelic piece of art but that doesn't happen either.

LEGACY OF Satan is mildly entertaining in a silly way and especially if you like low-budget movies that deal with this subject. Fans of that subgenre will want to check this out but all others can find much better movies out there.

Terrible EVERYTHING! Cinematography, Direction, Sound Engineering, Script, Set Design, Lighting, and Acting; terrible, terrible, terrible, terrible, terrible, terrible, and terrible.

It looks and feels like some apartment building somewhere, full of young people, gathered up all of the neighbors, and decided to make a movie.

It is difficult to understand what the point of this film even is! Skip this one over EVERY TIME you have the opportunity to do so!

Seriously! Pull it up on whatever streaming channel has it available just to say to yourself, "nope," and then move on to something else! This film deserves us all doing just that from time to time!

A New York couple are lured to a masked party, held at the large house of an evil occultist who has set his sights on the wife. Very low budget, bad acting and a plot that could be written on a postage stamp this ticks the boxes for viewers seeking 1970's grindhouse trash. One of the movie's strongest points is the ever present, eerie synth score. This combines well with several surreal, nightmare like sequences. Some of the make up is OK too. Two things that I didn't like are - 1 - no nudity, which was unusuall for black magic films from this decade, and 2 - despite the title I never once heard the name "Satan" get a mention, instead some Lord Rakeesh, or something, is the demon to which the cult is dedicated. A name that I am not familiar with. Yes, this is trashy but it is still far more enjoyable that most of the horror movies being churned out in the 21st Century.

Bored architect turned devil worshipper Arthur (James Procter) lures sexually frustrated housewife Maya (Lisa Christian) into the bosom of a Satanic cult who believe that a union between her and their malevolent leader, Dr. Muldavo (John Francis), is the key to incredible Satanic powers. Maya's hubby George (Paul Barry) has other ideas and, dressed as a jester, uses a magical glowing sword to infect Muldavo's face with a life-sapping omelette.

According to another reviewer here on IMDb, Legacy of Satan, directed by Gerard Damiano of Deep Throat fame, is rumoured to have begun life as a hardcore feature, but was trimmed of its explicit sexual content to make it suitable for release as part of a grind-house double-bill; it's not all that hard to believe, the film definitely having the look and feel of a 70s porno—all grainy cinematography, trippy visuals, and lo-fi synth music, with a decadent, sexually charged atmosphere, a nonsensical plot, and an untalented cast of complete unknowns. The film's short running time and choppy editing also go a long way to support the theory.

However, if there was ever a XXX version, it has long since vanished into the mists of time, and all we have been left with is this dreadfully boring, shambolic wreck of a film, a Satanic horror with no tension, no scares and very little blood. Clearly Damiano considered himself something of an artist, and did his best to bring a hallucinatory beauty to the film through the use of coloured light and strong shadow, but his handling was way too heavy-handed to be effective, the result being a garish mess as opposed to a stunningly creative piece of cinema. Arlon Ober and Mel Zelniker's experimental electronic score proves to be just as much an assault on the ears as Damiano's visuals are on the eyes.