Reckless

When a younger man falls for an older woman whose husband is his boss, you can expect a few complications, which you get in "Reckless," a three-part miniseries starring Robson Green, Francesca Annis, Michael Kitchen, and David Bradley.

Green is Owen Springer, a young surgeon who takes a job in his home town of Manchester so that he can take care of his father (Bradley). He meets a woman on a train, Anna Fairley Crane, who lends him her phone, and finds out that they work in the same hospital, she in a management position. For Owen, it's love at first sight, though as he describes her later, she's "forty-odd" (Annis was actually 52 at the time of the series; Green was 33). Then he finds out that she's married to his boss (Michael Kitchen). His friends and fellow doctors (Julian Rhind-Tutt and Conor Mullen) are dead against it and are afraid he's headed for big trouble. He is.

Really grand series elevated by wonderful acting. Annis is gorgeous, Green is one of Britain's sexiest actors, and Michael Kitchen is fantastic as Anna's husband, and David Bradley hands in a marvelous performance as Owen's dad. Rhind-Tutt, whom I remember from Keen Eddie) and Mullen are hilarious. Everyone is very committed to their roles.

The series brings up a few things, not the least of which is the non-acceptance of an older woman and a younger man - this is 1997 -- now it's not unheard of. Also, it brings up the question of true love versus sexual/physical attraction. People in the series keep pointing out that Owen and Anna's relationship may be okay now, but what about in ten or twenty years, indicating that Owen would no longer find her sexy -- as if outward beauty and sexiness are the only reasons one falls in love. And, in fact, Owen would be older as well, but it's assumed he's still going to be sexy. As a bit of trivia, Annis is now 68 or thereabouts and still beautiful. Also, she had a 12-year relationship with Ralph Fiennes, 17 years her junior (I saw them together in Hamlet some years ago)

The other situation in the film is the class distinction, still prevalent in Britain, Robson with his working-class accent and beer-drinking father, involved with the glamorous administrator Annis, married to a highly-successful surgeon.

So though "Reckless" seems like just a romance, it actually, seen today, brings up some provocative questions. I liked it, and I look forward to the sequel.

I saw only the first part of this series when it debuted back in the late 90's and only recently got a chance to watch all three parts via Netflix (convenient service by the way). All in all, I liked this lighthearted, sometimes genre challenged, mini series. The story of a younger man falling for an older woman seems to work and the actors are all fine. Yes, it does have some romance clichés of running in the rain or a train station goodbye, but the characters have a chance to be explored so it doesn't seem cheesy, like it would be if this were some Tom Hanks vehicle or similar. Robson Greene, who at times reminds me of a separated-at-birth Scott Bakula does a fine job of someone who is head over heels in love and the ebb and tide of desire and rejection throws the series into watchable fare. Personally, I think the series could have been done with two episodes, but that's up for debate I suppose. Apparently, there's a sequel, and that should be arriving tomorrow via Netflix.

I forgot to mention the music! A very integral and lovely part, transitioning us from one scene to another. Hal Lindes (of Dire Straits' fame) and Christopher Gunning did an extraordinary job to create the perfect melody, weaving it sensitively throughout Reckless, sometimes soft and sweet, other times, lively and playful, whatever the scene called for. Absolutely Perfect!!

Hunky Geordie Robson Green is Owen Springer, a young doctor who moves home to Manchester to be near his father. Along the way, he falls for Anna, a woman 20 years his senior, and who happens to be the wife of his new boss, Richard Crane. Despite warnings from his new colleagues, Owen proceeds to get Anna for himself, going as far as to sabotage Anna and the cheating Richard's marriage. This is a romantic drama with many humorous undertones and a quick wit. The actors are superb: Green of "The Student Prince" and "Touching Evil" smolders on-screen as the cunning, yet warm-hearted Owen; Annis of "Dune" fame is lively and proves a good match to Green; Kitchen, from "To Play The King" is the right menace as Richard, whose comic missteps and snobbery underline his masterful, building hatred for Owen. This is a perfect love triangle, and despite the foibles and fallacies of our three characters, you come away better for knowing and watching them.

This group of English pros are a pleasure to watch. The supporting cast could form a series of their own. It's a seen before love tiangle between the head of surgery, his wife, and a new pretty boy surgery resident. Only the superior acting skills of Francesca Annis, Michael Kitchen, and the sexy Robson Greene lift this from the trash category to a very enjoyable "romp". The only quibble is that it's hard to accept that the smoldering Francesca Annis would fall in love and actually marry Michael Kitchen, who like me, is hardly an international, or even a British sex symbol. You can readily understand why Robson Green would light her fire, with apologies to the "Doors". The guy who almost steals the show with a great "laid back" performance is Owen's father David Bradley. Watch him in "The Way We Live Now", in a completely different performance, to get an idea of his range. Daniela Nardini as Kitchen's secretary, sometime sex toy, is hard to forget as the spurned mistress who makes Kitchen sorry he ever looked at her great body. Conor Mullen, and Julian Rhind-Tutt, as Green's sidekick surgery buddies as I've said could have their own series. They are that good. The whole thing is a great deal of fun, and I heartily recommend it, and thank you imdbman for letting the paying customers have their say in this fascinating venue.