एक सुंदर लालची औरत एक चतुर बेवर्ली हिल्स के तलाक के वकील से गठजोड़ कर लेती है जो तेजी से उसकी ओर आकर्षित हो रहा है.एक सुंदर लालची औरत एक चतुर बेवर्ली हिल्स के तलाक के वकील से गठजोड़ कर लेती है जो तेजी से उसकी ओर आकर्षित हो रहा है.एक सुंदर लालची औरत एक चतुर बेवर्ली हिल्स के तलाक के वकील से गठजोड़ कर लेती है जो तेजी से उसकी ओर आकर्षित हो रहा है.
- पुरस्कार
- 3 कुल नामांकन
Cedric The Entertainer
- Gus Petch
- (as Cedric the Entertainer)
फ़ीचर्ड समीक्षाएं
A surprisingly smart comedy from Joel and Ethan Cohen, INTOLERABLE CRUELTY is a deft and entertaining comedy about the relationship that develops between a fast talking attorney (George Clooney) and a man-eating gold digger (Catherine Zeta-Jones)who pretty much eats husbands for lunch. This delightful throwback to the Tracy-Hepburn, Grant-Russell comedies of the 30's and 40's moves at a nice pace and is anchored by a razor sharp performance by Clooney, who has rarely been more appealing on screen. Clooney does everything right here and his performance alone makes this film worth seeing, but Zeta-Jones never allows herself to be overshadowed by him in one of her more venomous characterizations. Worthwhile bits are also contributed by Geoffrey Rush, Billy Bob Thornton, Richard Jenkins, and Edward Herrmann. One of the most underrated comedies ever made which is a definite must-see for Clooney fans.
I am amazed at the lack of true movie knowledge that is displayed in these boards sometimes. If I had to guess at the age of the writers of bad reviews this particular movie has garnered in the reviews preceding mine, I would say at best 18. Not a single one of these unknowing boobs remembers Cary Grant, nor the fast-talking zany comedies like Bringing up Baby, and again nor the romance comedies of Hepburn & Tracy.
The Coen Brothers like to do re-hashes, ie. Miller's Crossing/Blood Simple/Big Lebowski are their different takes on film noir. And now they made an amusing film of a different era again. Sexiness/chemistry does not mean bare flesh, nor does action or cursing make a modern classic. The one fault of the Coen's in making this movie was a lack of close-ups - a dead giveaway for what they were trying to achieve.
At best, this is a funny romantic black comedy, with witty dialogue. At worst, it is absurdist black comedy.
The Coen Brothers like to do re-hashes, ie. Miller's Crossing/Blood Simple/Big Lebowski are their different takes on film noir. And now they made an amusing film of a different era again. Sexiness/chemistry does not mean bare flesh, nor does action or cursing make a modern classic. The one fault of the Coen's in making this movie was a lack of close-ups - a dead giveaway for what they were trying to achieve.
At best, this is a funny romantic black comedy, with witty dialogue. At worst, it is absurdist black comedy.
I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
Miles Massey (George Clooney) is a divorce attorney whose clientele consists primarily of the rich and powerful in the Los Angeles area. He's well known for an "ironclad" prenuptial agreement named after him and also known for taking his clients' spouses to the cleaners. But when he works his magic against Marilyn Rexroth (Catherine Zeta-Jones), he may have picked on the wrong person.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
Underrated gem for fans of film history. If you liked Hudsucker Proxy then you will like this. A fun farce with an old school romantic foundation.
क्या आपको पता है
- ट्रिवियाCatherine Zeta-Jones' style of acting in this movie was modeled upon Katharine Hepburn's romantic roles.
- गूफ़Much of the film's plot is driven by inaccurate representations of California divorce law. Under the community property theory, factors like infidelity are virtually irrelevant to the distribution of property upon divorce.
- भाव
Freddy Bender: Objection, Your Honor: strangling the witness.
Judge Marva Munson: I'm going to allow it.
- कनेक्शनEdited into A Look Inside 'Intolerable Cruelty' (2004)
- साउंडट्रैकThe Boxer
Written by Paul Simon
Performed by Simon & Garfunkel (as Simon and Garfunkel)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
End Credit Performance by Colin Linden
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El amor cuesta caro
- फ़िल्माने की जगहें
- Norm's Restaurant - 470 N La Cienega Blvd, वेस्ट हॉलीवुड, कैलिफोर्निया, संयुक्त राज्य अमेरिका(lunch scene: as "Nero's")
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,53,27,628
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,25,25,075
- 12 अक्टू॰ 2003
- दुनिया भर में सकल
- $12,08,02,239
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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