अपनी भाषा में प्लॉट जोड़ेंEnglish thespian Sean Pertwee plays the painfully ambitious royal who schemes to murder so he can ascend to the throne in this superior version of William Shakespeare's literary classic. Spu... सभी पढ़ेंEnglish thespian Sean Pertwee plays the painfully ambitious royal who schemes to murder so he can ascend to the throne in this superior version of William Shakespeare's literary classic. Spurred by the pressure exerted by his equally power-hungry wife, Lady MacBeth (Greta Scacchi... सभी पढ़ेंEnglish thespian Sean Pertwee plays the painfully ambitious royal who schemes to murder so he can ascend to the throne in this superior version of William Shakespeare's literary classic. Spurred by the pressure exerted by his equally power-hungry wife, Lady MacBeth (Greta Scacchi), the Thane conspires to kill, but is so overcome with guilt that he's unable to wash the... सभी पढ़ें
फ़ीचर्ड समीक्षाएं
Though clearly of modest budget, it is not cheap. Rather it skillfully uses available resources to create a stark, clear (and trimmed down) production. It does this by being strangely, yet coherently, anachronistic. The nature of the characters and the scenes determine the prevailing time period of the props, costumes and setting; so they are more than mere set dressing and non-verbally communicate information about who the characters are. Usurper Macbeth never rises above his castle in an abandoned factory, which contrasts with the elegance of the rightful heir Malcolm's pristine English manor.
The delineations aren't strict... the witches' Mad Max post-apocalyptic world sits in the midst of contemporary warfare. The banquet shows Macbeth's futile attempt at legitimacy in a clash of period and style. But rather than creating chaos, this mixing keeps the characters visually consistent throughout the production.
The performances are excellent, but not outstanding, and fall into the standard British Shakespearean rhythms which can take some acclimatization for people not accustomed to it. But the acting fits the context of the setting while staying true to Shakespeare. Though not a definitive Macbeth, it is one I can watch with pleasure whenever the local public broadcasting channel broadcasts it as a teacher's resource. And I wouldn't mind having the complete version without the breaks.
The setting is modern-ish and slightly surreal and surprisingly sunny and bright for this usually dark and murky play. Even the garbage dump which represents the "heath" where the witches hang out is set amid green fields and a placid lake.
On the upside is the performance of Greta Scacchi who is a frighteningly intent and edgy Lady M. The scenes between the Macbeths are breathtaking: her energy seems to infuse Pertwee who is subdued without her.
On the downside, Pertwee cannot get past a kind of manic anger in the final scenes. There is no sense that Macbeth realizes the depth to which he has sunk, that his soul is irredeemably compromised. In the end he should be like the figures in Michaelangelo's Last Judgement, being dragged to Hell while realizing what they have lost and cannot now get back. Pertwee's Macbeth keeps on heading straight for Hell as fast as he can get there. In the end we experience no regret or sense of tragedy in his demise.
Notwithstanding this flaw, this is a gripping and watchable film which is well worth the effort.
Macbeth is perhaps the best Shakespeare play to give a shot in the arm - its the shortest and perhaps the easiest of the tragedies to manipulate any which way you choose. So this version works completely in what it intends to do, i.e. speak to a younger audience and flip this play on its head.
Macbeth and Lady Macbeth are admirably played by Sean Pertwee and Greta Scacchi, while others making a strong impression in the cast include Philip Madoc as Duncan, Michael Maloney as Banquo, and Lorcan Cranitch. Fans of the UK series 'Coupling' can see Jack Davenport and Richard Coyle in there too, alongside 'Birds of a Feather' star Lesley Joseph as one of the witches.
क्या आपको पता है
- कनेक्शनEdited into Middle English: Macbeth: Part 1 (1998)