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Anupama

  • 1966
  • U
  • 2 घं 28 मि
IMDb रेटिंग
7.4/10
567
आपकी रेटिंग
Anupama (1966)
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंMohan Sharma (Tarun Bose) is a workaholic whose life changes dramatically after his wife dies giving birth to their daughter Uma (Sharmila Tagore). He despises the daughter by day, and adore... सभी पढ़ेंMohan Sharma (Tarun Bose) is a workaholic whose life changes dramatically after his wife dies giving birth to their daughter Uma (Sharmila Tagore). He despises the daughter by day, and adores her when drunk at night. Uma's life gets better as she comes of age and has a relationsh... सभी पढ़ेंMohan Sharma (Tarun Bose) is a workaholic whose life changes dramatically after his wife dies giving birth to their daughter Uma (Sharmila Tagore). He despises the daughter by day, and adores her when drunk at night. Uma's life gets better as she comes of age and has a relationship with a sensitive poet, Ashok (Dharmendra), who slowly brings her out of her shell.

  • निर्देशक
    • Hrishikesh Mukherjee
  • लेखक
    • Rajinder Singh Bedi
    • Bimal Dutta
    • D.N. Mukherjee
  • स्टार
    • Dharmendra
    • Sharmila Tagore
    • Shashikala Jawalkar
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    567
    आपकी रेटिंग
    • निर्देशक
      • Hrishikesh Mukherjee
    • लेखक
      • Rajinder Singh Bedi
      • Bimal Dutta
      • D.N. Mukherjee
    • स्टार
      • Dharmendra
      • Sharmila Tagore
      • Shashikala Jawalkar
    • 10यूज़र समीक्षाएं
    • 6आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 4 नामांकन

    फ़ोटो10

    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
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    + 4
    पोस्टर देखें

    टॉप कलाकार20

    बदलाव करें
    Dharmendra
    Dharmendra
    • Ashok
    Sharmila Tagore
    Sharmila Tagore
    • Uma Sharma
    Shashikala Jawalkar
    Shashikala Jawalkar
    • Anita Bakshi 'Annie'
    • (as Shashikala)
    Deven Verma
    Deven Verma
    • Arun
    Durga Khote
    Durga Khote
    • Ashok's Mother
    Dulari
    Dulari
    • Sarla
    Surekha
    Surekha
    • Aruna
    Naina
    • Gauri - Ashok's sister
    Brahm Bhardwaj
    Brahm Bhardwaj
    • Suresh Bakshi
    • (as Bharadwaj)
    Amar
    Amar
    R.P. Kapoor
    Mukund Banerjee
    Desai
    Rajdeep
    Usman
    David Abraham
    David Abraham
    • Moses
    • (as David)
    Tarun Bose
    Tarun Bose
    • Mohan Sharma
    Chandra
    • निर्देशक
      • Hrishikesh Mukherjee
    • लेखक
      • Rajinder Singh Bedi
      • Bimal Dutta
      • D.N. Mukherjee
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं10

    7.4567
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    Kaaliyaa

    Canonical film

    Besides being a very watchable film, it is a must-have for all serious students of Hindi cinema. The film is dedicated to Bimal Roy (practically the entire crew is comprised of people who worked for Roy) and in this film, Hrishikesh Mukherji's narrative style is clearly reminiscent of Roy's style. Hemant Kumar's music from this film is practically legendary, as are Kaifi Azmi's lyrics. The film has a few flaws -- it starts and ends beautifully, but could have been tightened up around the middle. The lead duo, Sharmila and Dharmendra, are adequately good, but it's the support cast that really carries the film. The director spends time working on the relationships between the cast - Deven Varma and Shashikala, despite (or because of) the latter's slightly annoying excess, have surprisingly good chemistry, and David, doing his classic overgrown bachelor is dependably great. The film is stolen though by Tarun Bose, who plays the lead character's troubled father to perfection.

    The thing that strikes out about the film is how well it comes together as a whole -- the cinematography, screenplay, the music, the editing and the acting. To the credit of Mukherjee and Roy alike, the film epitomizes the Black & White class drama that so strongly influenced Indian popular cinema in the post-independence era. I cannot recommend the film enough.
    5nirmalkishor-37882

    Anupama a sentimental fool, unrealistic story

    Anupama ( Rupa Ganguly is superb for her acting ) but Director and story writer are forgetting one basic thing that they are portraying Anupama as a weak docile, self respect less woman who is bent upon accepting any degree of humiliation in marriage and after divorce too.

    Leela is Gandhari of president times who ignored her sons grave crimes of ditching his wife in marriage and even after divorce, credits all crime of son to Anupama. Leela could accept Kavya , a flower pot, in her family but not Anupama in spite of using her full time 24x7 unpaid maid who can't even ask for self respect.

    It's a story highly decorating negative characters like Vanraj , Kavya, Leela and Toshu. All of these are selfish of the highest order. I don't understand what this serial wants to give to the society, a healthy entertainment or a wrong message ?

    Hasmukh is another Dhritraashtra or Bhishma of Mahabharat who never took any decision, and rather believed in auto decisions . He could never control his son or wife who continued torturing Anupama for 26 years in marriage and even after divorce. Such persons are more injurious to society.

    I personally do not like Glorification of negativity in life .

    The serial as far as acting of actor / actresses is doing well but story is Hopeless and unrealistic.

    No woman in 2020/21 would like to live with sautan in the same house.

    Any disease if not treated in time , like arrogance of Vanraj or Leela or Kavya, is going to become Cancer .

    Anuj Kapadia, is doing well and knows how to give check mate to Vanraj and Kavya and lesson to Anupama in a single move.
    8Peter_Young

    Subtle realism at its finest

    Hrishikesh Mukherjee's socio-realist romance Anupama is a brilliant film about a young girl who is lost within her own world, and about relationships between people from different social strata. Sharmila Tagore plays Uma, a young woman whose mother died at her birth. As a result, Uma has lived all her life with guilt, more so in view of her father's continuous reproach; the man has never really stopped blaming his daughter for the loss of his beloved wife. Uma grows to be a shy and greatly introverted girl, who remains silient most of the time. The story follows Uma's coming of age as a person mostly due to her relationship with a struggling poet named Ashok (Dharmendra), who falls instantly in love with her inner beauty. Their interactions happen while several other characters from their lives carry the narrative forward.

    A poignant film portrayed beautifully and realistically, it is a subtle yet powerful episode made with heart and sincerity. Mukherjee's excellent direction is aided by fantastic cinematography, very pleasant music, and above all, brilliant dialogue which enhances the otherwise serene narrative and helps define the characters. Although some may find the film a tad slow, I found the pacing perfectly balanced. I was engaged by its exquisite authenticity, and its humanistic warmth filled me with positivity. Its graceful simplicity just draws you in. Wavering between slice-of-life social drama and delicate romance, Anupama offers a profound exploration of the human experience and an affecting glimpse into the fragility of relationships. Equally significant is its incisive commentary on the societal norms, gaps, and circumstances of its time.

    The film has a great collaborative effort by the ensemble cast. Sharmila Tagore delivers a beautifully restrained performance, and Dharmendra is fantastic as the sensitive poet Ashok. Shashikala is extremely likable and funny and makes her presence felt as the vivacious Anita. Ditto for Deven Verma who plays Arun. David provides great comic relief as Uma's father's kind and humourous friend and his stories throughout the film are hilarious. Tarun Bose is excellent as Uma's father Mohan, and the ever great Durga Khote as Ashok's mother, as well as Naina as his lovely sister, provide great support. The story ends on a staggeringly revelatory and moving note. All in all, I highly recommend this classic to people who like artistic quality films. It might require patience, but it's highly rewarding.
    1aniketrocco

    Anupama Overacting

    Anupama always do overacting. I didn't like the series.
    7SAMTHEBESTEST

    Hrishikesh Mukherjee's attempt to make "Bimal Roy Cinema" as a tribute.

    Anupama (1966) : Brief Review -

    Hrishikesh Mukherjee's attempt to make "Bimal Roy Cinema" as a tribute. Anupama, widely known as Hrishikesh Mukherjee's one of the Greatest Achievement is sort of Bimal Roy Cinema and to confirm it there is tagline at the beginning, "Dedicated to Bimal da". Anupama has soul connected to a Woman's strained life just like Bimal Roy films had but Hrishi da makes it more of a love story than a social topic. In Anuradha he gives tribute to all Women who have sacrificed their everything to make men successful and so it became universal concept but that's not the case here for Anupama. The film is about a girl whose mother immediately after her birth so the Father blames her for this loss and even the girl starts believing it as her own fault. Then finally sunshine called Love comes into her life and encourages her to Live incomparably. Anupama has many emotional moments where you can't hold your tears, one is when you realise her pain, another one when Dharmendra sings painful poem. In climax it feels like film misses something, don't know what exactly, may be Father-daughter final face off or acknowledgement or maybe social message. Otherwise it is a very good emotional drama keeping all qualities upto the mark. Sharmila Tagore is fantastic in this shy yet full of life role, Dharmendra shines as a poet and a man with principles, Shashikala is in top form in her favourite zone of chatterbox and free minded girl. Dialogues writing is are pure class, i don't see nothing wrong about it rather many dialogues are overwhelming and ahead of time. Hrishikesh Mukherjee's direction is nice, he covered all elements with his intelligence. The shortcomings are unacceptable though. Anupama should have had more appealing social issue and then it would have left stronger impact.

    RATING - 7/10*

    By - #samthebestest

    इस तरह के और

    सत्यकाम
    8.3
    सत्यकाम
    आराधना
    7.6
    आराधना
    वक़्त
    7.6
    वक़्त
    अमर प्रेम
    8.1
    अमर प्रेम
    साहिब बीबी और ग़ुलाम
    8.1
    साहिब बीबी और ग़ुलाम
    द बर्निंग ट्रेन
    7.0
    द बर्निंग ट्रेन
    जॉनी मेरा नाम
    7.4
    जॉनी मेरा नाम
    छोटी सी बात
    8.3
    छोटी सी बात
    मधुमती
    7.7
    मधुमती
    Jeevan Mrityu
    7.3
    Jeevan Mrityu
    Ankhen
    7.2
    Ankhen
    Chupke Chupke
    8.3
    Chupke Chupke

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Kuch Dil Ne Kaha Kuch Bhi Nahin. Sharmila Tagore had turned up for the song's shoot in Mahabaleshwar at 5 am in full makeup and with her hair styled in a bouffant. Director Hrishikesh Mukherjee disapproved of the bouffant and told the actress that it didn't go with her character. He gave in when she insisted on keeping it. Later, however, Tagore regretted her appearance in the song and wished that she had listened to the director. [
    • कनेक्शन
      Featured in गुड्डी (1971)
    • साउंडट्रैक
      Ya Dil Ki Suno Duniyawalo
      Sung by Hemanta Mukherjee (as Hemant Kumar)

      Music composed by Hemanta Mukherjee (as Hemant Kumar)

      Lyrics by Kaifi Azmi

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Anupama?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 21 जनवरी 1966 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • भारत
    • भाषा
      • हिंदी
    • इस रूप में भी जाना जाता है
      • Incomparable
    • फ़िल्माने की जगहें
      • Mohan Studios, मुंबई, महाराष्ट्र, भारत(Studio)
    • उत्पादन कंपनी
      • L.B. Films
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