IMDb रेटिंग
7.0/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.The gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.The gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.
- 2 BAFTA अवार्ड जीते गए
- 3 जीत और कुल 3 नामांकन
फ़ीचर्ड समीक्षाएं
9feev
Really enjoyed this film..... Rick (known as Walter better) is very solid but definitely much more subdued than in The Walking Dead (TWD). Keep in mind this is just over 10 years before TWD. But you can definitely see how Andrew Lincoln who plays sheriff Rick Grimes in TWD is honing his craft and later became a major international star as sheriff Rick Grimes. Very cool that he even briefly wears a hat in this film quite similar to the famous hat in TWD that he wears while slaughtering zombies. This is a much slower paced drama but still greatly appreciated and highly recommended. Don't listen to the negative reviews it's well worthwhile I promise you!!
A wealthy Victorian bride and her half-sister become the victims of an abusive marriage, and their only salvation lies in uncovering a mystery from the family's past ...
Brave attempt to cover a complex story in a relatively short run time. Some of the adaptations work very well to fold events and characters into a streamlined plot, but others take too many liberties. The main drawback is that the malevolent Count Fosco is reduced to a few scenes of haughty guffawing, and his back-story is completely erased. This does improve in some ways on the 1982 TV series, with some conviction added to the dialogue, but can't really compete.
The writer has beefed up the roles of the half-sister and the lover, and the actress gives a strong performance. Sadly, in spite of all the streamlining, the end has to rely too much on exposition to lead us out of the labyrinth.
Overall: Well produced but bit off more than it could chew.
Brave attempt to cover a complex story in a relatively short run time. Some of the adaptations work very well to fold events and characters into a streamlined plot, but others take too many liberties. The main drawback is that the malevolent Count Fosco is reduced to a few scenes of haughty guffawing, and his back-story is completely erased. This does improve in some ways on the 1982 TV series, with some conviction added to the dialogue, but can't really compete.
The writer has beefed up the roles of the half-sister and the lover, and the actress gives a strong performance. Sadly, in spite of all the streamlining, the end has to rely too much on exposition to lead us out of the labyrinth.
Overall: Well produced but bit off more than it could chew.
This is one of those great novels that cannot be corrupted by the screening of it, no matter how much you alter in the book to fit it into a picture, as the plot itself, the skeleton of the story, is unavoidable and carries it all no matter what you cut out of the flesh or add to it. Tara Fitzgerald and Andrew Lincoln as the main characters are convincing enough, although different from the book, while Simon Callow as Count Fosco, although his appearance is brief in comparison with the book, gets the place in the sun as the central hub of intrigue, one of the most classical and irresistible villains in literature.
But the main asset of this TV film version is the quiet mood and the excellent composition of the pictures - many scenes are just like Victorian paintings, and a painting actually is made to play almost like a red thread through the film.
The finale, although completely different from the book, makes the film dramatic enough though, and the only thing you really lack in this film version is the high intensity of the book building up a tension that makes the finale triumphant in its karmic justice.
They say the 1982 version is better. It is to be noted that Ian Richardson plays in both versions. It will be interesting to find it somewhere.
But the main asset of this TV film version is the quiet mood and the excellent composition of the pictures - many scenes are just like Victorian paintings, and a painting actually is made to play almost like a red thread through the film.
The finale, although completely different from the book, makes the film dramatic enough though, and the only thing you really lack in this film version is the high intensity of the book building up a tension that makes the finale triumphant in its karmic justice.
They say the 1982 version is better. It is to be noted that Ian Richardson plays in both versions. It will be interesting to find it somewhere.
I didnt know what to expect . I only watched it on a rainy sunday afternoon on pay tv . Right from the start it drew me in . The music and settings and characters were excellent . I hadnt heard of any of the actors but they all were outstanding . A wonderful thriller .
Now that ive read other comments on this movie referring to past versions and the book , i will be endeavouring to find out more on this great movie
Now that ive read other comments on this movie referring to past versions and the book , i will be endeavouring to find out more on this great movie
I have not seen this movie yet, nor have I read the novel. In fact, I have not seen any version of this story, including the recent musical. I have this 1997 DVD though, as well as the London cast recording, both of which were gifts. That having been said, I just want to point out an error in two of the reviews...
I am no fan of Hollywood, usually preferring foreign versions of most movies. Unfortunately, reviewers dad-hunter (j. hunter) from the UK and harrsman5 from Chicago have it wrong. Dad-hunter wrote, "For reasons known only to Hollywood" and ends his review with, "Badly done, Hollywood!" Harrsman5 asked, "I wondered how badly Hollywood could screw this up," and said that the movie makers "Hollywoodized" the story.
This was a British production, not a Hollywood project. This is clear from the credits, as well as the IMDb.com description. It is a co-production for the BBC by Carlton International Media, Ltd and WGBH. Carlton and the BBC are in the UK, and WGBH, a PBS affiliate, can hardly be considered Hollywood. While harrsman5 may be confused by seeing it on Masterpiece Theater here in the US, I was very surprised by dad-hunter's comments since s/he is from the UK.
As for critics who chastise it for not being faithful to the novel, I think it's better to rate the movie on its own merits. Many of us have never read the novel, nor plan to. When I finally view it, I will judge it based on the movie alone..
I am no fan of Hollywood, usually preferring foreign versions of most movies. Unfortunately, reviewers dad-hunter (j. hunter) from the UK and harrsman5 from Chicago have it wrong. Dad-hunter wrote, "For reasons known only to Hollywood" and ends his review with, "Badly done, Hollywood!" Harrsman5 asked, "I wondered how badly Hollywood could screw this up," and said that the movie makers "Hollywoodized" the story.
This was a British production, not a Hollywood project. This is clear from the credits, as well as the IMDb.com description. It is a co-production for the BBC by Carlton International Media, Ltd and WGBH. Carlton and the BBC are in the UK, and WGBH, a PBS affiliate, can hardly be considered Hollywood. While harrsman5 may be confused by seeing it on Masterpiece Theater here in the US, I was very surprised by dad-hunter's comments since s/he is from the UK.
As for critics who chastise it for not being faithful to the novel, I think it's better to rate the movie on its own merits. Many of us have never read the novel, nor plan to. When I finally view it, I will judge it based on the movie alone..
क्या आपको पता है
- ट्रिवियाIan Richardson plays the same role in this and an earlier adaptation of the story: The Woman in White (1982).
- कनेक्शनReferenced in The Toxic Avenger: The Musical (2018)
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