अपनी भाषा में प्लॉट जोड़ेंA middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.
- पुरस्कार
- 3 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
_I giorni contati (1962)* is a deeply contemplative film that explores the fragility of life through the eyes of an ordinary man facing the reality of his own mortality. With a delicate yet powerful narrative, this Italian classic provides a sobering reflection on the passage of time, loss, and the human condition.
The plot centers around a character who, after receiving grim news about his health, begins to reflect on his life and the moments he has left. It's not the typical dramatic portrayal of illness, but rather a subtle exploration of how one re-evaluates their relationships, decisions, and dreams when faced with the inevitable. The film avoids melodrama, instead opting for quiet moments that make the emotional impact feel all the more profound.
The cinematography is restrained but beautifully composed, using simple settings and lighting to create a sense of intimacy with the protagonist's inner turmoil. The pacing of the film allows for a slow burn that encourages introspection, building towards an emotional conclusion that lingers long after the credits roll.
The performances are understated, yet deeply affecting. The lead actor's portrayal of a man coming to terms with his own mortality is both touching and real. The film's sparse dialogue and emphasis on visual storytelling create a compelling atmosphere that speaks to the universal experience of grappling with time's passing.
In essence, I giorni contati is a reflection on the inevitable, but also an invitation to appreciate the fleeting beauty of life. It's a film that doesn't provide easy answers, but rather leaves the viewer with a quiet sense of reflection. For those seeking an intimate, meditative experience, this film is a hidden treasure.
The plot centers around a character who, after receiving grim news about his health, begins to reflect on his life and the moments he has left. It's not the typical dramatic portrayal of illness, but rather a subtle exploration of how one re-evaluates their relationships, decisions, and dreams when faced with the inevitable. The film avoids melodrama, instead opting for quiet moments that make the emotional impact feel all the more profound.
The cinematography is restrained but beautifully composed, using simple settings and lighting to create a sense of intimacy with the protagonist's inner turmoil. The pacing of the film allows for a slow burn that encourages introspection, building towards an emotional conclusion that lingers long after the credits roll.
The performances are understated, yet deeply affecting. The lead actor's portrayal of a man coming to terms with his own mortality is both touching and real. The film's sparse dialogue and emphasis on visual storytelling create a compelling atmosphere that speaks to the universal experience of grappling with time's passing.
In essence, I giorni contati is a reflection on the inevitable, but also an invitation to appreciate the fleeting beauty of life. It's a film that doesn't provide easy answers, but rather leaves the viewer with a quiet sense of reflection. For those seeking an intimate, meditative experience, this film is a hidden treasure.
Never released in America, Petri's second feature displays the same evocative mix of realism and symbolism found in THE LADY KILLER OF ROME. Cowritten by the prominent scenarist Tonino Guerra (a favorite collaborator of Petri, Antonioni, Rosi, and other Italian luminaries), the film stars Salvo Randone as Cesare, a lonely Roman plumber in his early fifties. Traveling by tram one day, he witnesses the sudden death, by heart attack, of a man his own age. The event shocks him into the realization that his own days might be numbered, and he becomes determined to make the most of the time he has left. Quitting his job, he sets out with enthusiasm to enjoy the finer things in life, but the effort only leaves him dispirited and disillusioned.
क्या आपको पता है
- ट्रिवियाWon the award for best film at the March 1962 Mar del Plata Festival in Argentina.
- इसके अलावा अन्य वर्जनAn English dubbed version was made available for American television.
- कनेक्शनReferenced in Indagine su un cittadino al di sopra di ogni sospetto (1970)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 38 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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