Duets

I like Duets very much because I think the screenplay is fairly original. After all, karaoke is a new phenomenon on it's own. It is about people who are travelling across the country to sing songs in karaoke bars in the hopes of making it to Omaha where the grand prize is. Characters are kind of people who has not found the peace in themselves yet. They are looking for that peace and finding it where they step on the stage and sing their hearts out. I loved it because that is the way I feel about music; it can completely change my mood from sad to glad or vice versa. Music is such a powerful tool that touches us all very deeply. I think that idea was depicted in the movie very effectively. Songs were very good (I simply fell in love with Maria Bello when she sang "Sweet Dreams..." and "I can't make you love me".) They all sing incredibly well; I was surprised by Gwyneth Paltrow's voice....man she really can sing! I listened to the soundtrack cd and I think it is amazing, probably one of the best soundtracks after "The Bodyguard". The only thing that I dislike about the movie was to see Huey Lewis looking quite old. His band used to be one of my most favourite music groups.

I say this is a very good movie and one of the 5 must see movies of the year so far (after The Gladiator, The Mission Impossible II, High Fidelity and Almost Famous).

Director and Star have the same last name; hmmm is this a Paltrow family project or what? The recurring thought I had after watching this was: "How old is the little girl Ms. Paltrow is supposed to be playing?" She does well with the on-screen dad and even her on-screen grandma (played by Angie Dickinson) but much about this movie stymies my comprehension of the fantasy of a plot. If you like guys doing duets after sharing road-movie buddying up, then you'll love Paul Giamatti singing with Andre Braugher (however Mr. Braugher lip-synches for both of his on-screen karaoke performances). Mr. Giamatti has to carry the story-line's major dramatic development; the running gag of the Frequent Flyer Miles for redemption seems to be an "inside" joke of the Writer/Director/Dialogue editor. The movie does have a direction (give it some credit) but the title seems to have been junked at some point as only one of the final performances is a duet (and that one seemed almost to have been impromptu). I expected some sort of re-arrangement of the singing partners but it would never have occurred to me that one of the six major characters would never even have a microphone thrust in his direction. Didn't these film makers and writers see the hilarious section in "MY BEST FRIEND's WEDDING" where Cameron Diaz' character does such a bad job at Karaoke that it's memorable??? I wondered several times -- Did Brad Pitt have the non-singer role when he was first slated to join in this family "project"? Where was the Duet between the female leads? Where was the live concert possibility version? In its favor, Mr. Giamatti does convey well the manic aspects of the karaoke adulation but cutting away with music still playing is a sign that the director was non-committal. As far as advice to Director Paltrow might be apropos -- much about this film reminded me of a TV perspective and some glib observances about unhappy Americans: a couple of drifters, a suburban salesman who can't connect with family, a philosophical, non-threatening ex-prisoner, also an underachiever. If you have a sequel in mind, go with lots of undiscovered singers whose connection to a song leads to even more electrifying performances. You did get some great song-singer connections but try to let those come to a fuller "bloom!" Any IMDB readers seeking an unqualified recommendation for this rental must be diehard Paul Giamatti fans to reach fullest satisfaction // I've never heard of equally watchable Maria Bello before this film and her "energy" is another attraction for a "cult-film following." Many of the songs are great covers / re-treads !!! (Notice I said many, not ALL). I give it a 7 / 10 *s for its soundtrack appeal and its under-achieved possibility.

Director Bruce Paltrow assembled an impressive ensemble cast to deliver this story about a diverse group of people with many things in common-- more than they would probably ever realize or admit to, in fact. On the surface, the tie that binds is music; specifically that cultural phenomenon known as Karaoke, a world in which for three minutes or so, no matter who or what they are, the individual at stage center is a star. Underneath that particular aspect, however, the common thread runs much deeper. Because these are people who, in their own way, are all seeking to connect with something, even though they don't know what it is or even consciously know they're pursuing it. They're looking for their personal metaphor-- that one special thing, or someone, that will give meaning and purpose to their life. It's a road we all go down at one time or another, in one way or another, and it's that road that is explored by Paltrow in `Duets,' an affecting film that illustrates how universally elusive the answers we're all seeking in life are, and for the most part because we simply don't know the questions in the first place.

Ricky Dean (Huey Lewis) is a singer/hustler on the Karaoke circuit; In Tulsa, on his way to a big competition in Omaha, he gets a call and detours through Las Vegas for the funeral of an old friend. While he's there, he meets up with someone with whom he has a special relationship, Liv (Gwyneth Paltrow), who decides she wants to join him on the road. Meanwhile, a salesman named Todd Woods (Paul Giamatti) suddenly realizes he's so burned out from being on the road that he doesn't even know what city he's in, making a pitch to a hotel conference room full of corporate types in Houston, thinking all the while he's actually in Orlando, Florida. When he finally gets home, his wife, Candy (Kiersten Warren), and his two kids are too self-absorbed to even say hello to him, so he goes out for a pack of cigarettes (even though he doesn't smoke), discovers Karaoke and makes a new friend, Reggie Kane (Andre Braugher). Then there's Billy (Scott Speedman), a young man who drives a cab (of which he is half owner), who due to a particular set of circumstances finds himself involved with one Suzi Loomis (Maria Bello), who is on her way to California, by way of the karaoke competition in Omaha. And, ultimately, Karaoke becomes the vehicle through which this eclectic bunch of individuals begin to discover just what it is they're looking for; and who among them ever would've thought it would be in Omaha, Nebraska?

Working from an intricate and insightful screenplay by John Byrum, Paltrow has crafted an engrossing comedy/drama that is entertaining and poignant. There's a lot going on in this film, but Paltrow sets a pace that keeps it moving right along, and uses transitions that effectively eliminate any confusion that could easily have resulted from having so many storylines unfolding at once. The characters are well drawn, and Paltrow establishes exactly who they are and where they fit in almost as soon as they are introduced, which enables the viewer to concentrate on the story without having to figure out who fits where and why. After all, this is not a mystery; and Paltrow uses the screen time of his characters wisely to develop the drama that is being played out in their respective lives, rather than by throwing in unnecessary twists and turns just to maintain interest. It works, because the story is interesting enough, without the aid of any superficial enhancements, and Paltrow does an excellent job of blending it all together to deliver a satisfying and emotionally involving film.

There are a number of outstanding and noteworthy performances in this film, but the most memorable is turned in by Paul Giamatti, who so successfully conveys the emptiness of this middle-aged man who has always played by the rules, and who now finds himself at a very real crossroads in his life. The fact that Todd has accrued 800,000 frequent flyer miles that he can't use, effectively puts his whole life into perspective; and Giamatti sells it with a portrayal that is affecting and incisive. And, as Reggie, the guy Todd takes up with on the road, Braugher hits just the right note, as well, and their scenes together provide some of the highlights of the film, as when they perform their duet of `Try A Little Tenderness'-- this is Karaoke at it's best.

Gwyneth Paltrow provides a few highlights here, as well; besides creating a very real, believable character in Liv, it's worth watching the film just to see her sing `Bette Davis Eyes.' But there's also an exquisite gentleness in her nature she so ably expresses that makes her decidedly easy to watch, and there's an engaging duet she delivers with Huey Lewis on `Cruisin' that's a real showstopper. It's quite interesting, in fact, to note just how well the actors in this film deliver their songs (and, yes, they all did their own singing). Other musical highlights include Braugher's `Free Bird' and Bello's rendition of `Sweet Dreams.' This entire film, in fact, just may be the best thing that ever happened to Karaoke; it definitely raises the bar and gives it some mainstream credibility.

The supporting cast includes Angie Dickinson (Blair), Lochlyn Munro (Ronny), Amanda Kravat (Redhead), Erika von Tagen (Julie) and Marian Seldes (Harriet). Early in the film, a truck driver asks a hitchhiker-- a guy just out of prison-- `What were you in for?' The guy replies, `An error in judgment.' And, in the final analysis, that's what `Duets' is really all about; the flaws, imperfections and `errors in judgment' that make up the music of life. It's about finding that right note and being able to share it with someone-- being able to perform a duet to the score of life. 9/10.

This film brings some great things to it, actually 3 things- Paul Giamatti's performance, Huey Lewis's performance and every good singing person who (besides Lewis) surprised me with they're talents. Overall, the karaoke scenes overshadow the dramatic trio of tales (except for the free bird story with Giamatti and Andre Braugher) which is unfair because the talent on stage is somewhat better than the acting (Maria Bello is pretty damn sexy though). Overall, it's fair, more of a chick flick to say. B

I discovered this movie a couple of years ago and was charmed by its fragile characters and beautiful soundtrack that seems to create character depth that the script doesn't. Huey Lewis (Ricky Dean) was, surprisingly, very strong in his role as a reluctant father to Gwyneth Paltrow's character, Liv. While I found some of the acting to be wooden, and the direction was often predictable, there is something that appealed to me - I feel that the characters spoke through the music rather than the narrative, thus lifting the movie to a higher level. A mention also has to go to Braugher and Giamatti who are a delightful combination right up to the heartbreaking climax.