La casa del sortilegio

House of witchcraft is a movie about a man that comes to the house of his nightmares, strange things happen there. At first I thought it was rather tacky and cheep but after a while I changed my mind and the further the movie went on the more interesting it came.

I would say that it is rather exciting at times, even if there's no big surprises to be delivered.

Since I saw the English dubbed version it's difficult to judge the acting. The dubbing is fair though, but there's no way of knowing if the original dialog was as bad as in this version, a lot of strange "fabricated" sentences if you know what I mean.

6/10

The director Umberto Lenzi sure was fixated about severed heads and used them over and over again in his two TV-movies "The house of lost souls" and "The house of witchcraft". Doing the same thing doesn't do any favors for this film, it's just a fun turkey to watch with clumsy dialogue.

In these two Lenzi films they have people running around and about way too much but there's less of it in this film.

In all its cookiness this film isn't too bad either. It's more like a slasher with a touch of giallo genre but even for a giallo it's executed in a too straightforward way making the plot rather obvious and leaving very little mystery. In a way it's very American kind of film and that's not a good thing at all in my opinion.

Lenzi has done so many better films upon his career than his later works but still this film has got lots of positive things. Visuals, sets and cinematography are all very good for a TV-movie and upon all it didn't seem like the makers had taken it too seriously. They knew exactly what they were doing.

All in all this is better than "House of lost souls" and way better than "Sweet house of horrors". Fulci's "House of Clocks" however is the best of all these four TV-movies.

This was my second House of Doom viewing, having previously enjoyed Lucio Fulci's House of Clocks. Witchcraft opens with a man having a reoccurring nightmare in which he enters a house only to find an old hag/witch boiling his decapitated head in a cauldron! This plays a significant and fairly predicable part of the plot. We get bad dubbing, some laughable script, good looking woman and reasonably gory deaths, though this made for TV movie is very tame compared to director Umberto Lenzi's other films, eg the notorious Cannibal Ferox. I'm a big fan of Italian horror and I got my fix, it's just far from being a classic.

The House of Witchcraft (1989)

* (out of 4)

Luke (Andy J. Forest) is having nightmares of an old castle where some strange things are happening. His wife (Sonia Petrovna) decides to get him away from their home for a relaxing vacation but the spot she takes him is the same place from his dreams.

THE HOUSE OF WITCHCRAFT was part of a four film series that was made for Italian television. Two films were directed by Umberto Lenzi and the other two by Lucio Fulci but all four films have a pretty poor reputation and there's no question that this one here was much worse than either of Fulci's. There are all sorts of problems with this movie, which we will get to in a moment but it's clear that the Italian horror genre was in the middle of a very ugly death.

As I said, there are all sorts of problems with this film including the fact that the screenplay is incredibly bland and unoriginal. How many horror films have we seen where someone is haunted by dreams and then they end up at the place they're dreaming about? Lenzi certainly doesn't do anything fresh with the idea and we're left with a very boring story and even more boring characters. There's not a single scare to be had here and what's worse is that the film stays away from any graphic violence or gore.

Both Forest and Petronva are pretty bland in their roles and the only one who really brings anything is Paul Muller who appears in a few scenes. It was great getting to see the Jess Franco regular here but sadly he couldn't even save the picture. THE HOUSE OF WITCHCRAFT is one of the most unoriginal films that I've seen from Lenzi and it's really too bad that it turned out so poor.

The third film in the Houses of Doom series (after Lucio Fulci's The House of Clocks and The Sweet House of Horrors), Umberto Lenzi's The House of Witchcraft has one of those oddball Italian horror storylines that feels like it was made up on the fly, with logic definitely taking a back seat to atmosphere (at least I think that was Lenzi's intention).

The film starts with Luke Palmer (Andy J. Forest) waking from a nightmare in which he enters a country house, where he finds an old hag (Maria Cumani Quasimodo) in the kitchen, about to add HIS severed head to her cauldron. Luke explains to his psychiatrist - his sister-in-law Elsa (Susanna Martinková) - that the scary dreams began when he married his wife Martha (Sonia Petrovna), who has since developed an interest in the occult that has put a strain on their relationship.

Still, when Martha suggests to Luke that they go on a country break to try and save their marriage, he is happy to go along, but is surprised to find that the house Martha has booked looks just like the one in his nightmares. The owner of the house is a blind concert pianist, Andrew Mason, who shows them around the house: sure enough, the kitchen is all too familiar to Luke. Undeterred, Luke stays at the house, but witnesses something strange from his bedroom window: the old hag from his nightmares beating an old priest to death.

Feeling a little weirded out, Luke phones Elsa and asks her to come to the house, which she does, accompanied by her teenage daughter Debra (Maria Stella Musy); Mr. Mason's pretty blonde niece Sharon (Marina Giulia Cavalli) also arrives to stay for a while. Over the next couple of days, a series of bizarre occurrences and violent deaths lead Luke to believe that his wife is a witch!

With a random, nonsensical narrative (what was the relevance of the fatal car crash witnessed by Luke and Martha as they drive to the house?) and diabolical dialogue (try keeping a straight face when Elsa calmly announces, in all seriousness, that Martha needs an exorcist), The House of Witchcraft is far from good, but not quite bad enough to qualify as 'so bad it's good'. The pace is plodding and the deaths - a stabbing with a pair of shears and another with a kitchen knife - lack imagination and decent gore effects. After much inexplicable silliness (which includes a snowstorm in the cellar!), Lenzi wraps things up with an ending guaranteed to leave the viewer stunned by its stupidity.

3.5/10, generously rounded up to 4 for the sex scene, tasty Marina Giulia Cavalli ticking the gratuitous nudity box.