अपनी भाषा में प्लॉट जोड़ेंDuring the American Civil War, two friends join the Bushwhackers, a militant group loyal to the Confederacy.During the American Civil War, two friends join the Bushwhackers, a militant group loyal to the Confederacy.During the American Civil War, two friends join the Bushwhackers, a militant group loyal to the Confederacy.
- पुरस्कार
- कुल 1 जीत
- Guard
- (as Scott C. Sener)
फ़ीचर्ड समीक्षाएं
What really makes this movie outstanding is the refusal to over-dramatize. Nowadays truly good movies (in a nutshell) are few and far apart, with mainstream fare being enjoyable (if you don't have high expectations), but terribly commercially spirited. I think this movie comes off as a truly good movie (without being a masterpiece), because it sticks to itself, and gives the viewer a chance to watch and analyze it, instead of wanting to bombard him with effect and emotion to blot out his intelligence. This movie is cool, observant, and generally light-handed in its judgement, which is GOOD.
The story has its flaws, especially Jewel's Character comes off doubtfully, but then again the situation at the time was so chaotic, that for a young widow it might have been only logical to somehow get back into a normal life, even by liberally taking each next guy. Still she doesn't come off as weak, in fact I think she's one of the stronger characters, she's always in control of the relationships, with the men just tagging. And I take it very gratefully that she's not a weeping widow. I believe in the 19th century death of a loved one was something a lot more normal than now. You could die so easily of even minor illnesses and injuries, so the prospect of of someone dying, while surely causing grief, didn't traumatise people like it does now. People didn't seem to build shrines about their lost ones like they do now, and I like that attitude.
My recommendation is for intelligent people to watch this movie, if they are in the mood for something different than the usual hollywood fare. Don't watch if if you want non-stop action or heart-renting emotion.
But as an exploration of the greater human ambiguity that surely dwelt within the Civil War, it is a masterpiece. Was the war about slavery and an abolitionism? Lee seems quite willing to blur that line made so popular in depictions like the Blue and the Grey. Neither is about idealism, though, as seen in Gone with the Wind. It is about freedom, about the desire to have something which is yours and to fight for it. As you watch the characters, you will ask yourself "how can they be fighting to preserve slavery?" The fact is, I don't think they really are, and in that the film shows the problem of why so many were caught up in the maelstrom of the Civil War.
The fact seems clear that many of the characters we learn about are fighting out of senses of loyalty to "home" though they may never have examined what home represents or whether they truly espouse its values. The letter scenes are very moving and yet subtle. Jake and Daniel are other examples of loyalty stretched to the limits. And when the tension finally snaps, and these characters find themselves suddenly "free" ... we see the birth of new men.
All this mixed in with Lee's beautiful incorporation of humankind's environment with breathtaking vistas and frames. Lee has a style which is his, somehow European in its "art" (a slow camera, unrushed), Asian in its epic-ness and development of story, and yet somehow familiar and easily accessible to so many in North Americans.
Relax, let go of your preconceptions about what the Civil War is, what the "western" as a genre is, what a war movie should be ... and let Ang Lee take you into a world so fragile, so hard, so real that few of us can comfortably see it.
In this, Lee continues what he wrought in Ice Storm. Again, the movie is slow paced and without apparent "direction" ... a sure sign of Lee's ability to direct without "imposing" himself on the story or screen. His direction is amplified by what he brings out of Jewel (yes, the singer), a hitherto unproven actress who puts in an amazing performance.
A movie for those who love film and are not lovers of the standard Hollywood epic.
Certainly "Ride with the Devil" does not feature the epic battle scenes that "Gettysburg" brought to the screen, but it does give an excellent insight as to how everyday people dealt with the total destruction of their lives.
"Ride with the Devil" certainly gives a fresh and unique perspective of the Civil War. It is to the movies credit that it fully explores the tedium of life experienced by the common combatant who faced moments of tremendous anxiety while in combat and the long dull periods of no action.
Furthermore, I am really tired of movie critics harping on the dialects and language used in the movie. Well folks I hate to tell you, but in the 19th Century people generally spoke in the manner that this film depicts. I believe that the language in the film is one of its finest points.
Ang Lee went to great pains in making this one of the finest period pieces that I have encountered. Mr. Lee used hundreds of Civil War re-enactors and took great care in making sure that his principle actors, sets, and scenery looked the part. The movie was filmed in Missouri and Kansas and captures the scenic beauty of this area.
The actors are of a fine calibre and should be recognized for their outstanding performances. Considerable kudos should go to Tobey Maguire and Geoffrey Wright. They both were believable in their mannerisms and dialect. Tobey Maguire is outstanding in his use of period language.
All in all the movie is great. Since it wasn't on the big screen long we can only hope that the video will arrive soon. Sometimes it is refreshing to go and see a movie that is about real people and events that really happened.
One thing that really struck me was the harsh violence. The reviewer in the local paper said it reminded him of news reports about Bosnia. Watching this film, you get a real feel for the harshness, the unpredictability of warfare and how it changes the characters. Highly, highly recommended.
क्या आपको पता है
- गूफ़When Jake is preparing to go to bed after his marriage and is talking with Daniel Holt he removes his left boot three times.
- भाव
Mr. Evans: You ever been to Lawrence KS young man?
Jack Bull Chiles: [scoffs] No, I reckon not Mr. Evans. I don't believe I'd be too welcome in Lawrence.
Mr. Evans: I didn't think so. Before this war began, my business took me there often. As I saw those northerners build that town, I witnessed the seeds of our destruction being sown.
Jack Bull Chiles: The foundin' of that town was truly the beginnin' of the Yankee invasion.
Mr. Evans: I'm not speakin' of numbers, nor even abolitionist trouble makin'. It was the schoolhouse. Before they built their church, even, they built that schoolhouse. And they let in every tailor's son... and every farmer's daughter in that country.
Jack Bull Chiles: Spellin' won't help you hold a plow any firmer. Or a gun either.
Mr. Evans: No, it won't Mr. Chiles. But my point is merely that they rounded every pup up into that schoolhouse because they fancied that everyone should think and talk the same free-thinkin' way they do with no regard to station, custom, propriety. And that is why they will win. Because they believe everyone should live and think just like them. And we shall lose because we don't care one way or another how they live. We just worry about ourselves.
Jack Bull Chiles: Are you sayin', sir, that we fight for nothin'?
Mr. Evans: Far from it, Mr. Chiles. You fight for everything that we ever had, as did my son. It's just that... we don't have it anymore.
- साउंडट्रैकMiss McLeod's Reel
Traditional
Performed by John Whelan, Kelly Werts, Roger Landes, and Jeffrey Dover (as Jeff Dover)
Produced by Alex Steyermark
With thanks to Connie Dover
टॉप पसंद
- How long is Ride with the Devil?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $3,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,35,096
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $64,159
- 28 नव॰ 1999
- दुनिया भर में सकल
- $6,35,096
- चलने की अवधि2 घंटे 18 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1