Gokudô sengokushi: Fudô

I haven't seen this director's work before. This is my initiation. He sure works with a heavy hand. No subtlety here. Heads roll and blood splatters frequently and often at the hands of small children. Decapitation is particularly repulsive. It's gang warfare and anything goes. It's an eye for an eye. Rural gangs run riot in Kyushu and Kobe plotting to gain control of the illicit drug trade and urging North Korea to involve itself in war with America. It's all about human beings with the worst intentions.

You might call some night club scenes almost comic releief except for the fact that the women entertainers who shoot metal darts from their genital area are amazingly accurate and a man's brains can be seen hanging on a dart after it penetrates his head. Both shocking and tasteless. An hermaphrodite reveals "her" bulge to a surprised woman and then has sex with her. At least this kind of sex is something original. I suppose originality is this director's strongest point and his actors do a great job in all scenes which are literally over the top.

The young Riki Fudoh is particularly charismatic in his mission to curtail his father's cruel and murderous activity.

If savage assassinations with copious blood are what you like this violent film will probably satisfy you although you may not sleep well afterward. On the other hand the killing scenes are so exaggerated and so over the top one might find them almost laughable. I imagine the actors had an hilarious time with the filming of Fudoh.

Now that I am initiated...is it my kind of film? No sir, not for me!

If you thought when Sonny Corleone was "hit" it was over the top, after you see this movie, you will realize that the GodFather barely scraped the bottom. This movie pumps you up then pumps you full of lead. If transvestite "lesbian" schoolgirl assassins that use their "nether regions" to blow your brains out (you gotta see this to believe it!) are not the kick in the head needed to grab the attention of even the most jaded fans of crime movies, there is more than enough "conventional" violence for the traditionalists.

If this movie doesn't get your heart started, you had better take your seeing eye dog to the vet!

Wow! This is movie making.

Director Takashi Miike ("Audition", "Dead or Alive I+II") created a dark vengeance-story that deals with a young guy named Riki Fudoh who takes bitter revenge on the Yakuza for killing his brother. Together with some classmates he starts a merciless crusade against the organized crime... However, without being too sensitive, so faint-hearted persons should stay away from the gross scenes of murder! Acid drinks, beheadings and little kids as contract killers... no doubt, "Fudoh" is bloody entertainment in perfection! It is something like teenagers on a killing spree, but fortunately far beyond political correctness and typical Hollywood-clichés - or could anyone imagine Denise Richards using vaginal firearms?!? (A delicious imagination, by the way...)... Miike´s film ran very successfully at various festivals like in Rotterdam/Netherlands, Toronto/Canada or in Germany. It was a No.1 box-office blockbuster in its home country Japan and everyone who likes violent Asian action movies should give it a fair chance! Recommended!

I've mentioned in some of my other reviews ('Ezo Ezo Azaraku II' and 'Mr Vampire') that SBS (a free-to-air Australian channel specializing foreign programs) shows some pretty cool and pretty weird. That being said, I watched this not knowing who Takashi Miike was, and ignoring SBS's usual "warning: this program contains material that may disturb some viewers". That was quite the understatement. I reckon 'Fudoh' could disturb most viewers.

When Riki Fudoh (Shosuke Tanihara) was a child, he witnessed his father Iwao Fudoh, a yakuza boss, behead Riki's older brother, Ryu. Ryu has committed crimes against the Yakuza and dishonoured his father, and in such a society, it is Iwao's duty to kill him, regardless of Ryu being his first son. Naturally, this has an impact on Riki. Skip to Riki in high-school, and he is now the boss of his own Yakuza gang, with the intent of taking out the older generation of Yakuza, and destroying the old ways. Only in Japan...

'Fudoh' plays out as quite the violent yakuza drama. It may not have the body-count of a John Woo or Quentin Tarantino movie, but the "controversial violence" of Tarantino's 'Kill Bill' has nothing on this, and I'd be willing that Woo would much prefer to avoid making anything like this. Riki's yakuza gang is made of up teenagers and kids. Very early into the movie, we see some kids (I dare say no older than 8 at the most) pull out their hand-guns and assassinate a rival Yakuza. That I could barely handle, but Miike just goes further and further with some rather unusual acts of violence and very bizarre sex-scenes.

And even through all that, there is still a plot. 'Fudoh' explores the same theme as 'Battle Royale' - the younger generation of Japanese not understanding, or not willing to understand, the long-lasting feudal traditions in Japanese culture. OK, I'll admit that is how I understood it. Maybe I got it wrong, maybe I was just looking for something that wasn't there, but I'm fairly sure that my interpretation is at least somewhat correct. It is easy to overwhelmed by the action on-screen, and I wouldn't be surprised if some people completely missed any theme and left only with the image of someone's brain stuck to a wall.

'Fudoh' is a good movie, but not for the faint of heart. Or most people. In fact, it may be best if only shown to fans of the more violent action movies from Asia - 9/10

Fudoh: The Next Generation is another in a long line of Yakuza films helmed by Takashi Miike. The big difference here is that the principal Yakuza organisation in the film is made up of adolescents and 5-7 year old boys who are just as deadly as their adult rivals.

The reigning Nio Yakuza clan is made up of five different families, one of the five heads is Iwao Fudoh, and his first lieutenant his oldest son, Ryu. When Ryu orders one of the rival Yasha organisations hit men killed, thus triggering a full scale war between the Yasha and Nio clans, Iwao is asked to make up for his sons mistake and he does so by decapitating him and presenting the head as compensation to the Nio clan.

Upon hearing a noise Iwao's youngest son Riki, awakes and goes to investigate - he stumbles upon the grisly sight of his father beheading his older brother. Cut to ten years later, Riki is now in high school and running an organisation of his own made up of fellow students and a group of little boys. His anger over the death of his brother has not faded in the least and he has plans to wipe out the other four families in the Nio clan and become boss.

Fudoh is really a mindblowing spectacle, we are constantly battered with violent and non-PC imagery, beginning with the sight of two five year-old boys coldly assassinating an elderly Yakuza boss. To see young children effortlessly handling 9mm's is somewhat of a shock to our pre-conditioned minds to start with, but when they continue on to calmly blow an old man's brains out you start to get an idea of what is ahead.

The next slaying involves a poisoned cup of coffee and literally bucketloads of blood. Another features Riki's female friend and classmate Mika, who works on the side at a sleazy strip joint performing her unique act which consists of shooting sharpened darts out of a blowpipe inserted in her vagina and bursting balloons on the other side of the room, though this night, in-between balloons, she shoots a dart right through a Nio leaders head - in one ear and out the other - the dart sinks into the wall with a piece of brain tissue still attached.

Everything about Fudoh is so over-the-top and insanely exaggerated that you seem not to notice that the likelihood of a group of children being at war with the Yakuza is highly improbable. Midway through the film we are shown the children's training camp where we see the kids merrily playing soccer with their English teachers head, this serves again to reinforce the sense of unreality that's at play here. Although, all hyperbole aside, Fudoh also explores the dysfunctional relationship between father and son, a bond so broken down by betrayal and murder that as the two males sit opposite each other eating dinner in silence, each one is plotting a way to execute the other.

All in all, if you dig schoolgirl hermaphrodites, friendly giants, lesbian English teachers, vaginal darts and a large helping of blood and black comedy, this a must-see Miike film.