Titan A.E.

After reading a number of negative reviews of this film, I went ahead and bought the DVD. I had read that, although the movie was mediocre, it was the kind of film that's great for showing off your DVD player.

I am thrilled to own this movie.

True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.

There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.

I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.

Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.

The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.

Titan A. E. was a tragic victim of 'studio sidelining' where a film is shafted in favour of a bigger and 'more viable' product; in this case, it seemed Fox was focusing its efforts on X-Men in getting adequate promos and licensing deals to make that movie soar at the box office. Titan A. E. was sporadically promoted besides the occasional tv spot, but the tie-in campaign proved very moot compared to tentpole Disney films at the time.

Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.

This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.

2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.

7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.

This can be a true revolutionary of all the animated films with its real eye-stunning graphics, a very imaginative sci-fi setting, more realistic-looking characters, and plenty of real action and yes, even some blood-spilling violence.

After years of churning out shots of sparkly-starry fantasy like Rock-A-Doodle-Doo, We're Back: A Dinosaur's Story, and Troll In The Central Park, Don Bluth's crew finally comes up with a very gritty, mature science fiction story all about humans being hunted down by the evil aliens who are out to destroy the planet Earth altogether. So a very brave young engineer grimly launched an enormous project that his little son was to carry on when he finally grew up. But it just wouldn't be a very easy path for the young hero to accomplish this great feat that would give a long ray of hope to all the innocent humans hiding out in the outer space. But with the help of a very spunky young female co-pilot, a group of bickering aliens, and a hardened space veteran, he just might...even with all those dread monsters hot on his very tail!

Beautifully made, this sweeping space odyssey really takes GIGANTIC steps to break from all the traditional aspects of an animated film to introduce mouth-droppingly MAGNIFICENT visions of the distant future as well as a more adult approach to storytelling and animation, so it may take awhile for the casual viewer to get used to it...and one day truly appreciate the great changes that is taking place in the whole animation industry.

TITAN A. E. / (2000) *** (out of four)

"Titan A.E." is like a giant looming over movie animation landscape; it is one of the most visually bracing family fantasy adventures to come down the pike in years. The film's animation is wonderfully spectacular, visually enticing and entirely convincing. Directors Don Bluth and Gary Goldman enthrall the audience with a sweeping sense of atmosphere and action. This is the kind of cartoon that is mature to the level in which the characters and set designs could have been replaced with live action filmmaking without changing the movie's perspective.

The production takes place twenty-eight years after the third millennium. Planet Earth has been demolished by a cruel species called the Drej, who fear the potential intelligence of the human race. Cale (voiced by Matt Damon) is a young man working as a space dump attendant who believes his father abandoned him when he was a child. Cale doesn't know it yet, but he holds the key to the survival of the human race with a genetically coded map on his hand showing the course to the hidden position of a special spacecraft called the Titan.

Cale meets a young woman named Akima (voiced by Drew Barrymore), who cherishes conventional memorabilia of her late planet. She and her captain, Korso (voiced by Bill Pullman), and the navigator, Gune (John Leguizamo), set out to locate the vital Titan before the evil Drej can exterminate it along with mankind's future hope of existence.

Instead of our traditional, well-developed bad guy that posses serious threats to the protagonist's mission, in "Titan A.E." we receive something of a different sort: an underwritten alien race whose motives and backgrounds are unclear and undeveloped. The movie seems to know of this, however, therefore the film wisely switches villains in the second act. The story provides an interesting twist that supplies us with solid and comprehendible antagonism.

This movie's plot feels somewhat pieced together from previous science fiction fantasies like "Star Trek," "Star Wars," and "Lost in Space." John Whedon, Ben Edlund, and John August vividly detail a story that moves along steadily, but occasionally stalls to build momentum for the character's purpose for achieving goals. There is a scene on a spaceship holding Cale in captivity that feels trite and dual, but the film quickly rejuvenates itself with an exhilarating chase sequence. The film's plot would have been more involving if we knew more about the characters. They seem pretty interesting but we never really get to know them because the filmmakers were more concerned with special effects, a common misconception both animated and live action films.

This production is engaging and well animated; "Titan: After Earth" is smart to jolt a appropriate about of energy into its action scenes and contains sufficient amounts of style and wit to satisfy younger audiences as well to hold the attention of the older, more sophisticated viewers. It is not every day a cartoon is able to do that.

Saw this on DVD, missing it completely at the cinema. Which was probably what happened to the audience for the film, as it was difficult to market for any target group. Having seen it, it's apparent that lot of very hard work went into producing it.

I can compare it to a few other sci-fi animated films of recent years...

As ground-breaking as The Last Starfighter was in its day. Though not pure animation, Starfighter showed off what even early CG could do in terms of gimbal-free animation of spaceships and vehicles.

Much, much better than Final Fantasy, as the action is genuinely epic. The story goes places and uses the chosen technology very nicely. Titan is not a boring film.

Very similar to Disney's later production of the Treasure Island book. Disney appeared to have cribbed one or two scenes from Titan A.E. Not nice.

Graphically, it's up there with Iron Giant, using finely animated CG figures mixed with traditional cell animation. The scene where we first see the older Cale Tucker (in space, cutting up junk) is very impressive.

But something bugs me. There was something missing. Iron Giant gave me a sense of wonder, which was achieved by some great character acting, clever pacing and a wonderful story line. At no point was I "taken" by what I saw on-screen while watching Titan A.E.

I think Titan tripped over itself in the drama department more than a few times. Along with the latest Star Wars films, it tumbles along without stopping up and letting the audience know what the characters are feeling. The actors have to have the skills to enable the audience to feel, to immerse. Without that, the action has a risk of becoming incomprehensible.

Pretty, fast-paced, intriguing. But I wish someone would use these toys to produce something great, something big.

Something wonderful.