What Dreams May Come

If there's one thing that What Dreams May Come has is a vivid imagination. Maybe some readings into Dante's Inferno might have given the writers some ideas as a start. But this goes way beyond.

I remember years ago at a Science Fiction convention Peter Davison said that one nice thing about being the Doctor in Doctor Who was that you could create your character from scratch. Since we've got no reports on the afterlife one can the imagination soar in creating it. Soar it does and at times the creation threatens to overwhelm the cast, but it never does.

Robin Williams doctor and Annabella Sciorra artist seen fated to be mated and are. They raise two children, but both are killed in a car crash devastating the parents both try to move on. Then Williams is killed in a car crash.

At that point the film shifts to the afterlife as Williams starts to get used to the territory. Cuba Gooding appears as a kind of mentor/guide for him. The place looks like paradise, but paradise will not be complete without the family reunited.

The afterlife does have its rules and Williams has to make quite the journey to accomplish his goal. Williams, Sciorra, and Gooding give impeccable performances and the sets are just breathtaking.

If it isn't this is what heaven should be.

To hell with the critics and the cynics. I absolutely love this movie - it's in my top ten (or maybe even top five) list of favorite movies (I saw it at least 3 times in the theater and own it on DVD). I have to admit, I'm one of those non- (almost anti-) elitist, "I don't know art, but I know what I like" type people. I also truly love positive, upbeat movies with happy endings. Not to say that "realistic" movies aren't also great, but there is room for everything in the moviemaking genre. Isn't there enough depressing "realism" on the evening news to satisfy even the most jaded cynic?

I can't say exactly what it is that strikes me about this movie. The incredible color-saturated visuals and special effects certainly help. The acting talents of Robin Williams and Max Von Sydow help. And I loved the story. Emotionally manipulative it may be, but this is one of those films where I WANTED to be manipulated, where I willingly participated. Apparently some people resented it, but I was sobbing through much the movie, and glad to be doing so. Laugh if you please, say whatever you want... this movie touches my heart.

"Deep" it isn't, not terribly. On a metaphysical level, it goes only slightly beyond new-age kitsch. Very few of the afterlife scenes and concepts agree with the spiritual outlook of any known religion. But I don't care. Again, if a movie touches my heart in just the right place, I can forgive it almost anything. This one did. 9/10.

Given the recent loss of the incredible talent of Robin Williams I found this film incredibly moving. Ir made me think about what his heaven would be like, if he was watching his family grieve and I hope he's found peace. This film hits home for a lot of us, obviously because Robin killed himself. I don't believe people who commit suicide out of sadness or loss of hope go to hell, I believe they go to heaven like everyone else - Maybe that's just me being idealistic. As a film though, this moved me a lot. It was quite a sad film but at the same time there were moments of joy and sweetness. The acting was superb. I've never seen Robin act in this kind of role and I think it brought out his gentle, loving side people who knew him often spoke about. He spoke with this fascinating softness that makes you feel warm and fuzzy inside.I feel he should be more well know for this role because its a great film. Annabella was also brilliant , she really brought out the raw emotion and pain a widow goes through after not only losing her children but then her husband. Although Cuba played a small part in this, his was also a great piece of acting (I wouldn't expect anything less from him). I cried a lot through this film, all for various reasons including the death of Robin and that pain of seeing him being wonderful and I am really going to miss him, also the film was very moving and does make you think, it also made me think of my life and what I'd do if certain people tragically left my life. So it hit home on quite a few levels. For its time the CG is actually pretty good, I've seen worse CG in films nowadays. Anyway, a fantastic film and anyone wishing to see a moving performance by Robin should watch this, he's incredible and always will be. I hope he's in his own private heaven at peace right now.

It's been a while since I last saw this one, but I will always remember this as one of the saddest movies I ever saw, in a good way of course!

There are hardly any cheerful tones throughout the movie, so it is not for people who like soppy stories. But the effects are amazing and the vision of heaven is very original. Robin Williams is, as always, very good at performing. This was the first serious movie I saw featuring Williams, and I was amazed. I had thought Williams would be the type who could only act decently in comedies, but this one proved me wrong. He can put down a serious character with all ease not only that, he can truly touch you with his oh so tear-jerking lines.

My conclusion: if you are planning on watching this movie, keep your tissues at hand, and some food and drinks as well since the movie isn't exactly what you call short.

All right, the critics who have panned this film do have a point. This movie is muddled and not a heck of a lot happens in it. It's oversweet, and somewhat unsatisfying -- sort of like eating cotton candy for two hours.

But even with these serious flaws (and they are serious flaws), this is a beautiful film. It's a stunning work of art. The visuals are absolutely amazing, the use of colors is genius, and the Kamen score brilliant. This is a clearly a case where style triumphs over substance.

A number of critics have complained that the dialogue was wooden. I think this is due in part to our desensitivation to underplayed dialogue by DiCaprio-esque actors who insist on screaming all their lines. "I love you," isn't good enough. These days, it has to be "I LOVE YOU!!!!!!!!!!" screamed with heart-wrenching anguish while ripping open their T-Shirts in the rain. Here Williams, Sciorra (sp?), Gooding, and Von Sydow actually *deliver* their lines with a restraint that is refreshing to see. There certainly is emotion in them, and seemingly genuine at that, but it's a subtle delivery and one that can easily be missed by today's audiences if expectations aren't carefully set.

I guess their are two types of filmgoers: those who love schmaltz and those who don't. If you don't love schmaltz, you'll be intensely bored with this film. If you *do* love schmaltz, you'll be blown away and bored in about equal measure.