IMDb रेटिंग
7.6/10
35 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.A red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.A red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर जीते
- 20 जीत और कुल 19 नामांकन
फ़ीचर्ड समीक्षाएं
10bjones
I thought this might be one of those films that would be "good for me" to see. I was mildly intrigued by descriptions of the story I had read and with the trailer, so I thought to take a chance. I took someone very close to me, an actual violin prodigy. Coincidently, her and I have recently been searching for a decent violin for her that is affordable by actual humans, so we could relate to parts of the plot first-hand. We arrived to a very thin theater in one of those mega-complex theaters, and while everyone was queuing up next-door to see the latest blockbuster from Hollywood I settled into an amazingly comfortable seat with an excellent view and prepared for whatever might come.
I was shocked. This film turned out to be clearly one of the best movie going experiences I have had in ages. We see this as the story unfolds and is creatively told through the reading of the violin makers wife's fortune with a deck of Tarot cards. It is the story of a part of the life of a violin; of the humans who would dare to possess her beauty. A masterpiece of a craftsman's art, it is desired by many for it's acoustic perfection. But, as Tolstoy said, "how complete is the delusion that beauty is goodness." Or more interestingly, from Saint Augustine: "Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked." There seems to be a curse on this instrument as it brings ill to those who manage to possess it. This makes the ending especially eerie.
An original, imaginative and thought provoking story that engaged one's mind as American films almost never do. I will not describe more of the plot, it's far too good to ruin. The memory of this film will be one long treasured.
Oh, as for my guest, the honest-to-God prodigy: she said the music was magnificent (it was) even though a real musician could tell the actors weren't playing, it was well done.
I was shocked. This film turned out to be clearly one of the best movie going experiences I have had in ages. We see this as the story unfolds and is creatively told through the reading of the violin makers wife's fortune with a deck of Tarot cards. It is the story of a part of the life of a violin; of the humans who would dare to possess her beauty. A masterpiece of a craftsman's art, it is desired by many for it's acoustic perfection. But, as Tolstoy said, "how complete is the delusion that beauty is goodness." Or more interestingly, from Saint Augustine: "Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked." There seems to be a curse on this instrument as it brings ill to those who manage to possess it. This makes the ending especially eerie.
An original, imaginative and thought provoking story that engaged one's mind as American films almost never do. I will not describe more of the plot, it's far too good to ruin. The memory of this film will be one long treasured.
Oh, as for my guest, the honest-to-God prodigy: she said the music was magnificent (it was) even though a real musician could tell the actors weren't playing, it was well done.
Literally spanning centuries to unfold its mesmerizing tale, The Red Violin traces the unbelievable history of an acoustically flawless masterpiece crafted in the late 1600s by an Italian master. Co-screenwriters Francois Girard (who directed) and Don McKellar (who acts in the film) structure the movie around a wealth of richly detailed locales, including Vienna, China, and Oxford, and provide a unique modern-day Montreal framework which intertwines with the often tragic history of the instrument to provide the narrative with a rather unique element of mystery. The late-19th century English section shows the film at its most baroque, but each of the finely tuned tales reaches for some truth about music, life, love, and passion -- and that is commendable. Music lovers take note: the sounds that come out of the crimson treasure throughout the course of its journey are utterly thrilling and inspiring.
The mystique of violin making has always intrigued me so this film was a big attraction for me going in, and I wasn't disappointed for one second!
OK, first of all, the obvious things that make it special: reality, craft, acting, scoring, and cinematography! It takes only a few seconds to know that this gem did NOT emanate from the money grubbers in Hokeywood California as one more way to titillate teenagers with sex, violence, and computer generated special effects with a subliminal message that sells products. Nope! This film was made by film makers who understand the power of a story well told, and REAL cinema.
Cutting back and forth repeatedly between the present and various disparate periods and places from the past, THE RED VIOLIN forces the viewer to pay attention and most of all... THINK!
The Red Violin is NOT the subject here but a catalyst to stimulate thought about human behavior and how different societies have related to art as we move through the centuries.
The casting was (on the whole) excellent though the choice of Samuel L. Jackson as a learned expert in ancient instruments was not convincing for me personally. And, the NON-ending which is more of a comment on human habits of acquisition than human nobility, was just not what I considered a definitive ending. (Maybe that was the point! "Everything continues endlessly...")
If you go to movies as an excuse to nibble away on munchies and get titillation, well, this one's NOT for you. BUT, if you have the patience to watch and think simultaneously as a great story unfolds, then SEE this film immediately!
OK, first of all, the obvious things that make it special: reality, craft, acting, scoring, and cinematography! It takes only a few seconds to know that this gem did NOT emanate from the money grubbers in Hokeywood California as one more way to titillate teenagers with sex, violence, and computer generated special effects with a subliminal message that sells products. Nope! This film was made by film makers who understand the power of a story well told, and REAL cinema.
Cutting back and forth repeatedly between the present and various disparate periods and places from the past, THE RED VIOLIN forces the viewer to pay attention and most of all... THINK!
The Red Violin is NOT the subject here but a catalyst to stimulate thought about human behavior and how different societies have related to art as we move through the centuries.
The casting was (on the whole) excellent though the choice of Samuel L. Jackson as a learned expert in ancient instruments was not convincing for me personally. And, the NON-ending which is more of a comment on human habits of acquisition than human nobility, was just not what I considered a definitive ending. (Maybe that was the point! "Everything continues endlessly...")
If you go to movies as an excuse to nibble away on munchies and get titillation, well, this one's NOT for you. BUT, if you have the patience to watch and think simultaneously as a great story unfolds, then SEE this film immediately!
I had never heard of this movie until I heard about it on the radio. I listen to classical music, and the staion was praising Joshua Bell (an ohio native) on his perfomance of the music. I was curious and saw it when it came on video. not only did i fall in love with the movie itself, but also the music. it was soothing, passionate, and brutal all at the same time. Many people I have talked to have said that Le Violon Rouge was just some crappy indie movie. However, the music is as beautiful as the plot. The storyline and the way it was presented in the form of different people who wanted the violin for different reasons was not so much genius, but different and fitting.
After watching too many would-be "great pieces" lately that are enticing you from TV commercials, leaving you (or me, I should say) disappointed most of the time, "The Red Violin" is a gem among all these fleeting flicks or time-wasters. Recommended by a good friend I went to see this piece and frankly, I came out of the theater speechless! I was overwhelmed, enriched as well as happy that I finally, in years, got to see something that's well worth while.
From the story, costumes, cinematography, acting and finally its greatest actor -the superb music- all absolutely flawless! S.L.Jackson acts at his best, his performance is unforgettable and I am sure one of his own most favourite; I can tell. I was estatic to see J.Corigliano win the Oscar for the best score, and saddened at the fact that the whole movie wasn't nominated for even more Oscars - are they blind in that Academy or what?! Now that's a shame but you know what I don't care what the Academy has to say, important is my subjective feeling and this movie made my day, and days to come.
I couldn't wait to get hold of both, the video and the sound track, and I never seem to get tired watching or hearing that beauty all over again. And believe it or not, that ingenious soundtrack can be so erotic at times that if I may give a little advice to all these men out there seeking to entice and seduce their partners - hey, this might be the way to go - worked for me (and her!)!!!
Anyways, I'd like to recommend this movie to everybody with an open heart and mind, I guarantee satisfaction and enrichment in every possible way. And lastly let me bestow my gratitude and thanks to the very director F.Girard for enlightening my spirit, my heart and my soul with his vision of a truly quality story that I can never forget.
From the story, costumes, cinematography, acting and finally its greatest actor -the superb music- all absolutely flawless! S.L.Jackson acts at his best, his performance is unforgettable and I am sure one of his own most favourite; I can tell. I was estatic to see J.Corigliano win the Oscar for the best score, and saddened at the fact that the whole movie wasn't nominated for even more Oscars - are they blind in that Academy or what?! Now that's a shame but you know what I don't care what the Academy has to say, important is my subjective feeling and this movie made my day, and days to come.
I couldn't wait to get hold of both, the video and the sound track, and I never seem to get tired watching or hearing that beauty all over again. And believe it or not, that ingenious soundtrack can be so erotic at times that if I may give a little advice to all these men out there seeking to entice and seduce their partners - hey, this might be the way to go - worked for me (and her!)!!!
Anyways, I'd like to recommend this movie to everybody with an open heart and mind, I guarantee satisfaction and enrichment in every possible way. And lastly let me bestow my gratitude and thanks to the very director F.Girard for enlightening my spirit, my heart and my soul with his vision of a truly quality story that I can never forget.
क्या आपको पता है
- ट्रिवियाChristoph Koncz (as Kaspar Weiss the orphan virtuoso) was only nine years old when featured in this movie. He is an Austrian-Hungarian classical musician that became an internationally-renowned violinist and conductor.
- गूफ़The substance used to give the violin its color would not actually work in real life. The substance does not mix into varnish, and would quickly coagulate and oxidize to a dark brown or black color if it were actually used as the movie implies.
- भाव
Charles Morritz: What do you do when the thing you most wanted, so perfect, just comes?
- साउंडट्रैकO Richard! O mon Roi!
from "Richard Coeur de Lion"
Composed by André-Modeste Grétry
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Il Violino Rosso
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,00,19,109
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $47,415
- 8 नव॰ 1998
- दुनिया भर में सकल
- $1,00,19,109
- चलने की अवधि
- 2 घं 10 मि(130 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें