अपनी भाषा में प्लॉट जोड़ेंEgyptian Prince Moses learns of his identity as a Hebrew and his destiny to become the chosen deliverer of his people.Egyptian Prince Moses learns of his identity as a Hebrew and his destiny to become the chosen deliverer of his people.Egyptian Prince Moses learns of his identity as a Hebrew and his destiny to become the chosen deliverer of his people.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर जीते
- 12 जीत और कुल 27 नामांकन
Val Kilmer
- Moses
- (वॉइस)
- …
Ralph Fiennes
- Rameses
- (वॉइस)
Sandra Bullock
- Miriam
- (वॉइस)
Jeff Goldblum
- Aaron
- (वॉइस)
Danny Glover
- Jethro
- (वॉइस)
Patrick Stewart
- Seti
- (वॉइस)
Helen Mirren
- The Queen
- (वॉइस)
Steve Martin
- Hotep
- (वॉइस)
Martin Short
- Huy
- (वॉइस)
Bobby Motown
- Rameses Son
- (वॉइस)
Eden Riegel
- Young Miriam
- (वॉइस)
Francesca Marie Smith
- Additional Voices
- (वॉइस)
- (as Francesca Smith)
Shira Roth
- Hebrew Child
- (गाने की आवाज)
फ़ीचर्ड समीक्षाएं
This film did a pretty good job of sticking to the Bible,this is a wonderful family film.
For sheer spectacle, it's tough to beat the Bible. With "The Prince of Egypt," DreamWorks makes good on its promise to deliver a state-of-the-art animated film that will compete favorably with the best Disney has to offer. As with "Antz," released earlier this year, DreamWorks has successfully resisted the temptation to populate this film with characters that can be turned into further revenue through toy sales. (I do wonder, though, if three soundtrack albums--the film's soundtrack, an "inspirational" album, and a "country" album--were really necessary.) The animation team has accomplished something truly spectacular; watching "The Prince of Egypt" is like seeing life breathed into a rich, luxurious tapestry. The Biblical story told in the books of Genesis and Exodus is followed very faithfully, with only minor changes made for dramatic reasons. The action sequences are truly exciting, overall pacing is excellent, and the miracles wrought by God are depicted with awed and respectful wonder. One truly astonishing, harrowing sequence recounts the slaughter of firstborn Hebrew children by bringing hieroglyphic drawings to life on the walls of an Egyptian temple. The voice work is especially good--Val Kilmer is fine as Moses, and Pharoah, voiced by Ralph Fiennes, positively seethes with arrogance and hubris. The storytellers wisely chose to end their tale at the climactic crossing of the Red Sea; even the delivery of the Ten Commandments is portrayed only in an epilogue vignette. (After all, the Israelites wander in the wilderness for forty years after that, and Moses ultimately is not allowed to enter the Promised Land--perhaps not the uplifting ending the filmmakers had in mind.) Some of the subject matter is dark and disturbing, and there is no shying away from the harsh realities of the original texts. By all means, see it with the children in your life--and be prepared to discuss it with them afterward.
The story of Moses is done here and, although not totally Biblically accurate, this is about as close as it gets in Hollywood. The inaccuracies are minor.
The artwork was fabulous when it came out in 1999. It's still very good, but animation has improved so fast in so short a time period that this is nothing special, art-wise, these day. However, it sure was when it was released just seven years ago. It's just beautiful in parts. Some of the prettiest colors I've seen on film have been in animated movies the last decade, and this is a prime example. The parting of the Red Sea in here is awesomely-done by the artists. That scene also sported the best sound in the 99-minute film.
The songs in here were nothing special but they didn't detract from the story because they were all short. Regarding the story, I only wish they had gone into detail on the plagues instead of just lumping them all together. They could have had some jaw-dropping scenes with the locusts, etc.
All-in-all a fine film and a rarity: a Biblical film that doesn't offend anyone.
The artwork was fabulous when it came out in 1999. It's still very good, but animation has improved so fast in so short a time period that this is nothing special, art-wise, these day. However, it sure was when it was released just seven years ago. It's just beautiful in parts. Some of the prettiest colors I've seen on film have been in animated movies the last decade, and this is a prime example. The parting of the Red Sea in here is awesomely-done by the artists. That scene also sported the best sound in the 99-minute film.
The songs in here were nothing special but they didn't detract from the story because they were all short. Regarding the story, I only wish they had gone into detail on the plagues instead of just lumping them all together. They could have had some jaw-dropping scenes with the locusts, etc.
All-in-all a fine film and a rarity: a Biblical film that doesn't offend anyone.
This is one of the best animated movie of all time. It's not every day that they make a animated movie about a story of the bible. The writers, and animators were very accurate about telling the story. As a Christian I like it when they make movies about the bible. The animation, and music was truly awesome. I like everything about this movie. I recommend this movie to anyone and everyone. Children will love this movie. I'll tell you now you wont be disappointed. I really wasn't.
As the author of THE WORLD OF ANIMATION, an Eastman Kodak book which won three international book festival awards and as an animation writer-director, I have for many years longed for the U.S. animation industry to remember that Walt Disney, nor any of the pioneers of animation limited their art to children's audiences.
With THE PRINCE OF EGYPT, the DreamWorks animation team has finally taken us full circle and helped the United States join the rest of the world in offering us the first U.S. animated feature since, perhaps, FANTASIA, created for mature audiences while remaining child-friendly. If you aspire to art in any form, and/or specifically love line art and graphics as I do, you must not miss seeing this film on the big screen. I applaud DreamWorks for this triumph in graphic excellence.
Two brief critiques: First, the choice of story. The story is based on Exodus from the Old Testament (and other Scripture) which is scanty, to say the least. Although the studio made an effort to flesh out the story with the Ramses/Moses relationship there is simply not enough meat to go around. This opinion is debatable, a very minor aspect and only my view as a story teller. At the bottom line the overall work is so extraordinary any possible lack in literacy is more than made up for in the visual mounting and production of the film, something which is nothing less than inspiring.
The other criticism is in the highly questionable use of "name" voices for casting, a puzzling development since there is no meaningful box office data supporting it. This practice is known to conflict the viewer psychologically as the drawn images begin to do battle with the ones in the audience memory with the cerebral bridge of highly recognizable photo images of known voices. Walt Disney knew this quite well and avoided it. Indeed, he used the voice of a complete unknown for Snow White, Adriana Caselotti, (who passed away in 1997). Disney was careful to avoid the existing Hollywood queens of song of the period, Judy Garland and Deanna Durbin, the latter, whose prodigious vocal talent actually saved Universal Pictures from going belly up a short time later.
However, at the bottom line, THE PRINCE OF EGYPT will become a true classic and has taken the art of animation up to a new threshold, a model to which future animators will aspire.
Raul daSilva, New Haven, CT, USA
With THE PRINCE OF EGYPT, the DreamWorks animation team has finally taken us full circle and helped the United States join the rest of the world in offering us the first U.S. animated feature since, perhaps, FANTASIA, created for mature audiences while remaining child-friendly. If you aspire to art in any form, and/or specifically love line art and graphics as I do, you must not miss seeing this film on the big screen. I applaud DreamWorks for this triumph in graphic excellence.
Two brief critiques: First, the choice of story. The story is based on Exodus from the Old Testament (and other Scripture) which is scanty, to say the least. Although the studio made an effort to flesh out the story with the Ramses/Moses relationship there is simply not enough meat to go around. This opinion is debatable, a very minor aspect and only my view as a story teller. At the bottom line the overall work is so extraordinary any possible lack in literacy is more than made up for in the visual mounting and production of the film, something which is nothing less than inspiring.
The other criticism is in the highly questionable use of "name" voices for casting, a puzzling development since there is no meaningful box office data supporting it. This practice is known to conflict the viewer psychologically as the drawn images begin to do battle with the ones in the audience memory with the cerebral bridge of highly recognizable photo images of known voices. Walt Disney knew this quite well and avoided it. Indeed, he used the voice of a complete unknown for Snow White, Adriana Caselotti, (who passed away in 1997). Disney was careful to avoid the existing Hollywood queens of song of the period, Judy Garland and Deanna Durbin, the latter, whose prodigious vocal talent actually saved Universal Pictures from going belly up a short time later.
However, at the bottom line, THE PRINCE OF EGYPT will become a true classic and has taken the art of animation up to a new threshold, a model to which future animators will aspire.
Raul daSilva, New Haven, CT, USA
क्या आपको पता है
- ट्रिवियाThe production team and executive producer Jeffrey Katzenberg conferred with roughly 600 religious experts to make this movie as accurate and faithful to the original story as possible. After previewing the developing movie, all of the religious scholars, experts, and leaders associated in the making of this movie noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
- गूफ़When the plagues destroy Egypt, not a lot of monuments are shown being toppled. However, in the song "When You Believe", when the Hebrews are walking through the ruins of Egypt, there is far more damage and destruction of Egypt that what was seen in the Plagues. However, the entire breadth of the plagues could not be shown since, in the record of them, the plagues last a lot longer than a few minutes, leaving the possibility that we didn't get to see all of the destruction.
- भाव
Moses: Yes, Aaron, it's true. Pharaoh has the power. He can take away your food, your home, your freedom. He can take away your sons and daughters. With one word, Pharaoh can take away your very lives. But there is one thing he cannot take away from you: your faith. Believe, for we will see God's wonders.
- क्रेज़ी क्रेडिटAt the end of the closing credits, there are verses from religious texts - the Hebrew Bible, the New Testament and the Koran - in praise of Moses.
- इसके अलावा अन्य वर्जनLater prints of the movie, such as the 2018 Blu-ray release and the Peacock print, add the 2013 Universal Pictures logo.
- कनेक्शनFeatured in Troldspejlet: एपिसोड #19.13 (1998)
- साउंडट्रैकDeliver Us
Performed by Ofra Haza and Eden Riegel
Ofra Haza appears courtesy of BMG Ariola Munich
Produced by Hans Zimmer
Additional arrangements by Martin Erskine and Andrew Lippa
Music and Lyrics by Stephen Schwartz
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Egyptinte Rajkumaran
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,14,13,188
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,45,24,321
- 20 दिस॰ 1998
- दुनिया भर में सकल
- $21,86,13,188
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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