Palmetto

Apart from one central problem (Elisabeth Shue certainly has the body, but not the inherent tough-girl attitude her role requires; in other words, she's miscast), I personally cannot understand how anyone can claim to be a mystery fan and not like this movie. Absorbing storytelling (which takes its time), some tense moments (the body in the car trunk) and many great, totally unpredictable surprises that even the most hardened genre buffs will not guess. Riveting and interesting from beginning to end. (***)

Released from prison after being cleared of charges, Harry Barber tries to get his life back when he is approached by the beautiful Rhea Malroux with a proposition to make money. It's simple - Rhea's stepdaughter will pretend to be kidnapped, Harry will write the notes and Rhea will get $500,000 ransom money from her rich elderly husband without the police ever getting involved. Needless to say, things don't go totally to plan and, after Harry collects the money, things go badly wrong and he finds himself desperately trying to get out of the web he is caught up in.

An ex-con gets approached by a gorgeous woman and is seduced into committing a simple crime - typical noir territory, cue a twisty thriller where things that are presented as facts turn out to be lies etc. The plot is quite good even if I was waiting for the twists rather than having them come out of leftfield at me. The lack of real surprises was a problem for me as it did turn the story into rather a workmanlike affair at times. The characters aren't great either. Aside from Harry all the others are basic cardboard cut outs of characters rather than being well scripted people.

Harrelson does a good Harry, he has a sort of haggard yet oafish character here who is always one step behind and Woody can do that quite well. Shue is OK as the supposed femme fatale but I couldn't help feel that Gershon would have done a much better job, although at times Shue does look very sexy. Sevigny and Rapaport are both good young actors but neither is really given anything to do here - especially Rapaport who has bad dialogue throughout.

Overall though this is watchable and isn't bad - just routine. It has weaknesses but it does well to ape the atmosphere and prerequisites of the genre well, although it is pretty run of the mill as far as the genre goes. Still worth seeing but if you've seen more than three examples of the genre then you'll know pretty much what to expect.

It is very entertaining and mesmerizing, nevertheless. Elizabeth Shue is hilarious as the deranged femme fatale.

It falls apart in some places so fight the inclination to overanalyze and enjoy.

Although the characters lack credibility (it seems like every single woman in the history, all of them gorgeous, is dying to get into the underwear of the main male character as a matter of urgency).

Nevertheless the plot is unusual and nothing is what it looks. All seems like a normal thriller in which the roles of everybody are the typical ones but the surprises that unfold in the last minutes make it a watchable twist around a theme many times explored before.

The superb luscious ladies and the unusual plot make it a good watch,

The color photography is all that'll keep you from thinking it's the late 1940s and you're watching grade B film noir. All the ingredients are there, including (1) a dumb sucker being set up to take the big fall for the femme fatale (2) the related crime which turns out to be far more serious than the protagonist first suspects, (3) the protagonist's voice-over reminding viewers that he is indeed that dumb, and (4) one or two too many plot twists.

Yes, "Palmetto" has them all, and for good measure is set in a hot, wet, sweaty Florida-in-summer locale. The problem is that the plot is a little over blown, the dialogue not nearly as crisp as it should be, not very well directed, and consequently the usually excellent cast seems to have mailed this one in. If you like the genre, or really dig one of the actors, rent it. Otherwise, look for something else.